There may be a time when someone has been curious or has thought that an idea is boring. Then they find out that after they look into the idea, it’s a lot more interesting than they had thought at first. Well, the same thing for when reading a poem. Shel Silverstein introduces “The Loser” and “Recipe for a Hippopotamus Sandwich”. These poems contain a curiosity that is only exposed through the process of engaging in the poem. That is what Silverstein’s goal is. He uses creative wordplay and emphasizes the end rhyme to make the reader think about the events which are subtly revealed. This allows the reader to build a curiosity about the poems by leaving hints but not telling the reader what is really trying to be said.
In his poems, Silverstein uses imaginative wordplay and emphasizing end rhyme to allow the reader to visualize and think about the events that are subtly revealed; this creates curiosity for the reader by leaving hints but not fully blurting out the facts, which makes the reader think and engage him/herself in the poem. To begin, Silverstein’s choice to use imaginative, creative wordplay creates that curiosity in the Reader which pulls them in to the poems and enables the reader to relate themselves to the poems as well. In “The Loser,” he compares him from losing his mind to literally losing his head. “It fell off and rolled away / and now it’s gone.” (Lines 5-6). The idea or thought of someone actually losing their head is very unusual. It’s easy to
In other words, the poet likes to make the reader search and figure out what is the meaning, are they right or wrong, or just likes to make the reader not understand the point of the poem at all. This type of confusions can be found not only in poetry but also in stories, such as “We talk about when we talk about love” the
She also presents a slight rhythm to the reading that allows for smooth reading. In keeping with her open form, there is no set scheme to the rhyme pattern. However, there is a single ending sound constantly repeated without a set pattern throughout the work. She also connects pairs of lines at random just for the sake of making connections to make that particular stanza flow. At the same time, she chose blatantly not to rhyme in certain parts to catch the reader’s attention.
The poem also uses end rhyme to add a certain rhythm to the poem as a whole. And the scheme he employs: aabbc, aabd, aabbad. End rhyme, in this poem, serves to effectively pull the reader through to the end of the poem. By pairing it with lines restricted to eight syllables. The narrator creates an almost nursery-rhyme like rhythm. In his third stanza however, his last line, cutting short of eight syllables, stands with an emphatic four syllables. Again, in the last stanza, he utilizes the same technique for the last line of the poem. The narrator’s awareness of rhyme and syllable structure provides the perfect bone structure for his poem’s rhythm.
To create a good suspenseful fiction short story, or novel, the author uses literary devices. A literary device is something that an author does to make a story better. In this case more suspenseful. One of the literary devices, Edgar Allen Poe used in, “Annabel Lee was a rhyme.” An example of rhyme was on stanza 34. The example is, “For the moon never beams, without bringing me dreams,” (Edgar Allen Poe, 2017). This is an example of rhyme because it repeats the same sounds in the quote of, moon never beams, without dreams. Beams and dreams have the similar sound, meaning that the rhyme.
Laughter is a crucial thing in our everyday lives and is something you will inevitably do when you are reading Shel Silverstein's poems. Have you ever wondered what would happen if Uncle Ben found a mouse in the house or what a woman in a mink coat fought for? In all of his poems Shel Silverstein uses humor to make a connection with the reader. Shel Silverstein was a jack of all trades, not only was he a fantastic author, but he was also a musician! Although in Shel Silverstein's work he does not have a deeper meaning or connection to his life, often times his poems have a moral. In all of Shel Silverstein’s poems, you can see his creative and humorous sides.
