The Lost Iago in Shakespeare's Othello Essay example

For Iago to achieve his ultimate goal he has to take each area of his

According to Iago women are good when they are outside of their homes but once they enter the home they are worse than devils, Iago’s sneering attitude towards his wife and women in general is indicated once again. Further meaning of the statement reveals his use of the word ‘picture’ which denotes that out of doors the women are silent and pleasant to look at. In addition to the statement Iago stated we come to know that women act like saints even when they injure others. He also Says, ‘They are lazy around the house except that they are active in their bed’, suggesting that they are like prostitutes. This is when Iago suspects his own wife slept with Casio. In addition to this is where Iago sees Desdemona and Cassio talking about a matter and he automatically assumes that Desdemona is a unfaithful wife to Othello.

Othello has been described as one of William Shakespeare’s most popular plays because the play focuses on its themes of good and evil, military, politics, love and marriage, religion, racial prejudice, gender conflict, and sexuality; but the controversy and debate surrounding Othello is “Why is Othello a qualification for a tragedy?”

The first of many examples of Iago’s manipulation occurs in Scene 1, Act 1. Rodgerio and Iago have had a bit too much to drink and they go over to Brabantio’s house to inform him about his daughter’s romantic relationship with Othello. When Roderigo starts telling Brabantio about this, he shrugs it off, blaming his nonsense on Roderigo’s unrequited love for his daughter. But Iago begins explaining the situation, saying “...very now, an old black ram is topping your white ewe. Arise, arise, awake the snorting citizens with the bell, or else the devil will make a grandsire of you.” (I,I). Iago’s exact choice of words in this quote is very significant because not only are they racist and distasteful, they are dehumanizing Othello. By comparing Othello to an animal, and “old

Iago is very notorious for his villainous acts throughout the play “Othello”, by William Shakespeare. Iago’s motives drive him to manipulate and deceive other characters so his “monstrous” (I, iii, 395) plot would succeed. Iago manages to con Roderigo to take his money. Iago also tries to ruin Othello and Desdemona’s relationship by using Cassio as a bait. In this passage, Iago explains how he will manipulate Rodrigo, Cassio and, most importantly, Othello to achieve his goals.

Iago’s worry that he cannot do what Desdemona asks implies that his dispraise of women was candid and easily produced, while the praise requires labour and inspiration from a source beyond himself. His insufficiency is more surprising because elsewhere in the play Iago appears as a master

A key figure, if not the most important in the play, is that of the malcontent Iago, who sows the seeds of jealousy in Othello’s mind, and presents him with ‘proof’ to back up his suspicions. Iago acts as a catalyst to Desdemona’s murder and it is his intricate

Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs

The two passages I have looked at share just some of the possible motives for Iago's master plan. It has been suggested that Iago is motiveless maliginty, meaning that he has no real motive for destroying both Othello's reputation and chance for happiness with Desdemona. This could be explained in act five, scene two when Othello asks “why he hath ensnared my soul and body?” and Iago refuses to answer “I will never speak word”. This suggests he has no motive for his actions and may have acted out of pure entertainment. Another explaination for Iago's motives is that he is the devil incarnate. This

In the first scene, Iago was seen in the middle of a conversation with Roderigo. This opening scene sets forth the key elements to understanding Iago’s basic character and the play’s conflict. The scene revealed Iago’s deep resentment toward Othello and his outlook on himself as a soldier. “And I of whom his eyes had

As soon as Iago firsts opens his mouth to speak, his tone is of an irate nature with a hint of bitterness as he begins to rant to Roderigo about Othello. As Iago explains to Roderigo that the “Moorship” (1.1.35) passed him over for a promotion to lieutenant even though he had been loyal and instead chose Michael Cassio, a man, who Iago explains, does not have the practical skills and experience for war and what it entails. Already, Iago’s hatred for Othello shines through with him referring to Othello as “Moorship”, which can be considered to be an offensive, yet sarcastic slur. Iago’s tone is irate and vengeful throughout the passage and it would seem logical as Othello has denied what Iago would see as his “rightful” promotion. It is hinted that since Othello did not promote Iago to lieutenant, this begins Iago’s process of play-acting to be truly loyal to Othello while he only looks out for himself as he hides his true intentions from Othello. As Iago refers to people who only act the part of a loyal servant only to truly be focussing on themselves and become their own masters says “These fellows have some soul, and such a one do I profess myself…In following him I follow but myself…I

Iago has many reasons to hate Othello, including the fact that he had been passed over for a promotion, in which Othello had snatched the position, and he also suspects Othello had slept with Emilia. These reasons were given to the audience, as Iago, himself, reveals his reasons to Roderigo, “ I hate the Moor; and it is thought abroad that 'twixt my sheets 'has done my office. I know not if't be true; yet I, for mere suspicion in that kind, will do as if for surety.” (1.3.378-82). Iago is never turned back on his plan to ruin Othello and the people surrounding him, since he is always contemplating on how Othello doesn’t deserve his accolades, and how Iago is plotting revenge against him. This keeps Iago to consistently, and deliberately continue with his strategies, which keeps the audience empathetic for the rest of the story. Iago is also jealous of Othello’s ability to woo and lure Desdemona, “It cannot be that Desdemona should long continue her love to the Moor ... She must change for youth. When she is sated with his body, she will find the error of her choice.” (1.3.340). However, Even if Iago had received the promotion; even if he had no suspicions or jealous feelings, he would still invent new motives for hating the Moor, as he is the devil of the story. Iago is not capable of performing good deeds, sustaining good relationships, or even

    What can compare to the evil present in William Shakespeare’s tragic drama Othello? The sinister aspect of the play is so heavy at times that it has a depressing effect on the audience.

Iago is a manipulative and intricate character who can be interpreted in several ways. There are various motives that may have contributed to Iago’s distaste for the protagonist Othello. William Shakespeare’s “Othello” focuses on the conflicts surrounding the characters of Othello and Iago, their families, and peers. One of the core reasons Iago was motivated to ruin Otello include his own lust for profit. A second motive was that being evil was simply in his nature, which he admits. The fact that he likes to trick and disserve others for his own enjoyment is also a central motive. These motives are evident throughout the play through the dialogue, symbolism and imagery, and conflict.

A depraved soul would generate chaos, inflict pain, and stir up trouble for its own satisfaction. Iago undoubtedly fits this description seeing that he is a sadist who attains power by annihilating others in cruel and unusual ways. In William Shakespeare’s The Tragedie of Othello, the Moore of Venice, he is a sinister force which steers virtuous people towards their gruesome deaths. Furthermore, he is the core focus of this academic essay.