The Little Mermaid Analysis

After seeing the prince once and saving his life, the little mermaid developed an obsession with the prince. She would go up to sea level everyday to see if the prince was there and once she figured out he was not there, she would be sorrowful and distraught. The little mermaid’s happiness depended on the prince which is very degrading. This is teaching girls that they can only be happy if they have a man. When the little mermaid asks if she could live on land, the old woman responds with "unless a man should love you so much that you were

The Little Mermaid is an example of how woman were seen in society. In the fairy tale, women are characterized by appearance rather than personality by both men and women. The little mermaid mentions “But if you take my voice, what shall I have left?” (Anderson 226). In this quote, the little mermaid believes that she cannot just be herself to win the prince’s heart. The prince also looks at women the same way because of how he talks to the little mermaid. He asks her, “You’ve no fear of the sea, have you, my dumb child?” (Anderson 229). He treats her as if she is still a small child just because she cannot speak. The tone helps shape the whole story into a feminist piece. Anderson relays the moral of

In the story, “The Little Mermaid” there are demonstrations that describe what a heroine is. A female character that is noted for special achievements represents the heroine in a story. Therefore, the youngest mermaid “Little Mermaid” represents the heroine throughout the story. The Little Mermaid is a mystical creature that longs only to seek the handsome prince she laid eyes on. “Once she became human, the witch said she could never become a mermaid again” (Anderesens 185). This is an example of how the Little Mermaid chose to do something incredible and dangerous just to accomplish something she only dreamt of. Not only is the Little Mermaid the heroine of the story, but she also exemplifies other archetypal characteristics. An

Disney directly exposes the idea that young girls should make their main goal in life to find their prince charming, fall madly in love, and live happily ever after. Making young girls’ aspiration in life revolve around finding a man of their dreams “transfix[es the] audience and divert[s] their potential utopian dreams and hopes through the false promises of the images [Disney] cast[s] upon the screen” (22). Disney tells the audience that women need a man to be happy. Disney presents the idea that women are dependent on me. Just like in The Little Mermaid, Ariel goes as far as surrendering her voice, to a witch named Ursula, and abandoning her family in order to be with her prince. Ariel also trades in her life as a mermaid, drastically changes her body, and sacrifices her greatest talent all in order to win her prince. Disney sends the message that girls need to give up their talents and lives in order to be with a man. Disney suggests that a woman’s main priority is her lover, no one or nothing else. Disney effectively portrays women in a negative way, depicting them as weak and needy. No attempt to break the stereotypical gender roles of women are evident however, these stereotypes are growing as Disney instills this image of women in the minds of viewers.

The transition from a girl to a woman is created by the socially implemented ideals of femininity depicted in commercials, books, and mainly films. One of the famous animated princess Disney films, The Little Mermaid can be easily added to yet another Disney film portraying hegemonic femininity. In the 1989 film The Little Mermaid (Ron Clements, John Musker), a beautiful, young mermaid is willing to make a risky deal with an evil sea-witch because she yearns to walk on land and fall in love with a prince, while secretly the sea-witch wishes for the mermaid to lose the deal. Ultimately, mermaid ends up achieving her dream of marrying the prince although the evil sea-witch tries to destroy the plan. Throughout the fantasy/ melodrama film, the main protagonist Ariel reinscribes the hegemonic

However, because childhood and adulthood never exist completely separate from the influence of one another, the sea kingdom of innocence and joy is tinged with glimpses into the adult domain – glimpses which grow in frequency and intensity of curiosity as the Little Mermaid grows older. The Little Mermaid has shaped her garden to look like the sun; the sun has connotations with the over-world as well as with “son” or man (Dahlerup). The statue of a young man in her garden verifies this semblance. Such indications of another world are not given birth on its own, but rather are spurred by the figure of the grandmother, who serves as both an otherworldly messenger, as well as an embodiment of the sea world. The grandmother acts as a mother figure to the mermaids, as a center and a sustainer of a child world; however, the twelve oysters on her tail shows her to be “a little too proud of her rank” and instantly places her as an adult with desires and manifestations of such desires that extend beyond the simplicity and ignorance of childhood (Andersen 218). The grandmother’s stories and descriptions of an ulterior reality power both imagination and curiosity – and the Little Mermaid longs for the day she is “old enough” to give tangible form to her

From the moment the world introduced us to television, we have been bombarded with images of fantasy and “happily ever after’s.” Perhaps the most well known corrupter of reality lies within the Disney franchise. Disney’s, The Little Mermaid, follows a typical fairy tale format in which all goals and dreams are achieved. Its counterpart, however, moves to the beat of a different drum. Hans Christian Andersen’s, The Little Mermaid, portrays a more serious plot much different from Disney’s loveable adaptation. One may conclude that the most these two stories have in common is their titles, but a deeper theme runs throughout both of these fictional plots. Despite these two stories’ conflicting agendas and the

“The Little Mermaid” by Hans Christian Andersen is one of the worlds most cherished fairy tales. Through the years, this story has inspired its fair share of different adaptations and spinoffs, as well as intertwined itself in popular culture. Although it is widely considered a children’s story today, upon close examination, we can find various elements of literary devices and themes, all of which provide the seasoned reader with a deep connection to the story. To honor the tradition of story-telling, it is essential that a short summary of the story be given.

