Women in classical Athens could not have had an extremely enjoyable experience, if we rely on literary sources concerning the roles of women within the Greek polis. The so-called Athenian democracy only benefited a fraction of the entire population. At least half of this population was female, yet women seem to have had very little influence and few official civic rights. `The position of women...is a subject which has provoked much controversy.'
(Lacey: 1968, 151).
Studies concerning the lives of women in classical Athens have sparked much controversy because, despite the apparent fascination with femininity manifested in art and drama, we have no evidence voicing the opinions of the actual women themselves. This presents a
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In Sarah B. Pomeroy's influential monograph, Goddesses, Whores, Wives, and Slaves: Women in Classical Antiquity (1976), it is pointed out that in the past, when scholars have considered the quality of life for women in classical Athens, they have often subjectively selected the type of evidence to use for their argument. She argues that `optimists,' who are of the opinion that women enjoyed a comparatively liberated lifestyle, focus upon the prominent role that women play within art and drama. `Pessismists,' on the other hand, base their ideas upon Athenian laws and the writings of orators and moralists (Pomeroy: 1976; Just: 1989). The evidence that we have available regarding women `relate to different levels of reality' (Humphreys: 1983; Just: 1989), therefore the sources pertain to different aspects of women's lives and need to be pieced together to provide a clear picture.
One such `optimistic' scholar is A.M. Gomme (1925), who referred to distinctive female characters such as Medea, Clytemnestra, Antigone and Electra in Greek tragedy. Gomme argued that tragedy showed Athenian women as having the freedom to come and go as they pleased. He points out that even the timid, submissive Ismene is content to wander the streets of Thebes with her sister Antigone (who is the more dominant, perhaps even 'masculine,' heroine) without a male guardian
Athenian society was very dynamic in many areas while it was strict in regard to the treatment of women. Although Athenian women were protected by the state and did not know a different way of living, they were very stifled and restricted. The only exception was slaves, and heteria, prostitutes, and this was due to the fact that they had no male guardians. Since these women were on there own they had to take care of themselves, and therefore were independent. In a more recent and modern way of viewing the role of a woman, independence and freedom to do as one likes is one of the most important aspects of living. In Athens the wives had none of this freedom and the prostitutes did. Who then really had a “better”
Misogyny pervades the picture Aeschylus, Aristophanes, and Sophocles paint of Athenian society. In their literature, however, female characters catalyze plot by challenging this picture. Such characters--from Sophocles’ Antigone to Aristophanes’ Lysistrata--face grim consequences for acting independently. Clytemnestra and Cassandra from Aeschylus’s Agamemnon exemplify this archetype of autonomy and destruction. When they confront injustice, male characters perceive them as vindictive and hysterical. This paper will compare the standards of justice Aeschylus’s society imposes on men and women. I will argue that Clytemnestra and Cassandra are protectors of divine justice who reject subservience and thereby transcend the sexism of their society.
Throughout ancient human history, men and women held vastly different roles. Women were often given the duty of bearing and raising children, whereas men were expected to fight, provide an income, and protect the household. Women were seen as totally inferior to men and described by Euripedes as “a curse to mankind” and “a plague worse than fire or any viper.” However, this misogynistic view of women and designated role of inferiority was not apparent in every ancient civilization. The role of the female in ancient Greek history can best be explored and contrasted between two important civilizations: The Spartans and the Athenians. The Spartan women were incredibly advanced for their time, and the Athenian women were drastically far behind. Both the Spartan and Athenian women held roles at home and lived lives far removed from the men of their societies. However, their lives were much different. While the Spartan women were strong and educated, the Athenian women held a status almost equal to slavery. The Spartan women were far more advanced than Athenians in aspects of life including education, athleticism, and independence.
Women have played important roles throughout history. They have been responsible for the rise and fall of nations, sustaining families, and have been the focal point of worship in ancient religions. Moving forward in history, women's roles have continually changed. Their status as matriarchs changed as the more advanced ancient civilizations rose. The patriarchal societies of ancient Greece and Rome viewed women differently from some societies of past eras. The study of the economic and political status of women, their rights, and their contributions to both these ancient societies reveals how views change throughout history.
For this informative report I will attempt to point out the roles women and how they are viewed in ancient Greece. I will then show how these views are present in Homer’s "The Odyssey." How are women, goddess or mortal, conveyed in "The Odyssey?"
