The Literary And Pop Culture Vampire Of The 1950s

Since the beginning of time vampires have been categorized into different "types” and are portrayed in different ways throughout several books. This paper will focus on three vampires from the following books: Dracula by Bram Stoker, and I am Legend by Richard Matheson. Dracula is considered to be the traditional vampire, where it all started, and the vampires in Matheson’s book, follow somewhat Stoker’s concept, but is more of a modern “type” of vampires. Certain vampire elements have been presented, but others have been completely removed or altered. In addition, elements along with appearances are used to infer if the vampire is a form of “the other”. There are two types of vampires; the traditional or modern vampire which can be distinguished based on the elements present in their storyline.

“The Communist threat inside the country has been magnified and exalted far beyond its realities”(273). Accusations have been made, irresponsible citizens are spreading fears. Multiples of suspicions had been made. Innocents are being considered as disloyalty. “Suspicion grows until only the person who loudly proclaims the orthodox view, or who, once having been a Communist, has been converted, is trustworthy” (273). Suspects are those who are unorthodox, who does not followed military policymakers. The fear has driven citizens to the folds of the orthodox. The fear was to be investigated, to lose one’s job, etc. These fears have driven many people to sorrow. These fears have effected younger generations. “This pattern of orthodoxy that is shaping our thinking has dangerous implications” (274). Douglas believes the great danger if we become victims of the orthodox school. They can limit our ability to change or alter. Douglas believes a man’s mind must be free.

The truly shocking and terrible, blood-sucking-monster we once  knew have now changed into beautiful, perfect,and healthy human beings. This paper will discuss the change and the reason why  the change of idea many still accept and like the modern picture of vampires.In order to answer this, I will examine the differences between Bram Stoker's Dracula , the typical figure of horror before, and the soft light just before sunrise or after sunset's Edward Cullen, the obvious example of the 21st century vampire. From this, I will be able to decide out what changed in the features of the vampires we know today.Many would think about Edward Cullen as a "shockingly disrespectful behavior of the vampire old example" (Mole).

The image the vampire is being used in horror movies and novels to portray the fear of disease and infection. For example, in the novel I Am Legend, Richard Matheson states: “The worry had started a few hours before, while Ruth was sleeping. Now, he couldn't rid himself of the fear. No matter how he reasoned, it didn’t help” (126). This quote demonstrates the fear that Robert Neville, the main character, was experiencing. He was afraid that Ruth, the girl he brought home, is infected. The quote shows the fear of losing a companion from Neville while illustrating the general theme which is the horror of contagion. Furthermore, Matheson also states: “He was surrounded now by people, hundreds of them,

After WW2 on february 9, 1950 Joseph McCarthy gave a speech “Enemies from Within” when communism was the biggest threat to the whole world. Joseph McCarthy was a Republican Senate who got famous after his speech. He claimed that there were people in U.S. government who are a member of communist society and also mentioned in his speech that he have a list 57 people. In the speech Joseph McCarthy is appealing to the Republicans and christians, trying to influence them to take action and fight against communism. He uses people's emotional fear to turn them against each other. In his speech he uses allusion, metaphor, and rhetorical appeals.

Vampires have been around for centuries, they represent the fear of many things such as sexuality, race, gender, etc. and above all, they stand for the fear of diseases. Vampires have once been the symbol of horror due to their terrific depictions and were described as a threat to the humanity. Throughout time, the image of vampire has changed dramatically from a monstrous, inhumanely creature that doesn’t belong to human society to such an attractive and adaptive figure that expresses more of the human side than the evil. They developed human feelings, senses, and live within our society. Modern vampire movies are often more romantic and “sympathetic” comparing to the past. Vampires have abandoned their horror and evolved to a more

Reading through the whole essay, there are many appealing strategies found in order to strengthen the essay academically. Brooks attracts the audience with a pathos-style strategy, giving specific movie examples to straighten up the essay. The movie Night of the Living Dead resonates the viewers with an image of a flesh-eating and harmful zombie figure instead of a harmless voodoo-created zombie, which makes the notion of zombies transformed into a horrifying figure, provoking the sense of fear of audience with emotional appeal. The revolutionary creation of zombie film was led by George A. Romero, the father of the entirely new horror genre. In his work, zombies are characterized as a form of undead

The fear of social contagion is also a differing value to that of Dracula. Murnau explores this through the rat motif. The plague of rats symbolically parallels with the plague in

Vampires and Zombies are common in today’s modern world through the use of the media. In this essay, I will be talking about how each of these beings say something about society, how vampires have been portrayed across time and how zombies have been portrayed. By doing this, I will use two references from TV shows.