In today’s modern view, poetry has become more than just paragraphs that rhyme at the end of each sentence. If the reader has an open mind and the ability to read in between the lines, they discover more than they have bargained for. Some poems might have stories of suffering or abuse, while others contain happy times and great joy. Regardless of what the poems contains, all poems display an expression. That very moment when the writer begins his mental journey with that pen and paper is where all feelings are let out. As poetry is continues to be written, the reader begins to see patterns within each poem. On the other hand, poems have nothing at all in common with one another. A good example of this is in two poems by a famous writer by
As noted in an article by Laura Woltag, “Connecting with texts through the study of literary devices helps readers to deconstruct these texts. Literary devices provide a conceptual framework for analysis that allows readers to interpret how these techniques affect their readings of texts” (Woltag). When reading a poem people should not read it to simply go through the motions, rather they should read it and
The sound of poetry is the most important element than anything else involved with poetry. The sounds of poetry are basically a foundation of desire. It is how the syllables are arranged in a pleasant-sounding pattern to satisfy and please desires even if they have a small meaning or no meaning to them. A poem that is filled with sound but little meaning can be “The Word Plum” by Helen Chasin. It is a poem that uses the sound devices of alliteration and onomatopoeia to bring the plum to life. Using alliteration and onomatopoeia it gives the plum a sound, a savory sound, it’s almost like you can taste and touch the plum in the palm of your hand and the sounds are just rolling off the tongue with every “delicious” bite of “luxury”. In the first line there is just a brief description of how delicious the plum is, but wait there is more. Then Chasin uses alliteration in (line 2) with the two words “pout and push” because they begin with p’s, they’re verbs, four letters, and are not capitalized. Chasin also uses onomatopoeia with the second line, same words “pout and push” to give a new sound of delicious from the first line, and to explain why the plum is so delightful. Once more, she uses alliteration in the third line using “self-love and savoring”; creating that delightful sound of juices from the plum.
While reading the poem “Introduction to Poetry,” Billy Collins sends a message to the readers that they should be patient and impartial when it comes to analyzing a poem in order to see the true meaning behind the without being over analytical. There is a revieting situation that takes place because Billy Collins is delivering his message to all readers about the way that one should be able to read a poem. This poems educates the reader on how to be able to read and plunge into a poem, through using many techniques like mood, tone, and literary devices to do so. In the first two lines Collins demands that we tackle a poem with a invigorating eye. There should be an exploration of what the poem means to us. How does this poem apply to our
A well-written poem would help one to engage into the work with their senses. One should be able to ask themselves what the poem caused them to think, hear, see, feel, taste, and to determine what he or she learned from the poet’s words. Many people believe that because poetry is an enigmatic art, and that there is no way for sure to know the
Another component that differentiates the two pieces of writing from one another is the use of literary elements in Recipe for a Hippopotamus Sandwich. For example, the poem is written in twelve stanzas and contains rhymes throughout the stanzas. “A hippo sandwich is easy to make.” “All you do is simply take.”, the beginning of the poem starts with that rhyming sequence. In poetry, dashes are often used to indicate an abruptly unfinished thought or remark, just like the one used in stanza nine leading into the thought in stanza ten. “A dash of pepper- That ought to do it.” The use of ellipses can also indicate a pause, hesitation, or unfinished thought. Silverstein decided to use ellipses in the eleventh stanza in order to indicate hesitation before the final stanza. “And now come the problem… Biting into it!” The literary devices used in Recipe for a Hippopotamus Sandwich are commonly used in all forms of poetry. The lack of literary devices in “Grandma Maddy’s Spoon Bread Casserole” makes it evident that the piece of writing is not a
For example, end rhymes in the poem alternate lines with very few variations, implementing frequently repeated, and alarmingly simplistic rhyming words such as: "Lee," "sea," "me," and "we."
It adds to the effect of the poem. The way the speaker uses his voice, also adds to the poem making you think, it also helps you understand the poem better. I don’t think there was any pattern in the sound of the poem if there was I missed it completely. Although I didn’t miss it because I wasn’t listening, I missed it because I was listening to the message the speaker was trying to say. There was repetition in the poem.
Along with the use of metaphors, the form of the poem plays an important role in uncovering the views of Whitman. First and foremost, this poem was written in free verse which is a form of poetry that lacks structure. The free verse stucture of the poem is shown in the lack of form in the stanzas of the poem. Some stanzas are six lines long while others are only one, and the lines can be either concise or drawn out. The poem also lacks any apparent rhyming scheme or rhythm. Unlike Shakespearean poetry, where the foot of the poem stays the same, the lack of any apparent structure to the poem leaves the reader unable to predict what is coming next. In addition to this, at the time this poem was written, free verse was not common. In fact, Whitman may have been one of the first poets to use this form, showing that he may have been rebelling against the predominant structured form in poetry. The lack of any apparent structure guides the reader towards the conclusion that Whitman did not like structure in poetry, and can even be
The reader must participate in the making of the poem or story by digging the structure out and create coherence out of the seeming incoherence. Therefore, the search for meaning, even if it does not succeed, becomes meaningful itself.