Before comparing the women of the Odyssey to those of Athens, it is beneficial to take a look into the lives of the latter. A respected woman was to have characteristics including obedience, virtue, refinement, productivity, honor, beauty, talent and intelligence (social consciousness). Sarah B. Pomeroy has studied this aspect of ancient life and
Women’s role in Greece can be seen when one first begins to do research on the subject. The subject of women in Greece is coupled with the subject of slaves. This is the earliest classification of women in Greek society. Although women were treated differently from city to city the basic premise of that treatment never changed. Women were only useful for establishing a bloodline that could carry on the family name and give the proper last rites to the husband. However, women did form life long bonds with their husbands and found love in arranged marriages. Women in Athenian Society Women are “defined as near slaves, or as perpetual minors” in Athenian society (The Greek World, pg. 200). For women life didn’t
Sarah B. Pomeroy argues that women in classical Athens were oppressed by men. Men dictated who they were going to marry, their jobs, their guardianship, and so on. Some scholars contend that women were hated and kept in seclusion, while others claimed the opposite, stating that Athenian women were respected and enjoyed freedom (Pomeroy, 1995, 58-59). Pomeroy finds faults with both arguments, asserting that scholars were basing the treatment of Athenian women off of how they were treating their wives in the twentieth century and also failed to examine all evidence as equal (Pomeroy, 1995, 59-60).By examining Athenian women’s role in the home, involvement in public affairs, work life, social life, and religious rituals, Sarah Pomeroy illustrates
Respectable Athenian women seldom left their homes. Only men could purchase goods or engage in soldiering, lawmaking, and public speaking. The societies of ancient Egypt and of the Greek city-state of Sparta provided a rare contrast. Both Egyptian and Spartan women could own property and engage in business. According to Dr. Peter Picone, the author of “The Status of Women in Ancient Egyptian” states “the Egyptian women seem to have enjoyed the same legal and economic rights as the Egyptian man”. Also he states that legal rights were on a class boundary more than a gender boundary. The Women of Sparta on the other hand were quite different from the women of their neighbor, Athens. As you well know, the women of Sparta were bold, freer, and well educated. Also with the Sparta women, everything depended up money, which would determine your rank in society. While some of the Spartan citizens have quite small properties, others have very large ones; hence the land has passed into the hands of a few. And this is due also to faulty laws; for, although the legislator rightly holds up to shame the sale or purchase of an inheritance, he allows anybody who likes to give or bequeath it. Yet both practices lead to the same result. And nearly women held two-fifths of the whole countries; this is owing to the number of heiresses and to the large dowries that are customary. The Women of Sparta on the other hand were quite
The title of Sarah B. Pomeroy's book on women in antiquity is a summary of the main categories of females in the literary imagination and the societies of ancient Greece and Rome, over a period of fifteen hundred years. Beginning with goddesses, Pomery retells some Greek myths, outlining the social functions of female Olympians – the goddesses are archetypical images of human females, as envisioned by males. Desirable characteristics among a number of females rather than their concentration in one being are appropriate to a patriarchal society. Demosthenes states in the fourth century B.C. this ideal among mortal men, "We have mistresses for our enjoyment, concubines to serve our person and wives for the bearing of legitimate children (Pomery 1995)." Pomery’s goal in writing this book was to detail and outline the true significance of women in all other their roles in antiquity.
Goddess, Whores, Wives and Slaves: Classical Women of Antiquity, written by Sarah B. Pomery, focuses on the main categories of women in the literature and society of ancient Greece and Roman over a time period of fifteen hundred years. Pomery focuses on these roles and how they are significant in the development and structure of these great ancient civilizations. Her goal in writing this book was to expand upon her first book, entitled Goddesses as she discusses in the Preface of this book. She wanted to include the significance of all women’s roles beyond just that of Olympian women because the first thesis was so well received.
Women in ancient Greece had very few rights in comparison to male citizens. Women were unable to vote, own property, or inherit wealth. A woman’s place was in the home and her purpose in life was to rear children. Considering this limited role in society, we see a diverse cast of female characters in Greek mythology. We are presented with women that are powerful and warlike, or sexualized, submissive and emotionally unstable. In many myths, we encounter subversive behavior from women, suggesting, perhaps, the possibility of female empowerment. While produced in an ostensibly misogynistic and oppressive society, these myths consider the possibility for a collapse of male power and the patriarchal system. In Homer’s epic poem The Odyssey,
The role of women in ancient Greek life was insignificant compared to that of Greek men. A woman's job was to take care of the children and to cook and clean unless she had servants or slaves that would do it for her. Yet, in Greek mythology, women were often written as major characters. Well-known Greek plays contain many well-written, complex, female characters. Female individuals in Greek mythology were often seen as very powerful and fierce and were depicted by “her wits, her beauty, or her bad deeds.”
For the most part, women in today's society hold a position equal to that of a man;
Women’s rights movements have made incredible progress in recent times. Although there are many countries around the world where women are facing political and social unjustness, the social class of women in ancient Greece of 5th century BCE was solely grounded by patriarchal ideologies. The Greek playwright Euripides creates a persistent character Medea, in his classic tragedy Medea. Today, scholars study this relentless protagonist who has become an eternal and timeless symbol of femininity and womenfolk revolt. Whilst many themes such as passion, vengeance, and exile are present within Euripides’ Medea, the theme of women and femininity is critically manifested throughout the interactions of its central