The Lord Of The Rings

The Chronicles of Narnia research paper The Chronicle of Narnia is a very interesting book, it has a classic Good vs. Evil plot. In this story four brave children a saved land. The book and the movie did not have many differences except for some that were small. To begin the plot of the book, the story takes place during the Second World War in London. Their father was gone in the war and they were living with their mother, there city was getting bombed so they were forced to evacuate. Their mother sent them away to live with Professor Digory Kirke who lived on the country side. They were very bored on a rainy day in England and decided to play hiding go seek. Lucy who was the youngest child was the weakest

Among other things, Tolkien was perhaps chiefly a scholar of mythology, and despite his dislike of allegory, his universe is shot through with mythological archetypes. Among Tolkien’s obvious mythological influences (Biblical, Celtic, Norse, and Arthurian mythologies, etc.), I believe Biblical held the most significant effect on The Lord of the Rings, albeit Finnish/Nordic appears more so than any other. Additionally, Tolkien wanted to publish The Silmarillion and The Lord of the Rings together, since he saw them as connected mythological cycles. To a degree, one’s reading of The Lord of the Rings, is deepened by a knowledge of The Silmarillion, not just on the level of setting or context, but in terms of literary theme, symbol, and characterization.

An example of the symbolism of a Christ figure is when Gandalf and the dwarves are escaping from the goblins in the dark night. They had escaped from the goblins, but in doing so they had angered the goblins and now were

Tolkien was influenced by many of the stories he heard in his religion and greatly influenced his literature. (David McDonald, Bio Sketch)

If the study of literature shows nothing else, it shows that every author, consciously or subconsciously, creates his (or her) work after his (or her) own worldview. Tolkien is no exception. "I am a Christian..." he writes(1), and his book shows it. Christianity appears not as allegory--Tolkien despises that(2)--nor as analogy, but as deep under girding presuppositions, similarities of pattern, and shared symbols.

The events associated with J.R.R Tolkien’s book The Hobbit resembles a hero’s quest journey, step by step until the final stage. Bilbo Baggins is the main character in this book and his life sonorously fits into in a typical hero quest journey. The three primary components of Bilbo’s quest are, the call to adventure, tests, allies and enemies, and the reward. In the book The Hobbit, Bilbo’s life is very plain and simple until he embarks on a marvelous journey with thirteen dwarfs and the wizard Gandalf, together they go on an obstacle filled journey to raid the treasure hoard of Smaug the dragon. Throughout the story Bilbo and the Dwarfs are tested several times unit the get to the last stage. Therefore the Hobbit by J.R.R Tolkien is one of the classic hero quest stories because of the many affairs that resemble the hero quest cycle.

The capability of beaming brightly and showing strength in the face of great pain, grief, or danger. To be seen in admiration by the people for one’s noble qualities and achievements. This defines the courageous behavior to that of a hero. During the progression of the novel, The Hobbit, by J.R.R Tolkien, a clear resemblance of heroism has been shown by many characters throughout. However, when asked to define the term “hero,” the majority of people would describe a physically strong man, who’s tall and stands in the face of danger; people such as Beowulf, Sir Gawain, and King Arthur. In contrast to that common stereotype, Tolkien describes nothing but an undersized and feeble farmer named Bilbo Baggins, who lives in a well furbished hole in the ground, and how this man will embark on an unexpected journey to become a heroic figure. This reveals the fact that society doesn’t dictate the standards of a hero; only that individual can regulate their own future, and how they can be a conqueror too.

The Lord of The Rings, a widely read trilogy of books adapted for the screen in a trilogy of popular movies, takes place in the Land of Middle Earth. Some fans of the series do not realize that Middle Earth was no abstract concept in the mind of its creator, J. R. R. Tolkien. On the contrary, he developed an intricate language, mythology, and history for his country. After his death, his son Christopher helped gather and publish some of these works for the enjoyment of people around the world. A detailed history of Middle Earth became available four years after the death of Tolkien, called The Silmarillion.

