Sammy and Victor rebel against Mainstream culture
John Updike’s “A&P” and Sherman Alexie’s “ The Lone Ranger and Tonto Fistfight In Heaven” seem notably similar. In Updike's story, a cashier in a store named “ A&P”, Sammy, notices three girls who walk into the store in bathing suits. After a dispute between one of the three girls, Queenie, and the store’s manager, Sammy rebels against the manager and mainstream culture by standing up for those girls and quitting his job. In Alexie’s story, similarly, an Indian from a reservation in Spokane, Victor, is constantly finding himself going against mainstream culture. A few examples are the police profiling him, the 7-11 clerk thought he was a thief, and his girlfriend ended their relationship because she simply did not trust him. Although, Sammy and Victor both rebel against mainstream culture, there is a clearer separation that Sammy in “A&P” rejects a normal culture and Victor in “The Lone Ranger and Tonto Fistfight in Heaven” tries to reconcile himself with a mainstream culture.
Sammy opposes a mainstream culture and dehumanizes others that he believes disrupts norms. After the store manager embarrassed Queenie and kicked the group of girls out of the store, Sammy said to his boss, “You didn’t have to embarrass them” (298). The store manager, Lengel, is following mainstream culture by telling the girls to cover their bodies and follow the store’s policy, whether it embarrassed them or not. On the other hand, Sammy rejects
Throughout “The Lone Ranger and Tonto Fistfight in Heaven” the theme of resilience is deliberately presented. Native Americans past and present continue to face stifling issues such as racism, alcoholism, isolation and suicide. Sherman Alexie makes it his obligation in his stories and poems to show Native American resiliency through humor. By using his characters to show resiliency through humor Alexie presents humor as an integral part of Native American survival.
In John Updike's J and P, Sammy a hard working young man takes an easy decision that not only makes him lose his job, but change his life forever. Sammy who’s works as a cashier at a local grocery store. Is put in a situation where “three girls in nothing but bathing suits,”(Updike), walk in the store and aren't following the dress code. Unfortunately everyone was staring at them with disrespect; everyone but Sammy, who believes what Queenie and her friends were making a statement that shouldn't be overlooked. He wanted to stand up for the girls, but Sammy began to look at both sides of what
In the story "The Lone Ranger and Tonto Fistfight in Heaven" by Sherman Alexie, points out the hardships of being a Native American back in the 20th century. These hardships were racism, alcoholism, poverty and isolation. The story takes place in the reservation and it is about a young Native American whom struggles in society because of his skin color, family's addictions and fights. The narrator moves to Seattle with his white girlfriend who he seems to have an odd relationship because they are constantly fighting. He becomes an alcoholic and moves back to the reservation after a break up with his girlfriend.
When three young teenage girls enter the store wearing nothing but bathing suits, things begin to change for Sammy. Sammy takes notice of the actions of the girls; how they go against the normal “traffic flow” of the supermarket and break the social rules of society with their attire. It is these attributes that attract Sammy to them, as they represent freedom and escape from the life he finds himself in. When Lengel approaches them and reprimands them for what they are wearing, Sammy quits in the hopes of becoming the girls unsuspected hero.
Analysis of Sherman Alexie's 'The Lone Ranger and Tonto Fistfight in Heaven' and 'Smoke Signals'
The story happens in 1961. This is the post war period when the market is prospering at the time. New ideas, such as dressing freely comes up as the economy grows. A&P is in a small town located in northern Boston, far away from the big cities. People there are not ready for the changes in the way people dress openly and in mindsets. People’s values in Sammy’s community are conformed. As Sammy points out that: “we’re right in the middle of town, and the women generally put on a shirt or shorts or something before they get out of the car in to the street.” Women in this town should not wear revealing costumes to public places. This is not only people’s values, but their policy. When three girls dressing in bathing suits show up in A&P, they get condemned by the manager Lengel. Lengle, the lower class in society, is the representation for conservative in the town. As a manager, he supposes to put customers’ need in the first place. However, he puts his personal value above business’s principle. He reprimands Queenie that: “We want you decently dressed when you come in here” (749). “It’s our policy” (749). It is obvious that people are under strict supervision in this town. They are not allowed to dress what they want, but should follow the town’s dressing standard. Therefore, Updike creates a conserved setting that helps to reinforce the theme of conformity versus personal
The way we live defines us, tradition defines us. Tradition is a very important thing. It is something that spans many generations and is a part of one's identity. Tradition can define us. Therefore when tradition is forcibly taken away it can hurt a lot of people and generations. An example of a people who have had many of their traditions suppressed and taken away are the original inhabitants of the Americas. Their tradition was taken from them and they were either killed or forced into following a new tradition which erasing all of their identity. The effect this has on the newer generation is bad because they will feel like a part of them is missing because their tradition was taken and it can cause a trauma called generational trauma. The book The Lone Ranger and Tonto Fist Fight in heaven, focuses on a Native American named Victor in order to describe how generational trauma causes a weakening of tradition because it becomes replaced with alcohol and isolation. In addition, Alexie presents how a rekindling of old traditions is a way out of this harmful circle.
