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The Living Dead Anthropology

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Predecessors of George Romero’s Night of the Living Dead, the film that greatly popularized the zombie sub-genre of horror, display a clear divergence from the monster we recognize today from literature and media. In the 1930s, prior to evolving into the modern flesh and brain eating monsters, zombies were mindless slaves controlled and made to do the bidding of their evil masters. The process of zombification was an avoidable danger for its victims and was a state that was induced and reversible as, without their master, the zombie became aimless and was restored back to normalcy. The zombie films of the 1930s to the 1950s, specifically The Mummy (1932) and White Zombie (1932), originated the zombie genre, laid the foundation for Romero to …show more content…

Now in present day Cairo, after pointing a British Archaeological team in the direction of the tomb of Princess Anksenamen, the mummy, now posed as Ardeth Bey, wishes to revive the Princess. In the process, however, he bewitches Helen Grosvenor and decides to make her into the reincarnation of the Princess by first killing her and then reawakening her using the Scroll of Toth. The film choses to use a storyline that incorporates zombies to help explore themes of perceived contrasting views between Eastern and Western culture and distinctions between classical and modern Egyptian culture, as well as prejudices against Eastern …show more content…

This often sets a tensile tone in scenes where the cultures are met face to face. Orientalism is described as the route Western artists take to depict Eastern culture as inferior and ‘other’ like in comparison to the West. Specifically, in this film, Eastern, and more particularly, Egyptian, culture is depicted as primitive and superstitious whereas Western culture is displayed to the audience as more scientific and logical. After the discovery of the tomb of Imhotep in the beginning of the film, Dr. Mueller, who is of Egyptian decent, warns Joseph to not investigate the found mummy or scroll any further and expresses that “the Gods of Egypt still live in these hills [...] The ancient spells are weaker but still potent […] Put it back. Bury it where you found it. You have read the curse - you dare defy it?" Joseph replies simply, "in the interest of science, even if I believed in the curse, I'd go on in my work for the museum.” Along with this air of superiority that the original British Archaeological teams wafts in the direction of the Egyptian locals, the condescending attitude continues with the ‘modern’ team when they are confronted by Ardeth Bey. Even after Bey is the sole individual that gives the team knowledge of the whereabouts of the tomb, Whemple thinks “it’s a dirty trick” that the Egyptian artifact, found in Egypt by Egyptian

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