To begin with, the message “evilness is an infection” is evident which is conveyed through the use of narrative conventions. A narrative convention used is the plot which is the events that make up the story. The convention is used as the plot of “Dracula” is summarized as a story of a group of friends attempt to destroy the evil Dracula who threatens the living and the good. In this way it is comparable to scientists striving to end a plague carrier. In this case, the vampires (Dracula and Lucy) are the plague carrier in addition to feeding upon humans and infecting his victims with “vampirism”. The group of friends are associated with scientists task with the control, prevention of the plague and the extermination of the infected which in their case, the vampires. This is proven in Act 2, Scene 7 as the group of friends track down now vampire Lucy and executed her to prevent further deaths. A plausible counterpart of “vampirism” is

A key element of the fantasy / horror / gothic genres is to fascinate and intrigue readers through stories that pose the “what if” questions, thereby teaching us something new about the society we live in. Sometimes these stories are helpful in explaining difficult concepts of good and evil, science and religion. In Bram Stoker’s Dracula and Richard Matheson’s I Am Legend, the mythical horror creatures, the vampires, have many differences in their mythical abilities, functionality and origin; however, they both serve to underline themes that remind the reader of what makes us human and what defines us as ultimately good or evil. Stoker’s Count Dracula is the product of a religious strike against the antagonist whereas the vampires in I Am

“Vampire Religion” is an article written about Bram Stoker’s “Dracula.” The article is one that was found very useful in reading and understanding the story. Christopher Herbert, the author, argues of the importance that religion and events of the world played on the writing of “Dracula.” There are two parts to the article, one is “Religion/Superstition” and the second part is “The Vampire in the Church.” Both parts are vital to the article.

The vampire is an embodiment of society 's deepest fears. Throughout literary history, the vampire has always been characterised as a vile figure of pure evil. However the depiction of the vampire is affected by the social, historical and political context of the time. As context shifts, so does the collective fear of society, with the portrayal of the vampire following suit. Dracula, I Am Legend and Twilight, three extremely popular books of vampire fiction created during vastly different periods in history, are representative of this shift. In Dracula, the titular character is depicted as an anti-christ figure by the author, Bram Stoker, who attempts to warn people about the dangers of straying from traditional Christian ideals. I Am Legend, a nineteen-fifties post-apocalyptic novel, emphasises the dangers of a world ravaged by environmental destruction. The wasteland, that was once earth, becomes populated by animalistic, brutal vampires that have been created as a result of an environmental plague. Finally, Twilight is a teen-angst novel written by Stephenie Meyer in 2005 and adapted into a movie of the same name in 2008. In a day and age where more people have begun to adopt humanitarian views, society has put a strong emphasis on rehabilitation and redemption. Contrary to this ideology, Edward Cullen, the main vampire, has a deeply ingrained fear that he is beyond saving thus reflecting society 's fears that one can inherently be beyond redemption.

Different depictions of vampires are commonly exhibited in vampire folklore in past and present literature and film. The diversity of different variations of vampire legends are prominently seen in most literature, but the main ideas and attributes are generally the same. This is not that case when focusing on specific novels discussed in class. The novels I Am Legend by Richard Matheson and Fledgling by Octavia Butler are two contrasting works of vampire folklore. The novels are about different societies of vampires. They both emerged in different ways, the survive and feed in contrasting ways, and they both represent completely different forms of vampires. This essay will examine the characterizations of the contrasting the vampire species in both I Am Legend and Fledgling, as well as, investigating how these different species of vampires relate to human species.

As one of the most attractive and enduring figures in the Gothic literature, the vampires have moved from being a peripheral element with the genre to a place near the center and are capable of generating its own massive tradition now. In the recent literary history, they have already been adapted to play a role of a rebel against the moral, social, religious, and even sexual taboos. Put simply, the vampires are now a metaphor of human beings in the modern society and life.