John Updike’s “A&P” and Sherman Alexie’s “ The Lone Ranger and Tonto Fistfight In Heaven” seem notably similar. In Updike's story, a cashier in a store named “ A&P”, Sammy, notices three girls who walk into the store in bathing suits. After a dispute between one of the three girls, Queenie, and the store’s manager, Sammy rebels against the manager and mainstream culture by standing up for the girls and quitting his job. In Alexie’s story, similarly, an Indian from a reservation in Spokane, Victor, is constantly finding himself going against mainstream culture. A few examples are the police profiling him, the 7-11 clerk thought he was a thief, and his girlfriend ended their relationship because she simply did not trust him. Although, Sammy and Victor both rebel against mainstream culture, there is a clearer separation that Sammy in “A&P” rejects a normal culture and Victor in “The Lone Ranger and Tonto Fistfight in Heaven” tries to reconcile himself with a mainstream culture.
Sammy opposes a mainstream culture and dehumanizes others that he believes disrupts social norms. After the store manager embarrassed Queenie and kicked the group of girls out of the store, Sammy said to his boss, “You didn’t have to embarrass them” (298). The store manager, Lengel, is following mainstream culture by telling the girls to cover their bodies and follow the store’s policy, whether it embarrassed them or not. On the other hand, Sammy rejects Lengel by standing up for a few girls that do not
Throughout “The Lone Ranger and Tonto Fistfight in Heaven” the theme of resilience is deliberately presented. Native Americans past and present continue to face stifling issues such as racism, alcoholism, isolation and suicide. Sherman Alexie makes it his obligation in his stories and poems to show Native American resiliency through humor. By using his characters to show resiliency through humor Alexie presents humor as an integral part of Native American survival.
When three young teenage girls enter the store wearing nothing but bathing suits, things begin to change for Sammy. Sammy takes notice of the actions of the girls; how they go against the normal “traffic flow” of the supermarket and break the social rules of society with their attire. It is these attributes that attract Sammy to them, as they represent freedom and escape from the life he finds himself in. When Lengel approaches them and reprimands them for what they are wearing, Sammy quits in the hopes of becoming the girls unsuspected hero.
Analysis of Sherman Alexie's 'The Lone Ranger and Tonto Fistfight in Heaven' and 'Smoke Signals'
The story happens in 1961. This is the post war period when the market is prospering at the time. New ideas, such as dressing freely comes up as the economy grows. A&P is in a small town located in northern Boston, far away from the big cities. People there are not ready for the changes in the way people dress openly and in mindsets. People’s values in Sammy’s community are conformed. As Sammy points out that: “we’re right in the middle of town, and the women generally put on a shirt or shorts or something before they get out of the car in to the street.” Women in this town should not wear revealing costumes to public places. This is not only people’s values, but their policy. When three girls dressing in bathing suits show up in A&P, they get condemned by the manager Lengel. Lengle, the lower class in society, is the representation for conservative in the town. As a manager, he supposes to put customers’ need in the first place. However, he puts his personal value above business’s principle. He reprimands Queenie that: “We want you decently dressed when you come in here” (749). “It’s our policy” (749). It is obvious that people are under strict supervision in this town. They are not allowed to dress what they want, but should follow the town’s dressing standard. Therefore, Updike creates a conserved setting that helps to reinforce the theme of conformity versus personal
The way we live defines us, tradition defines us. Tradition is a very important thing. It is something that spans many generations and is a part of one's identity. Tradition can define us. Therefore when tradition is forcibly taken away it can hurt a lot of people and generations. An example of a people who have had many of their traditions suppressed and taken away are the original inhabitants of the Americas. Their tradition was taken from them and they were either killed or forced into following a new tradition which erasing all of their identity. The effect this has on the newer generation is bad because they will feel like a part of them is missing because their tradition was taken and it can cause a trauma called generational trauma. The book The Lone Ranger and Tonto Fist Fight in heaven, focuses on a Native American named Victor in order to describe how generational trauma causes a weakening of tradition because it becomes replaced with alcohol and isolation. In addition, Alexie presents how a rekindling of old traditions is a way out of this harmful circle.
