The Little Mermaid Character Analysis

When Wendy first meets the mermaids, whom she was ecstatic to meet, she realizes that they’re not as great as she had previously thought, even realizing that they are quite rude to her, often intentionally splashing her (Barrie 51). This could be an example of how young girls are rather excited to get their periods, but upon it’s arrival, young women are hit with the sudden realization that they are extremely unpleasant. Along with their attitude, the mermaids are also a symbol of the ocean, tides, and a natural flow , which all center around female menstruation (Smith 526). This is a more literal interpretation of the mermaids, though it still revolves around Wendy coming to terms with the fact she is growing up. One of the most unsettling innuendos Barrie was able to slip in about Wendy’s start to puberty was about sex, “The word “prick” has been slang for penis since the 16th century and thimbles protect from being pricked by the needle while sewing, preventing a drop of blood from falling, which in fairy tales can symbolize...loss of virginity” (Smith 527).

Richard Van Camp shares the story of Torchy and his series of events that takes the reader along to see and feel the tragedies of Torchy with his past and current experiences. In the short story “Mermaid” by Richard Van Camp, the author explores the realm of a true tragedy in this story through the use of the Aristotle style of the elements of tragedy displayed by the means of Torchy’s series of unfortunate events through willing blindness, dramatized actions and pity developed for the character throughout the novel. With a closer look one can identify Peripeteia among many elements of tragedy found within this novel.

Ponyo and The Little Mermaid have reflected important societal views on the individuality and standards for women during their time period. Both Ponyo and Ariel display promising female characters within a society where they did not value the individuality of women. The Little Mermaid (by Disney), and Ponyo (by Hayao Miyazaki), share similar storylines. They are both about women trying to become a part of the human world in order to be with the men they love. In order to do so, they make some mischievous and dangerous decisions.

When the little mermaid went to the sea witch to be changed into a human, she told her, “How stupid of you! Still, you shall have your way, and it’ll bring you into misfortune, my lovely Princess” (Anderson 226). The sea witch had already warned the little mermaid even before she made the potion that it would not go as she planned. The little mermaid, being young and foolish about love, did what she believed was right. The tone here spoken by the sea witch gives caution towards the mermaid. Anderson uses the witch as a way to portray to the reader how it is easy to make mistakes in the matter of love. This example is given when the witch informs her that, “… and if you don’t win the Prince’s love, so that he forgets father and mother for you and always has you in his thoughts and lets the priest join your hands together to be man and wife, they you won’t get an immortal soul” (Anderson 226). The author uses a reproving tone to demonstrate to the reader how the little mermaid is foolish, carried away in her childish dreams. Anderson characterizes the sea witch in such a way that her dialogues warn women to be careful when it comes to sacrificing themselves for anyone.

There are many other short stories that show this, like “Cinderella”. The male figure in “The Little Mermaid” gets to be the handsome prince that the little mermaid is so in love with. The little mermaid sees him from the ocean when he is attending his own birthday party at a ship. Later on, a storm destroys the ship completely, which leads the prince seeking for help, and the little mermaid gladly saves him. As we all know, the little mermaid is in love with the prince and she also wants to become a human for that immortal soul she desires so deeply. The sea-witch gives her the poison, and tells her that she can only acquire this immortal soul only if she gets the prince to fall in love with her. Likewise, she must make the prince marry her. Even with all the side effects the poison gives her, like the feeling of walking on knives she will get when she steps, she puts them aside just to be with the prince and get what she wants: the prince himself and immortal soul. We can infer that here the prince (being a male) has become the sole dominant figure of the story, and that the little mermaid has become the sole victim, with everything against her. The little mermaid absolutely depends on the prince to get what she wants, and that represents that the prince is her only salvation. Her only hope to become what she really wants has become the prince himself. If analyzed this part of the short story shows that women depend on men to get what they want. In addition, Hans Christian Anderson makes the prince all rich, powerful, and handsome just to make him look like a dominant man. Hidden messages like these blind little girl’s view of the correct society that we should have, making them think that the man is always the most powerful, the most independent, and the most important compared to

In the story, “The Little Mermaid” there are demonstrations that describe what a heroine is. A female character that is noted for special achievements represents the heroine in a story. Therefore, the youngest mermaid “Little Mermaid” represents the heroine throughout the story. The Little Mermaid is a mystical creature that longs only to seek the handsome prince she laid eyes on. “Once she became human, the witch said she could never become a mermaid again” (Anderesens 185). This is an example of how the Little Mermaid chose to do something incredible and dangerous just to accomplish something she only dreamt of. Not only is the Little Mermaid the heroine of the story, but she also exemplifies other archetypal characteristics. An

Disney directly exposes the idea that young girls should make their main goal in life to find their prince charming, fall madly in love, and live happily ever after. Making young girls’ aspiration in life revolve around finding a man of their dreams “transfix[es the] audience and divert[s] their potential utopian dreams and hopes through the false promises of the images [Disney] cast[s] upon the screen” (22). Disney tells the audience that women need a man to be happy. Disney presents the idea that women are dependent on me. Just like in The Little Mermaid, Ariel goes as far as surrendering her voice, to a witch named Ursula, and abandoning her family in order to be with her prince. Ariel also trades in her life as a mermaid, drastically changes her body, and sacrifices her greatest talent all in order to win her prince. Disney sends the message that girls need to give up their talents and lives in order to be with a man. Disney suggests that a woman’s main priority is her lover, no one or nothing else. Disney effectively portrays women in a negative way, depicting them as weak and needy. No attempt to break the stereotypical gender roles of women are evident however, these stereotypes are growing as Disney instills this image of women in the minds of viewers.

