The Loss of Innocence in Alberto Alvaro Rios’ “The Secret Lion”

Fleeting innocence is shown in the boy’s endeavours with the grinding ball. The boys in Alberto Rios’s “The Secret Lion” have epiphanies which lead to learning knowledge necessary for well being in life. The boys have realizations of the environments they were in and their new sexual feelings in their journey through the arroyo and golf course. The children learn vital life guidance from talking with the mother.

In A Place Where the Sea Remembers, Sandra Benitez invites us into a mesmerizing world filled with love, anger, tragedy and hope. This rich and bewitching story is a bittersweet portrait of the people in Santiago, a Mexican village by the sea. Each character faces a conflict that affects the course of his or her life. The characters in this conflict are Remedios, la curandera of the small town who listens to people’s stories and gives them advice, Marta, a 16 year old teenage girl, who was raped and became pregnant. Chayo is Marta’s big sister and Calendario is Chayo’s husband. Justo Flores, his conflict is person vs. self. One of the most important conflicts in this story is person vs. person, then person vs. supernatural followed by

In the novel, Bless me, Ultima by Rudolfo Anaya, a boy goes through many more experiences than any child in the hot summer days in Santa Rosa, New Mexico. He witnesses the deaths of his close friends and family. This boy expresses his emotions and grief through his dreams, only to wake up with fear and confusion in his mind. Antonio’s life is filled with dreams that foreshadow future incidents, as well as influences Antonio’s beliefs of religion and ideas of innocence.

In his autobiographical narrative A Summer Life, Gary Soto vividly recreates the guilt felt by a six- year-old boy who steals an apple pie. Through Soto’s reminiscent he has taken us on a journey of his guilt, paranoia, and redemption through the usage of tone, allusions, and imagery.

Throughout the autobiographical narrative written by Gary Soto, many different literary elements are used to recreate the experience of his guilty six-year old self. Different elements such as contrast, repetition, pacing, diction, and imagery. Soto narrates this story as a young boy at a time when he seems to be young and foolish, Soto foolmaking mistakes, but at the same time hoping to learn from them. Soto uses each of these devices to convey different occurrences in the narrative.

A “Bildungsroman” is defined as a piece of literature that focuses on the mental, moral, and psychological growth of a protagonist in transition from childhood to adulthood. Ideologies adopted into a Bildungsroman are ones that shows the coming of age like the shortcoming of loved ones, meet with challenges that the adult world presents to the younger generation, and having mentors or guides who teach the ways of life through valuable lessons. In Rudolfo Anaya’s coming of age novel, “Bless Me, Ultima”, the Bildungsroman concepts and ideas about maturity from childhood blossom as the novel's protagonist, Antonio Marez, lives his Hispanic, Catholic life at the age of eight, through countless experiences that molds his coming of age. Elements that substantially influences Antonio's coming of age includes confrontations with death, disappointment in realizing soul crushing realities, and encounters with emotions and despair that would be met in the adult world. Antonio, through, these structural elements, shapes his shift from a child to a man by emphasizing why certain events occur in his life.

As children grow up in a dysfunctional family, they experience trauma and pain from their parent’s actions, words, and attitudes. With this trauma experienced, they grew up changed; different from other children. The parent’s behavior affects them and whether they like it or not, sometimes it can influence them, and they can react against it or can repeat it. In Junot Díaz’s “Fiesta, 1980”, is presented this theme of the dysfunctional family. The author presents a story of an adolescent Latin boy called Junior, who narrates the chronicles of his dysfunctional family, a family of immigrants from the Dominican Republic driving to a party in the Bronx, New York City. “Papi had been with

Rick Moody 's short story "Boys" is written with a distinct style. The author uses a form of a stream of consciousness to convey the purpose at hand, which encompasses writing as if without hesitation or editing - whatever came to Moody’s thoughts, he transferred to text. There was also a substantial use of the word “boys”, placing emphasis on the central meaning of the story. The style is thoroughly descriptive and fails to leave any details of the boys ' lives out. This quality donates a sense of reality and creates a bond between the reader and the characters. The tone of the story comes of as particularly unbiased and serious, as if the author were just stating purely factual information. As events become more somber in the boys ' lives, the author approaches a more sympathetic tone. The boys were supposed to be kids, fooling around playing games and living a care-free childhood, but these boys found themselves in scenarios no boy or child should ever encompass.

