The Literary Analysis Of Melanie Safka's Music

Folk rock in the sixties inherited the tradition of country and western. In the 1960s, the main representatives of folk rock were Joan Baez, The Byrds, Bob Dylan, and so on. However, the most important folk rock singer is Bob Dylan, who was the first and the most important folk rock music creator. Known as the “protest song singer”, for the entire 1960s, Bob Dylan 's music strongly affected young people that were in the wandering and confusion. It was like a banner, a totem, and a pioneer, helped the the youth from the 1960s generation of found the sustenance of their ideals.

Popular folk artist gave their own opinions on war, racism civil rights, justice, and the “establishment” through their music (Holland107). The suggestion of rebellion interested the baby boom generation. Two of the top folk artists from the 1960s were Joan Baez and Bob Dylan. Joan Baez was referred to as a political singer/activist and she was known as the “Queen of Folk music” (Joan Baez). Bob Dylan created plenty of politically based songs that directly warned specific areas of politics, like congressmen and senators, who wanted to stop the civil rights and peace movements (Holland 107-108).

Buffy Sainte-Marie, is a Canadian musician, composer, visual artist, educator, and social activist. Throughout her career in all of these areas, her work has focused on issues of indigenous peoples of the Americas. In any of Buffy’s albums one will find decorous waltzes, among lyrical efflorescences weighted with imagery which grants an occasional glimpse of a steel mind. Her French style torchers have all the gripping qualities of that superannuated mode, combined with unconventional love song lyrics. Other love songs are warmly sentimental, with haughty and forbidding undercurrents. The one quality they all have in common is their lively tension. She was also a capable interpreter of outside material, and to top it off, her idiosyncratic vibrato made large-scale commercial success out of the question. Recently, Buffy adorns her native habiliment as she undertakes a partnership with the RSO seeking to promote a dialogue of truth and reconciliation surrounding the atrocities inflicted upon Native Americans by the white man. The partnership includes a Regina-based concert at the Conexus Art Center on October 11th which I’ve attended, followed by a tour of three First Nations communities across southern Saskatchewan, with a focus on Treaty 4 land. Herein, I will examine two songs Buffy played during her Oct 11th concert and offer an inchoate critique of her performance.

The 1960’s was an era of revolution and social change in the United States. Painters, dancers, actors, musicians and many more artists all wanted to portray societies immoral issues through their art. Musicians played a very prominent role in providing society with an outlet on the importance of this change. Within these musicians was a folk rock singer and songwriter by the name of Robert Allen Zimmerman, or as America knows him, Bob Dylan. He is known and honored around the world for his influence on popular music and culture, however, he is much more than that (Wood 313). The beginning of Bob Dylan’s career as a singer and songwriter was marked by his repetitive emphasis on social change throughout his protest songs which include “A Hard Rain’s a-Gonna Fall,” “Masters of War,” and “The Times They Are a-Changin’”; with each song, Dylan exposes many issues that affected, not one, but many lives as he aimed to spread social and political consciousness to society.

Beyoncé Knowles, a well-known singer, songwriter uses two of her songs: “Freedom” and “Formation” to tell the story of herself. “Freedom” is the beginning of her story where she is searching for freedom and equality showing that there is still much inequality and injustice for African Americans in America today. The song slowly transitions to a more positive tone when she seems to have made something beneficial out of her difficult situation. “Formation,” however, has a completely different tone. While she does address negative situations from the past at the beginning of the song, she quickly transitions to a more positive tone full of pride in where she came from, who she has become, and what she has overcome. Together, the two songs

In the short story “Dr. Heidegger’s Experiment” by Nathaniel Hawthorne, there is a great deal of literary elements used to enhance the story. For example, imagery is used to draw the reader 's attention further into the story by having them see it happening in their head and allegory is used to pull the reader away from the story by referencing things that happened somewhere else. While these two literary elements are both used to magnify different parts of the story, as well as counterbalance each other, the literary device that this essay will be focused on is symbolism. While it appears in many parts of the story one of the most obvious uses of

Women’s music came from radical, grassroots origins in the 1970s thanks to contributions by brave women, mostly lesbians (Mosbacher, 2002). These women used non-violent, peaceful force to forge their own way into the music industry. It was a peaceful yet political revolution of togetherness and liberation. It brought together women of different backgrounds who produced easy-listening, mellow harmonies played with lyrics filled with tumultuous

In the summer of 1969, a music festival known as “Woodstock” took place for three straight days in Upstate, New York with thirty-two musical acts playing, and over 400,000 people from around the world coming to join this musical and peaceful movement. Woodstock started out being a small concert, created to promote peace in the world. Now, Woodstock is still being celebrated over 40 years later. This three day music festival represented the perfect concert for the “baby boomers” during a messy political time. Woodstock significantly impacted the counterculture era of the 1960’s in a number of ways; how it began, the ideas of the concert, the sense of union and love it represented and it