Hans Christian Andersen’s story, “The Little Mermaid” talks about a girl who saves a young man from drowning and falls in love with him, and she later learns that the young man she saved was a prince. In this world women believe that they are not capable of doing nothing or being nothing without a man in their lives. Disney’s film, “The Little Mermaid”, by Ron Clements and John Musker, present a version that makes an appearance for children, so it is harder to catch on where a woman needs a man in her life whether it is her father or a husband. In the Disney film the director makes the mermaid (Ariel) look so vulnerable and weak for a young woman. Women now these days say that they were made to believe that they have to depend on a man because they will not make it without them. In the story the author made it seem like all women cannot do want they want or that they are limited to do and say certain things because they are women. Women grow up to believe and to think that they need a man because that is how many men and society made women and young girls look like. So, part of this faulting it the men because they beliefs are that women cannot do what they do or that women and young girls belong at home to behave right and look pretty for the men. Andersen is a good example of Feminist and Gender criticism because women should believe that they can make it without having to rely on a man. Women should start believing that they are as equal as a man whether it’s at a job, relationship, at home, and in society because we are not meant to be looked at as a fragile and weak woman, we are supposed to show everyone that women should be equal to men on all types of levels. Andersen examines representation of gender, dependence, and cultural stability to explore notions of equality in gender.

The Little Mermaid is a fairy tale by the Danish poet and author Hans Christian Andersen. The tale is about a young mermaid willing to give up her life in the sea and her identity as a merperson to gain a human soul and the love of a human prince. The tale was first published in 1837 and has been adapted to various media including musical theater and animated film.The standard of this classical story has been set to be the Disney Movie titled the same

Fairy tales convey political, moral, and social lessons through characters, relationships and setting. They originate from an oral tradition passed down from generation to generation often in a varied form, drawing inspiration from diverse sources such as the Bible and mythology. As societies gained access to the printed word, fairy tales became less changeable and tended to focus on characters who were transitioning from childhood to adulthood (Abler). Jacob and Wilhelm Grimm became renowned for their collection of fairy tales which have been disseminated worldwide and translated into a hundred and sixty different languages during the Romantic period of the nineteenth century (Abler). They often changed tales from their original versions to get rid of sexual undertones and horrific violence against innocent characters, injecting their interpretation of Christian morality into the subtext. Laced with various complex layers, the original tale of "The Little Mermaid" is imbued with poignant cultural meaning. Sirenetta, the young mermaid protagonist, dwells in a kingdom under the sea with her older sisters, but desires to become human after she falls in love with a prince whom she saves from drowning (Brothers Grimm 4). She implores the Witch of the Deep for help to get human legs but sacrifices her voice and accepts that every step she takes will be excruciatingly painful (5). Sirenetta and the prince fall in love, but ultimately the prince is ordered to marry another woman

The purpose of this essay is to watch a movie and try to view the main character from three personality theorists perspectives. In the movie The Little Mermaid, Ariel is a mermaid princess who makes a deal with an evil sea-witch to meet a human prince who lives on land (Clements/Musker, 1989). In this essay, I will analyze the movie The Little Mermaid through Sigmund Freud’s psychoanalytic theory, Carl Jung’s theory of Archetypes, and Erik Erikson’s Stages of Development. While these theorists have much in common in terms of self-concept, their views on the main issues at hand vary accordingly.

The Little Mermaid is also an animated film produced

I went to watch The Little Mermaid with my parents. The playwright of this story was Doug Wright. We saw the play at Fossil Ridge High School on Saturday November 18th at 2 o’clock. It was an amazing play that gave a fun twist on the movie you know and love. Act 1 was almost completely under water. It introduced you to the setting, which is King Triton’s palace. You see curiosity and wonder in this part. In Act 2, Ariel spends most of her time in Prince Eric’s palace to win over his heart. You get to feel the love between these two at this point. There are also many characters that I fell in love with on the way. Some mains ones are Ariel, Prince Eric, Ursula, Flounder, Sebastian, and Scuttle. There were also some minor characters like King Triton, Ariel’s sisters, the maids, Chief Louis, and so many more. Each one adds something small, but together they create a great play.

The Little Mermaid is a story about a young girl who is not afraid of trying new things because she is willing to get out of her comfort zone to try new things. There is this specific quote that say the following; “Children have got to be free to lead their own lives.” (Korman, Cuddy 1994) The life lesson here is that we must not be afraid to try new things so that good things can happen in our life’s. One must not be afraid of new changes and must be willing to adapt to new and unknown situations. The Little Mermaid was not afraid however there was the situation that her father would now allow her to leave the sea which was there home and were he would be able to keep her safe. That would not stop her from going out of her comfort zone and wanting to try new things. Many of us especially adults will give in to being comfortable with what we have and will not want to go out and try new things. Life is full of adventures and I believe that we have to be more like the younger children and be willing to try new things because if we don’t then we will never leave that comfort zone to be able to move on with our lives. I will finish with this quote which