In many cultures, coming of age is often celebrated because children become young adults who grasp self-awareness and accountability. At the same time, childhood is threatened by responsibility, which is dreaded because there is an unpredictable world of adulthood waiting with no guarantees. James Hurst demonstrates the journey of growing up through life experiences everyone goes through in the short story, “The Scarlet Ibis”. Throughout his use of mood, setting, and symbolism, Hurst shows that maturing requires reflecting on past experiences and losing innocence, which then can transform one’s outlook on life.

With a silent yet inescapable list of expectations, the pressure of society, and his damaged parents, one could believe that the adventure he embarked on was a way to remove himself from his destructive environment. However Chris had never experienced independence in his life. He felt separated from everyone with few friends and a well-off family that was tragically broken, and

One thing all human beings, have in common is the struggle for self identity. Children are raised by parents or guardians who have struggled and fought for their own identities. In many cases, parents are still trying to figure it out, while raising their own children. Such is the case with the characters in Junot Diaz’s, The Brief Wondrous Life of Oscar Wao. The theme of identity is conveyed through the characters’ Dominican culture, social standing, and in finding love. Oscar, Lola, and Yunior are three central characters in Oscar Wao, who’s Dominican cultural and family expectations were major obstacles as they struggled to establish their identity.

In the story Marigolds, by Eugenia Collier, the main character Lizabeth has conflicting emotions of her child and adult feelings as she goes through adolescence. Many teens today can relate to the indecision and inner conflict that can and does occur during this time of life. Many things spark the conflict, like her father's bitter despair about being in poverty, her brothers choice to taunt an old lady, and her decision to wreck the only beautiful thing in town, a garden of marigolds. Through the story, these conflicting emotion make her realize things about life, and that a person's ideas and views can be altered by experiences that occur during adolescence. The first example of an experience that Lizabeth goes through is when she hears her father crying in the middle of the night.

Continuing in the theme of conformity; if the boys are united by their heteronomy, Cuellar’s castration, in contrast, is the source of his ostracism. His unfortunate accident is a wound that ‘time opens instead of closes’, and as the story progresses, Vargas Llosa juxtaposes the boys socially inclusive youthful pastimes of football and studying mentioned earlier in the novel with his comparatively solitary penchant for the ocean and surfing “a puro pecho o con colchón” (94) in chapter five. In this passage, his distance from the others is symbolised by the isolation of the sea; the narrator says the water “se lo tragó” (95) and later, the boys state that “se perdió” (96). Clearly, Cuellar’s failure to partake in the testosterone fuelled rituals of sexual maturity in the city has seen him shunned from the rest of the boys and resigned to hanging out with “rosquetes, cafichos y pichicateros” (96) instead – the modern, metropolitan outcasts. Evidently, Cuellar is incapacitated by this highly heteronormative lifestyle, as the inherent masculinity of the city is a fixed identity that will perpetually exclude him, or anyone else who cannot fulfil Peruvian societies idea of gender appropriate behaviour.

The theme of “Finding One’s Self” was portrayed throughout the entire book. “Finding One’s Self” is defined as the ability to discover one’s true, inner self, knowing what they want for their lives, and changing their ways of life so they can achieve their goals. During Papa’s time in North

The idea of a loss of innocence for Leon that you brought up in your question is interesting. Depending on if Leon saw combat areas during his time in the army, and the drinking might suggest that he did, he may have already had a sort of loss of innocence when it comes to the murder of another human. Even with this in mind though, he could still have a loss of innocence when Tony kills the policeman. This can take the form of either seeing the devastation belief in the old stories can bring when meeting with reality, or simply seeing that someone who was an innocent could be capable of the same horrors as anyone else. I don't think many people even considered the possibility of loss of innocence in Leon due to his time in the military,