Arguably one of the most powerful of Dylan’s social issue charged song is The Death of Emmet Till, a young black man who was unrightfully killed by the Ku Klux Klan. By 1963, Dylan and his on and off lover Joan Baez were both very well known in the civil rights movement. Baez and Dylan would sing together at rallies including the famous March on Washington. Dylan was on stage with Martin Luther King Jr. when his gave his infamous I Have a Dream speech. Though Dylan sang of American injustices, he was never incredibly interested in politics and he was ultimately frustrated by people defining him solely as a protest singer. Dylan’s frustrations with the unsought political branding are expressed in It Ain’t Me Babe, which “appears to be a song about rejected love, [it] was actually his rejection of the role his reputation and fans had thrown on him” (Carlson).

Her lyrics are very real to say, she talks about how people see other people. She also talks about how people don’t value others, and how did replace people real quick. She also states don’t think that you can have my love to waste, she is defending her honor in a way. She’s talking about how people are seen and how they are undervalued, but she is basically saying don’t undervalue me. She is saying that she’s not like everyone else, that she shouldn’t be seen as everyone else has been

Nina Simone used music to challenge, provoke, incite, and inform the masses during the period that we know as the Civil Rights Era. In the songs” Four Women”, “Young Gifted and Black”, and Mississippi God Damn”, Nina Simone musically maps a personal "intersectionality" as it relates to being a black American female artist. Kimberly Crenshaw defines "intersectionality" as an inability for black women to separate race, class and gender. Nina Simone’s music directly addresses this paradigm. While she is celebrated as a prolific artist her political and social activism is understated despite her front- line presence in the movement. According to Ruth Feldstein “Nina Simone recast black activism in the 1960’s.” Feldstein goes on to say

The 1960’s was one of the most controversial decades in American history because of not only the Vietnam War, but there was an outbreak of protests involving civil and social conditions all across college campuses. These protests have been taken to the extent where people either have died or have been seriously injured. However, during the 1960’s, America saw a popular form of art known as protest music, which responded to the social turmoil of that era, from the civil rights movement to the war in Vietnam. A veritable pantheon of musicians, such as Woody Guthrie, Pete Seeger, Phil Ochs, Joan Baez, and Bob Dylan sang their songs to encourage union organizers to protest the inequities of their time, creating a diverse variety of popular

Born in New Orleans, in 1911, Mahalia Jackson, Gospel’s leading ambassador and advocate, grew up in a conservatively religious family, with church music playing a prominent role in her early years. At age sixteen, Jackson met the Gospel composer and arranger, Thomas A. Dorsey, who co-wrote her first hit, “Move up on a Little Higher”, sold over eighteen million copies. Heavily involved in the civil rights movement in the 1950s and ‘60s, Jackson was renowned for her energetic passionate vocal ability and style, singing with deep conviction. Close friend and passionate civil-rights activist, Dr. Martin Luther King, described Jackson’s contra-alto sound as, “A voice like this one comes not once in a century, but once in a millennium” (New Encyclopaedia, 2017). One of her famous adaptations, was the originally Negro spiritual, “How I Got Over”, which was sung before Martin Luther King’s famous Washington Speech, “I Had A Dream”, displaying the close connection in which Gospel music and the supporters

To understand the sixties counterculture, we must understand the important role of Bob Dylan. His lyrics fueled the rebellious youth in America. Songs such as “Blowin’ in the Wind” and “The Times are A-Changin” made him favorable to anti-war demonstrators and supporters of the Civil Rights movement. He was commonly hailed as the spokesman for his generation. Dylan used lyrics to allow the youth to find their own form of counter-culture. The youth generation began to see the effects racism, war, etc. effect the society in America. To combat this, the youth created their own form of counter-culture to promote a peaceful change within society. Some of their actions include forming anti-war protests that opposed America’s involvement in the Vietnam War, and supporting African Americans/women get the rights they deserve through the Civil Rights Movement. Bob Dylan’s music appealed to the young generation because he openly expresses his disapproval of the establishment in order to influenced his audience to move in a direction for change. Counterculture youth rejected cultural norms of the previous generation and their values and lifestyles opposed the mainstream culture present in the 1950’s. The folk music revival of the early 1960s, as well as the counter-culture movement played an important role in advocating change. Bob Dylan wrote songs that influenced the Civil Rights Movement, New Left Movement, and Anti-War Movement.

Comprehending her lyrics, one may perceive from the understanding that her intended audience is actually anyone who may be feeling the same way as her and the effect in which she wishes to have upon them is to be like her in the