The Lone Night Cantina, And Adrian Tomine 's Graphic Novel Essay

Nevertheless, Asian-American stars are recognized extremely played prototypical roles offered to them – model minority, sexualized the female or masculine women. There is much argument within the Asian American community whether to consider Liu as a protagonist or a hateful. In playing highlighting sexuality roles such as Ling Woo on Ally McBeal, a role who is a ‘self-described “tramp” … simultaneously addicted to casual sex and uses sex to have her way with men’ (Goldsea.com 2008). Is she bolstering the sexploitation of Asian females, or is she an Asian image who plays her strong points? Moreover, there are already some problems in the critical writing as to whether Liu is to be considered an action star or an actor. Some argues that, in Charlie’s Angels

In the biographical essay “Amy Tan” by Karen Stein, she mentions how Tan’s parents pressured her to be both medical physician and pianist. She grew up around California, moving frequently. At fifteen, Amy’s father passed away. This was when her mother, Daisy, took her children to Switzerland and enrolled them in school there, only to return again to California in the late 1960’s. Despite her parent’s wishes, and her mother’s pressure; Tan eventually switched her life course when she changed her majors in college to English and Linguistics (2). As a now successful American novelist, Tan has wrote such stores as the popular Joy Luck Club, a collection of stories involving many Asian-American characters involved in a Mahjong club and the trials and tribulations they face as Old-world American immigrants. Tan, today, is considered and important voice among the groups of “hyphenated Americans.” (Stein 3) “Two Kinds,” in fact, was one of the stories in the short series. As a reflection of her own past, “Two Kinds” itself was largely a piece of Tan’s history written in fictional form. John Updike, on the other hand, is a prolific American writer whose career began by writing about such political issues like the Cold War and the Iron Curtain. As a child of the Great Depression and enduring WWII, in similarity to Tan, Updike was no stranger to uncertainty and hardship (Greiner 195). While Tan and Updike’s style differ greatly,

Through the personal stories of his hair, love life, and behavior, Liu is able to show the effects of his assimilation. The second section deals with Liu’s struggles to conform to white stereotypes as an Asian American. With his personal anecdotes, he establishes himself as a more credible source to speak on the subject of assimilation. The second section uses narration to provide evidence about Liu’s definition of assimilation.

The novel “Hotel on the Corner of Bitter and Sweet,” written by Jamie Ford is a compelling novel about a young Chinese American boy name Henry. Henry is growing up after the Pearl Harbor incident and the start of the internment camps for Japanese Americans. Henry’s ethnicity as a Chinese American affects his childhood in being bulled in school, having a distant relationship with his parents, and causes issues with his first love Keiko, a Japanese American girl.

Sui Sin Far’s short story, “In the Land of the Free” touches on the reality of being a Chinese immigrant in late-19th century America. The story revolves around a Chinese couple. The husband is ready for his wife, Lae Choo, to arrive from China with their new son, later named Kim. However, due to policies on immigration, the American government was forced to take possession of the child due to a lack of paperwork. However, Far’s short-story has a deeper meaning than just focusing on unfair immigration policies. She takes advantage of the story’s ending to symbolize a rejection of immigrant culture, most especially Chinese immigrant culture, by taking advantage of Kim’s change in behaviors, appearance, and dialect.

attention is that it is a struggle to be an Asian in America due to the fact that Asians

The tale “American Born Chinese” by Gene Luch Wang depicts the story of three characters, Monkey, Jin, and Danny. They all have the problem of fitting into their new environments. Jin Wang has to deal with Asian stereotypes. Danny has to deal with embarrassment of his cousin. Lastly, Monkey has to deal with the fact that there is no position for him in the heavenly ranks. However, over time, these characters have to come together to fit in. Yet the question remains: what exactly about fitting in is the problem? Although Jin Wang takes the form of Danny to reject his Chinese roots, the embarrassment of Chin-Knee shows he cannot hide behind a false American identity, thereby delineating that race is the source of his problem.

THESIS - When evaluating Arnold “Junior” Spirit from Sherman Alexie’s The Absolutely True Diary of a Part-Time Indian and Jin Wang from Gene Luen Yang’s American Born Chinese, similarities radiate in both characters as their disparity in race deem the two of them as outcasts in the entirety of society. In addition to their lack of social interactions, their uniformity in their impulsive decisions cost them each a dear friend. Although Junior and Jin are quite similar, they share differences in the way Junior tries bettering himself by fitting into both his Indian and Reardan culture whereas Jin changes himself in every possible way to become Americanized.

In her novel SOUTHLAND, Nina Revoyr explores a crippled diverse city where fragile understandings and sometimes painful misunderstandings that occur across the lines of race and culture are shown through the multiple lives associated with young Japanese-American women Jackie Ishida. In this fictional story Jackie Ishida, a lawyer, who at first feels obligated to accomplish her grandfather’s will, but later obsessed to piece together her family’s history in order to solve a terrible unreported crime of four boys who were found murdered in her grandfather’s corner store.

Maxine Kingston's Making of More Americans like Amy Tan's Mother Tongue has been a controversial addition to Asian American literature. The writer has tried to answer the critical question of Chinese American identity and hence been criticized for adopting an orientalist framework to win approval of the west. Similarly Rendezvous by Frank Chin and Mother Tongue by Amy Tan also speak of a culture that neatly fits the description of the "Other" in the orientalist framework. It appears alien, remote and immensely degrading to women who were treated like non-human beings by Chinese chauvinistic society. However things changed for the generation of Chinese that grew up in the US or at least that is what authors wants us to believe.

“Rules of the Game” written by Amy Tan is a short story that focuses on the conflict in identity that Chinese Americans face when growing up with influences from both the cultures. The physical and social settings of “Rules of the Game” create an atmosphere which helps to bring out the true essence of the story. Amy Tan’s “The

Chang-Rae Lee’s Native Speaker expresses prominent themes of language and racial identity. Chang-Rae Lee focuses on the struggles that Asian Americans have to face and endure in American society. He illustrates and shows readers throughout the novel of what it really means to be native of America; that true nativity of a person does not simply entail the fact that they are from a certain place, but rather, the fluency of a language verifies one’s defense of where they are native. What is meant by possessing nativity of America would be one’s citizenship and legality of the country. Native Speaker suggests that if one looks different or has the slightest indication that one should have an accent, they will be viewed not as a native of

The biographical connection that the author “Amy Tan” draws in her short story “Two Kinds” with her main character Jing-mei, crosses in more than one side. First of all, they both are Chinese American whose struggle in their identities with their Chinese immigrant mothers. “Due to a cultural conflict and lack of proper understanding of each other’s perceptions” (Priya 1), and as a big gap developed between the two daughters and their two mothers, in which resulted a complex relationship between them.

Reading Asian American Literature. “The Politics of Mobility” .Ed. Wong, Sau-Ling Cynthia. Princeton University Press. (1993): 118-33. Print.

One’s identity can’t be given before one achieves a sense of character through self-reflection and personal experience. In “No Name Woman” Maxine Hong Kingston narrates the tale of her unmarried aunt who is obliged to suffer the consequences of her pregnancy in the ambiguous world of her Chinese roots. We are not given a name for the narrator nor for her family. We therefore might wonder who might be considered a “No name Woman” both in the book’s world and in our own. With the oxymoron No Name Woman, Kingston calls attention to reconcile both her Chinese and American identities to and mold her own identity as a result. This makes us think more deeply about the multiple meanings of Chinese experience in America.