The Lion, The Witch, And The Wardrobe

Memory is the quality that allows the readers to personally connect with a work of art. Relatable works tend to have more of an emotional impact on the reader. Symbols are used to connect the tangible to something intangible. Through this connection, readers will associate the aspects of the thing being symbolized to the symbol. For example, if a character is used to symbolize the devil in a work of art, the audience will associate the aspects of the devil to the character. Patterns allow readers to parallel one work of art to another work of art.

There are many Christian symbolisms in “the Lion the Witch and the Wardrobe”, written by C.S. Lewis, but arguably one of the most significant motifs, is the parallel between the White Witch and Satan. The Witch uses her skill in deception to tempt Edmund into following her down a path of evil. In the book, the Witch is portrayed as beautiful, white, and pure when in reality she is a dark and destructive being with no concept of love. Satan is the same in some ways, showing himself as desirable in the form of sin. The turkish delight that the Witch gives Edmund represents sin. Edmund is ensnared by the turkish delight; he can not stop thinking about it, craving more. The Devil does the same thing to us with sin, making it an addiction.

Like most movies based on novels, there are some major differences between the written and the theatrical versions of The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe.

Alice in Wonderland by Lewis Carroll is an imaginative fictional fairytale about a seven year old british Alice, who follows a talking rabbit down a hole into the magical world of Wonderland. Alice curiously finds her way around Wonderland with her original purpose to find her way back home. She talks to a rabbit and drinks random potions that make her size larger and smaller than the average human. She eventually meets a mad man who has an unusual fixation on tea parties and a cheshire cat who leads her in every direction possible, through Wonderland She comes across a queen who loves to collect a list of human hearts with whom she has quite literally broken. “Off with their head!” she screams when one makes her dissatisfied. Alice races through

But besides the satisfying effect of fictional food, Hansel and Gretel already hints at a more negative approach to food. The siblings are tempted by the witch’s house consisting of bread and sweets. Especially evangelical discourses demanded dieting to resist the temptation of sins like gluttony or sloth (Labbe 94). Also the required dining etiquette of the increasing middle class, as well as the partly lethal food alterations of nineteenth century England, led to a rising number of didactic tales about ‘right’ and ‘wrong’ food (ibid. 93). According to Daniel, the detailed and stimulating descriptions of food in children’s literature are a meant to seduce the child reader to “swallow the bitter pill of

C. S. Lewis was a brilliant author known for his fictional novels as well as his Christian apologetics works. Religion was a large part of his life, and he utilized such themes throughout his fiction books. The first book in The Chronicles of Narnia series, The Lion, the Witch, and the Wardrobe, exemplifies such overlap. Lewis inserted fundamental Christian themes into this novel, allowing his religion to influence his work.

In particular, Alice’s fluctuating size and “opening out like” (Carroll 11) a telescope parallel with a child’s seemingly spontaneous growth spurts, which occur frequently and most noticeably during pre-adolescent and adolescent years. In fact, Alice Liddell, the inspiration for the original tale, was ten when Lewis Carroll (the pen name of Charles Dodgson) first told the tale (Vallone 245). In addition, Alice’s Adventures in Wonderland began as tale about the adventures of seven year-old Alice Liddell (Vallone 245). In reality, most children like Alice Liddell grow, but in Wonderland, Alice changed drastically and symbolically. Physically Alice’s growth correlates in many instances with her behavior. For instance, prior to drinking the mysterious liquid, Alice ponders on the substance’s toxicity, however, she fails to consider possible outcomes while forgetting the golden key. Consequently, Alice grew smaller as her behavior was incongruous to a practical and experienced adult. In contrast prior to consuming the cookie, Alice muses “‘if it makes me grow larger, I can reach the key; and if it makes me grow smaller, I can creep under the door so either way I’ll get into the garden’” (Carroll 9). Hence, Alice exemplifies problem

Lucy, the main character in "The Lion, the Witch, and the Wardrobe", was trying to prove to her siblings that she was speaking the truth while Tris, the main character in the novel "Divergent", did the opposite. Tris’ goal was to keep her secret from everyone to save her life and the lives of a few of her friends. Buck, an intrepid and mighty sled dog, was also working to persevere without being killed by his absurd owners or other rabid dogs. However, they were all either fighting for their lives or seeking acceptance from their loved ones.

Have you ever wondered about the deeper meaning of the book The Lion, The Witch, And The Wardrobe? Although this children’s book was written as a fantasy by C.S. Lewis, there are many comparisons to the Gospel accounts of the Passion of Christ. This essay will explore the similarities and differences.

C.W Lewis has written numerous amount of novels for children . At a very young age , C.W Lewis seen that he had a unusual but creative vision . In  C.W novels he would speak about children going away and living in different homes . When C.W Lewis was a child himself , he  was living in different  homes so he related that in his books.  In C.W Lewis books,  he would have multiple characters in his book . People would doubting him about his book because that multiple characters should not be in a book. Over time C.W Lewis became more advance in his writing . Each book that C.W Lewis , He would combine betrayal, compassion and forgiveness ,and guilt and blame.

The White Witch or The Queen Of Narnia from C.S. Lewis’ book The Lion, the Witch, and the Wardrobe, and Adolf Hitler, the old dictator of Germany are similar in many ways. The first trait they share is cunningness, the second is evilness, and the last is cold-heartedness.

From classics such as Homer’s Iliad and Odyssey to modern day works such as Rick Riordan’s Percy Jackson and the Olympians series, an archetype of the strong, powerful, independent, and masculine hero has emerged. In contrast to these characters, and similar ones found in many other works of fiction, which praise the classical, “masculine” hero, in his novel The Lion, the Witch, and the Wardrobe, C.S. Lewis portrays and celebrates the “feminine” spiritual hero and feminine qualities and their ability to triumph over the “masculine” hero. Before discussing the importance of the ‘feminine’ in The Lion, the Witch and the Wardrobe, first there should be a discussion of what is meant by the phrases “masculine” and “feminine.” These terms should

   Lewis Carroll's Wonderland is a queer little universe where a not so ordinary girl is faced with the contradicting nature of the fantastic creatures who live there. Alice's Adventures in Wonderland is a child's struggle to survive in the condescending world of adults. The conflict between child and adult gives direction to Alice's adventures and controls all the outstanding features of the work- Alice's character, her relationship with other characters, and the dialogue. " Alice in Wonderland is on one hand so nonsensical that children sometimes feel ashamed to have been interested in anything so silly (Masslich 107)."

Alice in Wonderland by Lewis Carroll endures as one of the most iconic children 's books of all time. It remains one of the most ambiguous texts to decipher as Alice 's adventures in Wonderland have created endless critical debate as to whether we can deduce any true literary meaning, or moral implication from her journey down the rabbit hole. Alice 's station as a seven year old Victorian child creates an interesting construct within the novel as she attempts to navigate this magical parallel plain, yet retain her Victorian sensibilities and learn from experience as she encounters new creatures and life lessons. Therefore, this essay will focus on the debate as to whether Alice is the imaginatively playful child envisaged by the Romantics, or a Victorian child whose imagination has been stunted by her education and upbringing.

The Chronicles of Narnia: The Lion, The Witch, and The Wardrobe is a fascinating, adventurous journey about 4 siblings traveling through a magical wardrobe to a land called Narnia. As they explore the land, they learn of its destiny and free it from the evil white witch, with the help of a majestic lion.