Sammy asserts his individuality when he quits. He knows that Lengel has every right, according to the standards of his time, to speak to the girls as he does. But by standing up for the girls, Sammy questions those standards and asserts that there is a higher standard of decency that says one should not embarrass others. In deciding which rules of conduct are more important, he asserts his individuality, unlike the girls who slink away because they know they have violated the rules of conduct.
Infrequency rather than frequency triggers the events that occur in the A&P grocery store. The sexually appealing nature of the girls provokes Sammy’s carnal appetite and engenders rebellious feelings towards conformity as well. This allows him to realize that his life has been tailored to that of the mundane lives of the other A&P employees and customers. However, this epiphany leads Sammy to act impulsively when the girls are being admonished for their revealing attire by Lengel. Lengel, the conventional and austere store manager, further embodies the conformity that surrounds Sammy as Lengel reprimands the girls for wearing bathing suits in a grocery store. As Sammy sees his manager embarrassing the girls, Sammy has the choice of being a “sheep” or breaking out of the conformed structure of the A&P store, such as the girls has done. Sammy is refreshed by the uniqueness the girls bring, and he also wants to be part of that. This shows that he wants to protect what the girls and what they represent, which is contrast to conformity. Sammy ultimately decides to defend the girls’ honor by quitting his job, and thus makes the statement of not being a “sheep” that is mindlessly led by society. Although this decision was driven partly by carnal feelings, it was primarily out of impulse and curiosity of what lies beyond the restricted borders of normalcy in the A&P grocery store. Even though Sammy quit his job for the girls,
“It hurts to lose any of them [to alcoholism] because Indians kind of see ballplayers as saviors” (52). In The Lone Ranger and Tonto Fistfight In Heaven, by Sherman Alexie, alcoholism takes on a salient -- yet disastrous -- role in regards to the success of Native Americans. In the short story “A Train Is An Order of Occurrence Designed to Lead to Some Result,” Samuel Builds-the-Fire, the first in his community to successfully leave the reservation and move to a city named Spokane, struggles with handling the multitudes of devastating news he has received throughout his day. Upon eagerly waking up thirty minutes early to attend his job as a hotel maid, a profession he had both enthusiastically and arduously worked for, Samuel gets -- for
For decades discrimination has been continuously growing, being angled at minority groups. These negative outlooks have created many barriers and disadvantages, with society, for those belonging to different cultures. Each set of characters within the stories are created with different backgrounds, but live with similar expectations and struggles. These barriers occur in day-to-day activities and interactions, affecting individuals, and creating negativity. Paul K. Chappell once said, "To truly listen to others, we must develop empathy. If we do not empathize with people, we cannot really hear what they are saying. When we do not listen with empathy, we hear only their words" (Chappell). White reading each short story, Amy Tan's “Two Kinds,” and Sherman Alexie's “When the Lone Ranger and Tonto Fistfight in Heaven,” the reader is able to connect the stories characters through race, culture, and ethnicity to create that feeling of empathy Chappell was trying to introduce.
