The Lost Garden By Li Ang Essay

Furthermore, in part tree, The Widow, Spence urges the reader of woman's values and her characteristics in T'an-ch'eng county. Through the Local History Spence defines the meaning of property in the seventeen century China. Women like any other piece of

Four Chinese mothers have migrated to America. Each hope for their daughter’s success and pray that they will not experience the hardships faced in China. One mother, Suyuan, imparts her knowledge on her daughter through stories. The American culture influences her daughter, Jing Mei, to such a degree that it is hard for Jing Mei to understand her mother's culture and life lessons. Yet it is not until Jing Mei realizes that the key to understanding who her

Another conflict that arises from Confucianism is when Jing-mei was told to go back to China and tell her half-sisters about their mother. She said “‘what will I say? What can I tell them about my mother? I don’t know anything.’” (Tan 31). In Confucianism, very little of tradition is explicitly told from mothers to daughters in the form of text. Ritual actions are supposed to be observed, absorbed and understood in order to be preserved and handed down for posterity. But Jing-mei, who grew up in America, did not have a sense of following the tradition her mother brought to America, or rather considered the Chinese tradition to be eccentric.

Over there nobody will look down on her, because I will make her speak only perfect American English.  And over there she will always be too full to swallow any sorrow!  She will know my meaning because I will give her this swan- a creature that became more than what was hoped for.”  (Tan 1)  The culture in China the mothers of Joy Luck dealt with was unlike anything their daughters could ever imagine or appreciate. Between the mothers Lindo, Suyuan, An-mei and Ying-ying, the Chinese culture forced them into being married by a matchmaker, giving up babies, witness desperate attempts to save loved ones, and having an abortion.  In many ways the Chinese culture scared each woman, although they were proud of their heritage, their daughters deserved better.  These four mothers had very high hopes for the better lives that they wanted to give their daughters by raising them in America.  They didn’t like or want to have their daughters looked down upon, just because they were Chinese women.  From each of their own experiences, they learned that they wanted to improve the lives of their following generation.

The age appropriate for the book is Elementary students of second grade. The words on the pages are minimum words but have some bigger words. The reader should to be higher than first graders because they need to be able to read more than just sight words. The cover draws the reader in to what the story will be about. The front shows myster and draws attention to the reader. The author, Terry and Eric Fan are brothers who lived in Canada. They attended the same college. This book was their first children’s book together. Their passions for writing are different but have the same interests and ideas towards writing these types of books. Inside the book, the first side note welcomes the reader

She is significant in Chinese history because of her writings and teachings of the “Admonitions for Women” using a Confucian approach to define appropriate behavior (Gregory p. 123).

In contrast, during the era of The Story Yingying, the cultural norm for a woman was to be submissive, patient, and passive. Yingying upheld all of these cultural standards. After meeting Zhang for the first time Yingying showed no interest in him at all but overtime Yingying finally gave into Zhang and fell in love and they became engaged. Unfortunately, Zhang had to leave for a year to go take a civil service examination, but he promised her he would come back to her. She waited patiently and after a year, her fiancé returned but shortly after had to leave again to retake the examination. Again she waited patiently for his return, but he never came back. After waiting for years for her fiancé to return, she became eager to

In Six Records of a Floating Life, Shen Fu writes of his wife, “Yün came to this world a woman, but she had the feelings and abilities of a man.” (Fu: 89) Shen Fu and Yün considered each other to be intellectual equals. However, their relationship was still constrained within the gender roles set by their society. They lived during the Qing dynasty, which was a prosperous time for China (“The Manchus”: 266) but also a time when, as Professor Scarlett states in the lecture Daily Life in Imperial China, “the outside world was for men and the inside world was for women.” Shen Fu and Yün’s relationship was pushing the bounds of their culture, but they still kept (mostly) within the lines of social acceptability.

Lindo’s upbringing was significant because her family was very traditional. As a result of her family abiding by tradition, Lindo was betrothed to Tyan-yu as a young girl. Lindo’s family treated her as if she was from a different family. When Lindo’s family lost everything in a flood, her father decided to move the family to Wushi. Lindo was old enough to move in with Tyan-yu’s family, so her family left her in Taiyuan with her future in-laws. When Lindo moved in with her new in-laws, Huang Taitai immediately put Lindo to work cooking, cleaning, and sewing. Lindo not only lost her family by moving in with the Huangs; she also lost her childhood innocence since she was forced to abandon playing with other children so she could be put to work. As a child, Lindo faced adversity due to her lack of American opportunities and therefore matured quickly.

