The Lone Ranger And Tonto Fistfight In Heaven Analysis

In the story, “The Fighter” by Walter Dean Myers, the main conflict of the story is that Billy, the main character, needs to earn more money for him and his family in order for them to live a nice life. Billy is running low on money, so he needs to do boxing which is the only way he earns money, but his wife does not agree with him because she doesn’t want him to get hurt. Therefore, he is torn between either upsetting his wife to earn money or living in poverty until he could get the right education to get a good job. In the beginning of the story it says Billy is going out, though it doesn’t say where, it is to somewhere his wife does not want him to go. I know this because on page 27 it states,“Billy Giles told his wife that he was just

Throughout “The Lone Ranger and Tonto Fistfight in Heaven” the theme of resilience is deliberately presented. Native Americans past and present continue to face stifling issues such as racism, alcoholism, isolation and suicide. Sherman Alexie makes it his obligation in his stories and poems to show Native American resiliency through humor. By using his characters to show resiliency through humor Alexie presents humor as an integral part of Native American survival.

Victor is often left in fear after he faces some of these experiences. When he graduated, he was valedictorian. One would usually be very prideful of this honorable role. However, Victor was somewhat fearful of this. He explains, “The bright students are shaken, frightened, because they don’t know what comes next. They smile for the photographer as they look back toward tradition” (147). Alexie is

He had planned to talk about his book Macho, but when he faced the crowd of teachers, his experience at school came back into his mind. He said he had faced a lot of abuse and his efforts to overcome bad teaching and become a writer. He admired good teachers with all his heart but criticized bad teachers. That presentation was not what the audience expected. Some reacted cruelly and left, but most of audience stayed and listened to him. After that, Victor was invited to give more speeches to let the audience know what worked in their education system.

One of Victor’s first experiences of racial injustice occurs in second grade when his white missionary teacher discriminates him against his outstanding academic skills and his Indian heritage. Victor has pulled aside and is assigned a junior high-level spelling test; he recalls “When I spelled all the words right, she crumpled up the paper and made me eat it. ‘You’ll learn respect,’ she said” (Alexie 173). Here Victor faces two types of discrimination: the injustice of being singled out from his classmates in order to take a more difficult test, and the injustice of being penalized for performing well on the test. Instead of being praised or awarded for his outstanding ability, Victor is punished severely for his high-level skills by having to eat his test. Later on, the teachers send a note to his parents telling them “to either cut [Victor’s] braids or keep [him] home from class.” This injustice towards Victor’s culture over a hairstyle has no impact on a child’s education or accomplishments. Alexie incorporated this injustice to show the readers that such discrimination occurs and his stories are not fiction. In fact, native women, P. Jane Hafen responds to

Victor Joseph’s portrayal of the classic Native American man is exemplified by Alexie’s use of dialogue, costumes, and flashbacks. For example, when Victor sees Thomas smiling as they ride their way to Arizona he says, “Indians ain’t supposed to smile like that. Get stoic” (Smoke Signals). This example of dialogue reveals how Victor believes a Native American man should present himself traditionally, which strongly contrasts with Thomas’s demeanor and appearance. Victor continues on, saying, “Look at your hair, it’s all braided up and stuff. You gotta free it. An Indian man ain’t nothing without his hair.” (Smoke Signals). Hair design is used to symbolize Victor’s close ties with his ancestral past as a Native American. Additionally, Victor’s comment on hair foreshadows when Victor himself cuts his hair, symbolizing a moment in which Victor embraces his traumatic past by accepting who he is as a person. In a more literal sense, flashbacks are also used to symbolize the trauma that Victor experienced in his direct past - living with an alcoholic father, Arnold Joseph, who abandoned him. However, by the end of the movie, Victor embraces this past through the spreading of his father’s ashes.