The interaction of fate and free will in the primary world is a very complex, intertwined phenomenon. However, in Tolkien’s works The Silmarillion, The Hobbit, and The Lord of the Rings, there is a recognizable pattern that is set. More specifically this pattern regarding fate is established cosmologically through his story of creation (the “Ainulindale”), and the precedent is set for how individual choice affects the events that follow. This pattern will be used to establish how Tolkien views the effect of determination on determinism throughout his other works.

Christian ideals in children's literature pose a serious threat to individuality. Clive Staples Lewis wrote “The Chronicles of Narnia” in 1950, he hoped to write a book even non-religious people could pick up and read. Being his most popular book, children and adults alike took to this book, along with theologians. His book is a complete copy of the Bible, only switched around to make fantastic settings and characters like Aslan the lion, the Jesus Christ of Narnia. He also uses children as the main characters so the younger audience can relate, again, making these children prone to choosing a religion early on. C.S. Lewis wrote wonderful books, but his push of Christianity is quite offensive to some readers. The most factual correlation between the Bible and “The Chronicles of Narnia” is that they are both works of fiction.

Many beliefs influence our lives today. In fact, one of the most well-known movie series today, was influenced by a belief, called Norse Mythology. That movie series is Lord of the Rings! Many of the main characters and items come from Norse mythology. Such as, the elves, the enchanted rings, the dwarves, and other realms. Most people only know one or two deities from Norse Mythology, like Thor and Loki. While most people in the world are more familiar with the beliefs of the Ancient Greeks, Norse Mythology is one of the most overlooked, interesting, and diverse forms of mythology in the world.

I believe that the term “fellowship” describes a group of individuals who feel companionship for one another and do what is best for the entire team, no matter what obstacles they may face. In the film The Fellowship of the Ring, directed by Peter Jackson, four hobbits, two men, one elf, one dwarf, and one wizard formed a company to destroy the evil ring of Sauron at Mount Doom in Mordor.

After reading the novel, “The Fellowship of the Ring,” written by J.R.R. Tolkien, one message that J.R.R. Tolkien has shown to the readers throughout the novel is that, power corrupts all who seek it. The novel is set in a place called Middle-earth where the Dark Lord, Sauron, forged a Ring from his life force so that he could rule all of Middle-earth and its inhabitants. But, Sauron the Ring was then stolen, and for a long time he believed that the ring was lost forever. Many years later the ring came to a Hobbit named Bilbo Baggins. Frodo, Bilbo’s nephew, inherited the Ring from Bilbo and then a wizard named Gandalf the Grey tells Frodo who the Ring belongs to and what he must do to destroy it. Frodo then journeys across Middle-earth with

The most appealing character in the movie The Lord of the Rings: The Fellowship of the Ring (2001), directed by Peter Jackson, was the Ring of Power. Once greater attention is payed to the Ring, there are many hints at it’s consciousness, from the statement that the ring has a will of it’s own to the hints at Sauron’s very soul being part of the ring. With it’s will to dominate and direct alliances to Sauron, it’s obvious why the Ring is so enticing as a character. The One Ring is an extension of Sauron himself, having a certain duality with Mordor’s dark lord. While Frodo and Gandalf were speaking in Bilbo Baggins’s house, Gandalf stated, “The spirit of Sauron has endured. His life force is bound to the Ring and the Ring survived … Sauron needs only this Ring to cover all the lands in the second darkness.

The darkness that had extended over Middle-Earth, lifted like a veil the moment the magic ring was destroyed. New laws were enforced and the citizens’ freedom was taken away. In The Lord of the Rings, Tolkien uses the magic ring to reflect the politics of sustainability, therefore exploring the hardships of an unsustainable community. Frodo’s magic ring represents the ruthless actions of the creatures of Middle-Earth. Two philosophers, Scruton and Hart write their recipes for sustainability. Scruton believes that finding the right balance between beauty and piety can result in a love of place and sustainability. Hart writes about anarcho-monarchism and states that finding the balance between anarchy, monarchism, and dictatorship, can lead