In a continuing attempt to reveal this societal conflict, Updike introduces the character of Lengel, the manager. He accosts the girls and starts to make a scene accusing them of being indecent: “‘Girls, I don’t want to argue with you. After this come in here with your shoulders covered. It’s our policy.’ He turns his back. That’s policy for you. Policy is what the kingpins want. What others want is juvenile delinquency” (Updike, 600). When the store manager confronts three girls in swimsuits because of their indecency (lack of proper clothes), they are forced to leave humiliated. At this moment Sammy makes the choice to quit his job in protest of the manager’s handling of the situation. In his mind, and arguably in John Updike’s mind, the standards of walking into a grocery store in a bathing suit and humiliating someone in front of other people are both unacceptable. This part of the story is pivotal for one main reason: a voice in the business community is speaking. As a manager at A & P, Lengel is the voice of The Establishment and guards the community ethics (Porter, 321). Queenie’s (the ringleader of the girls) blush is what moves Sammy to action. Here are three girls who came in from the beach to purchase only one thing, and this kingpin is embarrassing them in order to maintain an aura of morality, decency,
Sammy faces the decision of staying at his job or leaving. His parents are friends with the manager of the store, Lengel. One day three girls walk into the store wearing nothing but bathing suits. Seeing it is a slow day, Sammy observes the girls as they go through the store and to his luck come to his check out station. Lengel then sees them at checkout and confronts the girls to tell them about the store’s policy that they should be dressed decently upon entering the store, “‘Girls, I don’t want to argue with you. After this come in here with your shoulders covered. It’s our policy’” (Updike). This is where Sammy has his transitioning experience. Upon hearing this conversation, Sammy tries be a hero for the girls by making the decision to quit his job, “The girls, and who’d blame, them are in a hurry to get out, so I say ‘I quit’ to Lengel quick enough for them to hear,
“Trauma is a fact of life. It does not, however, have to be a life sentence.” - Peter A. Levine, Ph.D. In Sherman Alexie’s collection of short stories, The Lone Ranger and Tonto Fistfight in Heaven, we read stories of Native American struggles for survival in an American society designed to keep Native Americans locked in the cycle of intergenerational trauma. Alexie illustrates the importance of rejecting intergenerational trauma as a method of survival, by isolating the two main causes intergenerational trauma becomes inescapable and giving examples that showcase the impact of attempting to survive the cycle. Through the interpretation of multiple sources, it becomes clear that the inescapability of intergenerational trauma is the outcome of internalized oppression and pessimism.
Sherman Alexie’s “The Lone Ranger and Tonto Fistfight in Heaven” is a short story about the modern day Native American. The speaker of the story welcomes the reader to the setting of the story, a 7-11. In this 7-11 the graveyard manager is skeptical about the speaker thinking that he is an armed robber and what not because of his tan skin and long ponytail. The speaker understands why the cashier may feel threatened because he himself was one a 7-11 graveyard shift employee. The speaker has a white girlfriend who he fights with quite often and she accuses him of being an alcoholic, eventually leaves his life with her in Seattle, Washington to go back to his reservation where his family is. He often has vivid dreams of Native Americans and white fighting on a battlefield until it takes a sick twist and the white are playing polo with an Indian woman’s head. The speaker is often stopped by the police for wandering in neighborhoods that the majority of the population is white. Him being different makes white people nervous and on edge. The speaker talks about how he was supposed to be different and that he had potential compared to your average Native American” (Alexie 386). The speaker was in college from a couple years and eventually dropped out and ends up a couch potato flipping through the television stations like the way society
In all mediums of story telling alike, there is always the question of if the author is being truthful about the information they are giving. This includes the lessons told through the story of morality in fiction, historical fiction, or anything related to such topics. However, most books read in popular culture have a lesson; novels are a form of education. An example of this can be shown through Sherman Alexie’s Lone Ranger and Tonto Fistfight in Heaven. In this novel, he attempts to shed light of the struggles Native American people, specifically on the Spokane Reservation, withstand through multiple stories and perspectives. Some novels, if their perspective of truth is not taken into account, still affect people in their every day
In Sherman Alexie's book, The Lone Ranger and Tonto Fistfight in Heaven is about Native Americans. Throughout the book, alcoholism is prevalent between many characters in the book. There are many strained family relationships throughout the book. The main character, Victor represents the author Sherman Alexie because he reflects the lived experiences of Alexie. Sherman Alexie’s father wasn’t always there for him and Victor’s father was the same way. Alexie portrays the effects alcoholism has on the family through creating characters that represent his own family. Through a father-son relationship, Alexie examines the pervasiveness of alcoholism because it damages parental child relationships and can be passed to the next generation. But despite these challenges, Alexie provides hope that tradition is seen as a way to break this habit.