     In the movie there is Victor, the main character, which tries to be the typical Indian, or maybe just a typical man. He shows just hate towards his father, who left Victor and his mother alone and fled to Phoenix. The picture Victor has about his

Geronimo, Crazy Horse, and Sitting Bull are all noble Indian warriors of the recent past. Each warrior symbolizes courage, hope, and bravery in battle. The mighty warriors proved themselves in battle time and time again. These men were looked up to with the highest regards of their people. Indian children grew up with stories of these brave warriors being passed down from generation to generation. A great respect is seen for the legendary warriors of the past. As times change and the days of Indian and cowboy battles are behind us; how is it possible for a warrior to still be relevant in the modern day? Sherman Alexie expresses this idea of a modern-day warrior in his book The Lone Ranger and Tonto Fistfight in Heaven. Many times,

The way we live defines us, tradition defines us. Tradition is a very important thing. It is something that spans many generations and is a part of one's identity. Tradition can define us. Therefore when tradition is forcibly taken away it can hurt a lot of people and generations. An example of a people who have had many of their traditions suppressed and taken away are the original inhabitants of the Americas. Their tradition was taken from them and they were either killed or forced into following a new tradition which erasing all of their identity. The effect this has on the newer generation is bad because they will feel like a part of them is missing because their tradition was taken and it can cause a trauma called generational trauma. The book The Lone Ranger and Tonto Fist Fight in heaven, focuses on a Native American named Victor in order to describe how generational trauma causes a weakening of tradition because it becomes replaced with alcohol and isolation. In addition, Alexie presents how a rekindling of old traditions is a way out of this harmful circle.

Victor begins to possess an unnatural drive in his quest for knowledge where he begins intense study and experimentation, “These thoughts supported my spirits, while I pursued my undertaking with unremitting ardour. My cheek had grown pale from study, and my person had become emaciated with confinement” eventually isolating himself from his friends and family. As the seasons passed Victor’s obsession with his studies continued to grow, “And the same feelings which made me neglect the scenes around me caused me also to forget those friends who were so many miles absent, and whom I had not seen for so long a time” highlighting how his ambition is a fatal flaw, neglecting the outside world and his loved ones. Victor’s ambition to research and attempt to create life drains him of health and sensibility, “Every night I was oppressed by a slow fever, and I became nervous to a most painful degree” which is ironic to the goal he wishes to achieve. Shelly’s use of irony illuminates how Victor’s obsessive ambition has become a fatal flaw.

Victor uses his knowledge not for the benefit of society, but for his own purpose of experimentation which ends up turning out the opposite way that he imagines. Knowing his own vanity, Victor says "lean from me, if not by my precepts, at least by my example, how dangerous the acquirement of knowledge and how much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow" (Shelley 38). After creating the monster and all the hardships Victor had to go through, he realizes that a person should be happy with the world around him/her and not try to change it. He admits that trying to become a man greater than who he could be drove him mad and his knowledge went in tow with it. From

From the early chapters of the novel, Victor narrates a childhood, schooling, and career filled with an unstoppable thirst for learning. He pours over books in youth, and later attends university studying meticulously and eventually coming to a

In the novel Reservation Blues, most of the characters struggle with their identity at some point. Victor has an especially strong urge to rebel against his Native American heritage, which is apparent in his violent, arrogant demeanor and his obvious problem with alcohol. Victor is tied to his past and has trouble coping with his life as it is, and is in a constant battle with himself, his surroundings, and other people.

Trying to show that it is a problem, yet not the social norm of Native Americans. Alcohol was first shown in a flashback Victor has while he is travelling with Thomas Builds-the-Fire. The flashback shows Victor’s dad (Arnold Joseph) coming to pick up Victor from the towns convenience store. When Arnold approaches, both Victor and Thomas Builds-the-Fire

His relationship with his father influenced his behaviors later in the novel when Victor is given the chance to guide someone else in a foreign world, he choose to let them have a ‘child’s blindness’ since he only knows how to guide himself.