Another aspect of cultural conflict is that humility and obedient are considered as the traditional virtues of the Chinese culture. Children should unconditionally obey their parents because parents have the ability and willingness to teach and control their children. For example, according to Jing-mei’s mother, Jing-mei has to practice piano assiduously. She would not be punished if she devotes all her effort to playing piano. We can clearly see this point in her mother’s word in the quarrel, “Only two kinds of daughters, those who are obedient and those who follow their own mind! Only one kind of daughter can live in this house. Obedient daughter” (461). But Jing-mei cannot understand this, because she is not familiar to Chinese culture. As a consequence of Jing-mei cannot understand her mother, she does not cooperate and has rebellious attitude against her mother. In the story, Jing-mei decided, “I didn’t have to do what my mother said anymore. I wasn’t her slave. This wasn’t China. I had listened to her before and look what happened. She was the stupid one” (460). As described above, Jing-mei cannot understand the humility and obedient of Chinese culture, even they are recognized as the

Furthermore, instead of arranged marriages that only benefited the patriarchal head, intellectuals pushed for marriages based on love which would create happy and productive citizens . In addition, based on her mother’s experience, Bao Qin rejects arranged marriages and intends to only marry for love . After hearing of two concubines who drug Cousin Hu’s mother to feign adultery and gain the favour of her husband, Bao Qin is enraged by the historic “powerlessness of women, [the] barbarity of age-old customs, cloaked in tradition .” With the broad shift from tradition as well as her own personal experience, Bao Qin rejects traditional gender roles and seeks to create her own. Furthermore, as China became divided into separate spheres of influence and opened to international markets, British and American industrialization brought new ideas of opportunities for women, challenging established gender relations . With new economic opportunities and education, women could become self-reliant, broadening their choices and their role in society. Consequently, after disobeying her parents’ command to attend Mr. Liu’s funeral, Bao Qin was able to support herself by enrolling in a new teacher training department . Reducing patriarchal control, industrialization allowed children to head to schools and factories, no longer needing to rely on their parents for education and work . As a result, while foreign

In this time in China, the role that women and men had were very different from each other. Women were expected to be quite, obedient, and respectful. While men were the provider, the intellectual and the decision maker in the family. In Shen Fu and his wife, Yun marriage it started out like the typical relationship in eightieth century China, each one fulfilling the roles that society had in place for them. But as they became to know each other more, Shen Fu saw Yun real personality and wanted someone to experience life, so he started to encourage her to be herself and told her she didn’t have to live up to this gender stereotypes for women. They both were always

Have you ever heard the fascinating Chinese story “The Story of Miss Li”? This short story is about two main characters. One being Miss Li, a beautiful young Prostitute, and a young man of great wealth and power. Soon in the story Miss Li finds the young man and convinces him to marry her. Unfortunately, two years later they spend all of their money and end up having nothing to their name. So, Miss Li, tricked the young man and left him with nothing to his name. years pass and the young man was very sick and almost dead, he runs into Miss Li one more time. Miss Li felt so terrible that she did this to him that she took him in and cared for him. Soon, she became an ideal Confucian woman and led him back to great wealth in power by helping him learn “the five texts” and making sure he was ready to take the Civil Serves Examination. Even though Miss Li was not what most Chinese call a proper woman, later became an ideal Confucian woman and wife by following the Admonitions for Women and the Analects for Women.

I chose this topic because I view women as the backbone to the development or a nation, therefore the Chinese woman is paramount in one of the world’s great civilizations. The role of women in Chinese culture has changed over the years. When we consider the position that women held in ancient Chinese society we find that they have come a long way to be where they are today.

For the bulk of the mid- to late-20th Century, Eileen Chang’s name and literary prowess fell into obscurity as a result of events related to the Cultural Revolution and her own reclusion. In C.T. Hsia’s A History of Modern Chinese Fiction, he praised Chang for her use of "rich imagery" and "profound exploration of human nature.” In his book, he also claimed Chang to be “the best and most important writer” of mid-twentieth century China. Hsia’s remarks and Ang Lee’s film adaptation of her novella, Lust, Caution, have helped to bring Chang’s name back onto the literary scene.