Geronimo, Crazy Horse, and Sitting Bull are all noble Indian warriors of the recent past. Each warrior symbolizes courage, hope, and bravery in battle. The mighty warriors proved themselves in battle time and time again. These men were looked up to with the highest regards of their people. Indian children grew up with stories of these brave warriors being passed down from generation to generation. A great respect is seen for the legendary warriors of the past. As times change and the days of Indian and cowboy battles are behind us; how is it possible for a warrior to still be relevant in the modern day? Sherman Alexie expresses this idea of a modern-day warrior in his book The Lone Ranger and Tonto Fistfight in Heaven. Many times,
Infrequency rather than frequency triggers the events that occur in the A&P grocery store. The sexually appealing nature of the girls provokes Sammy’s carnal appetite and engenders rebellious feelings towards conformity as well. This allows him to realize that his life has been tailored to that of the mundane lives of the other A&P employees and customers. However, this epiphany leads Sammy to act impulsively when the girls are being admonished for their revealing attire by Lengel. Lengel, the conventional and austere store manager, further embodies the conformity that surrounds Sammy as Lengel reprimands the girls for wearing bathing suits in a grocery store. As Sammy sees his manager embarrassing the girls, Sammy has the choice of being a “sheep” or breaking out of the conformed structure of the A&P store, such as the girls has done. Sammy is refreshed by the uniqueness the girls bring, and he also wants to be part of that. This shows that he wants to protect what the girls and what they represent, which is contrast to conformity. Sammy ultimately decides to defend the girls’ honor by quitting his job, and thus makes the statement of not being a “sheep” that is mindlessly led by society. Although this decision was driven partly by carnal feelings, it was primarily out of impulse and curiosity of what lies beyond the restricted borders of normalcy in the A&P grocery store. Even though Sammy quit his job for the girls,
Status is the social or professional standing of a person, and it is often a unifying factor which John Updike uses to show comparisons of several different characters. Through Sammy’s point of view, several comparisons are shown between the employees of the A&P, even though their ages are different. Firstly, Lengel and Sammy assume the girls are ignorant and incompetent. Sammy’s demeaning view is viewed when he says, “Poor kids, I began to feel sorry for them, they couldn't help it.” In Sammy’s mind he saw the girls as helpless prey that had walked into a trap he needed to save them from. The manager saw the way they were dressed and proceeded to scold them the way a principal in a school scolds disruptive students. Another parallel between the two men is they both objectify the girls. Lengel is shown to look the girls up and down before he passes his judgement. Sammy’s defense of the girls, while it seems honorable, has ulterior motives. His hope is the girls hear him quit his job so that he can impress them; this action further objectifies the girls making them passive objects of passion. In the A&P there is another comparison between some of the repressed customers; the group of women he calls houseslaves and the trio of girls. Houseslaves are women whose only job was to cook, clean, and care for children. When the trio passed by these women there is a moment of shock from the girl’s appearance, but they look a second time possibly out of envy for the freedom they lack. The women in this story seem to all lack a voice and in the 1960s that was not uncommon; men in this time were still seen as the ultimate providers for the households. Queenie, like
In a continuing attempt to reveal this societal conflict, Updike introduces the character of Lengel, the manager. He accosts the girls and starts to make a scene accusing them of being indecent: “‘Girls, I don’t want to argue with you. After this come in here with your shoulders covered. It’s our policy.’ He turns his back. That’s policy for you. Policy is what the kingpins want. What others want is juvenile delinquency” (Updike, 600). When the store manager confronts three girls in swimsuits because of their indecency (lack of proper clothes), they are forced to leave humiliated. At this moment Sammy makes the choice to quit his job in protest of the manager’s handling of the situation. In his mind, and arguably in John Updike’s mind, the standards of walking into a grocery store in a bathing suit and humiliating someone in front of other people are both unacceptable. This part of the story is pivotal for one main reason: a voice in the business community is speaking. As a manager at A & P, Lengel is the voice of The Establishment and guards the community ethics (Porter, 321). Queenie’s (the ringleader of the girls) blush is what moves Sammy to action. Here are three girls who came in from the beach to purchase only one thing, and this kingpin is embarrassing them in order to maintain an aura of morality, decency,
Even though Sammy’s mindset is childlike, he still tries to portray himself in an adult manner. The reader can observe throughout the story the way in which Sammy thinks to be immature and quick to judge. Having his concentration only on the girls, he made a mistake while ringing up a customer. Because he is so focused on how the girls are dressed and what they are up to, he has full descriptions of each girl and thinks he has them all figured out. He points out the leader and even names her “Queenie” while not giving the other two as much attention. The reader can see how Sammy sort of mocks some of the customers when he sees Lengel “checking the sheep through” (Updike 435). Sammy’s priority, which should only be ringing up customers, but happens to be seeing what the girls are up
Do you have issues with family members not being there for you? If so, you may be in a similar situation as victor from The Lone Ranger and Tonto Fist Fight In Heaven by Sherman Alexie. Victor's father leaves their home and the reservation while victor is still young age leaving him to live with his mother on the reservation. In Native American cultures, storytelling has historically been used to convey morals, an understanding of life and death, and roles in society. Using the fictional character Victor, Alexie takes this tradition to a new audience in order documents his childhood struggles separation and distance from family and how stories kept those who were absent with him.
“When I write about the destructive effects of alcohol on Indians, I am not writing out of a literary stance or a colonized mind’s need to reinforce stereotypes. I am writing autobiography,” Sherman Alexie. In the book “Lone Ranger And Tanto Fist Fight in Heaven,” Sherman Alexie blends real life experience with fiction in order to address the struggles of the Spokane people. He addresses how historical trauma continues to negatively impact his tribe. In order to describe these struggles Alexie focuses on a young man named Victor, who represents Alexie. Sherman Alexie describes how alcohol can damage families, through examining absent parents, aggressive uncles, and the stress of overcoming alcoholism by stepping out of tradition so that the family may benefit .
Everyone has their own struggles that they go through in life. Some may be self inflicted, while others are just the cards that were dealt to them. Sherman Alexie’s story collection The Lone Ranger and Tonto Fistfight in Heaven tells of the cards that were given to people on a reservation. This compilation of stories was the framework for Smoke Signals, which won two awards at Sundance Film Festivals. Alexie has also written other novels and poems in regard to the Native American culture.