In the film The Little Mermaid by John Musker and Ron Clements, a theme that continually portrays itself is how woman are seen in society. In this film, women are defined by their appearance instead of their inner-self or personality by men and women. It also displays that woman are not treated fair. This is expressed in the film through multiple song lyrics and scenes. Ariel, the little mermaid, experiences many occasions where woman in a society are seen differently than men. In the film, Ariel was given an option to live under the sea and live life under the rule of her father, or be on land with her Prince Eric. Although this is clearly not laid out, a man figure is always above Ariel and could convey an idea that

Growing up watching Disney movies you never notice how sexist they really are. I always watched The Little Mermaid, but watching it now is very different. When you are younger you just watch things because you like them, you do not necessarily understand them. As you get older you realize what you were really being taught. Walt Disney’s movie The Little Mermaid displays a lot of sexism and displays how society should see women and how women should act.

From the moment the world introduced us to television, we have been bombarded with images of fantasy and “happily ever after’s.” Perhaps the most well known corrupter of reality lies within the Disney franchise. Disney’s, The Little Mermaid, follows a typical fairy tale format in which all goals and dreams are achieved. Its counterpart, however, moves to the beat of a different drum. Hans Christian Andersen’s, The Little Mermaid, portrays a more serious plot much different from Disney’s loveable adaptation. One may conclude that the most these two stories have in common is their titles, but a deeper theme runs throughout both of these fictional plots. Despite these two stories’ conflicting agendas and the

“The Little Mermaid” by Hans Christian Andersen is one of the worlds most cherished fairy tales. Through the years, this story has inspired its fair share of different adaptations and spinoffs, as well as intertwined itself in popular culture. Although it is widely considered a children’s story today, upon close examination, we can find various elements of literary devices and themes, all of which provide the seasoned reader with a deep connection to the story. To honor the tradition of story-telling, it is essential that a short summary of the story be given.

Hans Christian Andersen’s story, “The Little Mermaid” talks about a girl who saves a young man from drowning and falls in love with him, and she later learns that the young man she saved was a prince. In this world women believe that they are not capable of doing nothing or being nothing without a man in their lives. Disney’s film, “The Little Mermaid”, by Ron Clements and John Musker, present a version that makes an appearance for children, so it is harder to catch on where a woman needs a man in her life whether it is her father or a husband. In the Disney film the director makes the mermaid (Ariel) look so vulnerable and weak for a young woman. Women now these days say that they were made to believe that they have to depend on a man because they will not make it without them. In the story the author made it seem like all women cannot do want they want or that they are limited to do and say certain things because they are women. Women grow up to believe and to think that they need a man because that is how many men and society made women and young girls look like. So, part of this faulting it the men because they beliefs are that women cannot do what they do or that women and young girls belong at home to behave right and look pretty for the men. Andersen is a good example of Feminist and Gender criticism because women should believe that they can make it without having to rely on a man. Women should start believing that they are as equal as a man whether it’s at a job, relationship, at home, and in society because we are not meant to be looked at as a fragile and weak woman, we are supposed to show everyone that women should be equal to men on all types of levels. Andersen examines representation of gender, dependence, and cultural stability to explore notions of equality in gender.

The purpose of this essay is to watch a movie and try to view the main character from three personality theorists perspectives. In the movie The Little Mermaid, Ariel is a mermaid princess who makes a deal with an evil sea-witch to meet a human prince who lives on land (Clements/Musker, 1989). In this essay, I will analyze the movie The Little Mermaid through Sigmund Freud’s psychoanalytic theory, Carl Jung’s theory of Archetypes, and Erik Erikson’s Stages of Development. While these theorists have much in common in terms of self-concept, their views on the main issues at hand vary accordingly.

It’s about a mermaid, Ariel, who longs to live on land as a human, even though her father, King Triton, strongly dislikes humans. Ariel falls in love with a human prince, Eric, and looks to the evil sea-monster, Ursula, to turn her into a human. Ursula makes Ariel a human in exchange for her beautiful singing voice. In the end, Eric kills Ursula and Ariel and Eric get married. When Ariel gives her voice up to become human, she becomes concerned with how she will communicate with Eric. Ursula tells her, “You’ll have your looks, your pretty face, and don’t underestimate the importance of body language” and “The men up there don’t like a lot of blabber, they think a girl who gossips is a bore. Yes, on land it’s much preferred for ladies not to say a word.” This suggests that all women need to do is maintain their looks and use their body seductively to get a man.

The original draft more generally based and less clear of what the exact thesis and argument was because I focused on other dynamics, such as patriarchy, in which I needed to narrow. Overall in the final prospectus, I argued that there are sexist themes portrayed in The Little Mermaid and the importance of analyzing and identifying these are because it is so prevalent and affective in real life society. Every argument has a purpose and a goal, and the goal with writing this paper is to bring awareness of this type of rhetoric in films in order to avoid falling or accepting its skewed