The Lost People Of Civilization Summary

It followed from the lack of organized political life in the backwoods society, that the individual was exalted and given free play. The West was another name for opportunity. Here were mines to be seized, fertile valleys to be claimed; all the natural resources open to the shrewdest and the boldest. The United States is unique in the extent to which the individual has been given an open field, unchecked by restraints of an old social order, or of restrictions of government.8 The self-made man was the Western man's ideal, was the kind of man that all men might become. Out of his wilderness experience, out of the freedom of his opportunities, he fashioned a formula for social regeneration, the freedom of the individual to seek his own. This also was the way of the Utah early settler which was effectively a country unto itself.9 Without hindrances settlers claimed the Salt Lake Valley and made it their own in the manner which they saw fit, relying only on their own better judgment and ability

In 1939 John Ford masterminded a classical western film by the name of Stagecoach. This film has the integrity of a fine work of art. Being that it could be considered a work of art, the impression left on a viewing audience could differ relying on the audience's demographics. However, it is conceivable to all audiences that Ford delivers a cast of characters that are built on stereotypes and perceptions conjured from 'B' westerns that preceded this film's time. Each character is introduced to the audience in a stereotypical genre, as the film progresses, these stereotypes are broken down and the characters become more humanized. This is apparent with a handful of characters being

John Ford built a standard that many future directors would follow with his classic 1939 film “Stagecoach”. Although there were a plethora of western films made before 1939, the film “Stagecoach” revolutionized the western genre by elevating the genre from a “B” film into a more serious genre. The film challenged not only western stereotypes but also class divisions in society. Utilizing specific aspects of mise-en-scène and cinematography, John Ford displays his views of society.

There are many ways in which we can view the history of the American West. One view is the popular story of Cowboys and Indians. It is a grand story filled with adventure, excitement and gold. Another perspective is one of the Native Plains Indians and the rich histories that spanned thousands of years before white discovery and settlement. Elliot West’s book, Contested Plains: Indians, Goldseekers and the Rush to Colorado, offers a view into both of these worlds. West shows how the histories of both nations intertwine, relate and clash all while dealing with complex geological and environmental challenges. West argues that an understanding of the settling of the Great Plains must come from a deeper understanding, a more thorough

Native Americans were primarily affected by westward expansion in the sense that it was the reason they not only lost their land, but they lost their culture and rights. The words of Santana, Chief of the Kiowas, are a perfect description for this, “These soldiers cut down my timber; they kill my buffalo...”.

A positive humanitarian effect of westward expansion is that it increased a sense of patriotism. Although the treatment of the Native Americans was indeed in humane but during the times, the thought process was different. Many people agreed that Manifest destiny was justified because of the growing population and also it was a god given right. In addition, the white settler believed that it was their duty to help the Native Americans. This brought people together to set out on missions to do what they believe what they think is right. On the contrary, seeing the inhumane treatment of the Native Americans allowed more people to speak up and take a stand.The wars between the Native Americans and settlers could have potentially showed the any side the repercussions of violence bringing people together to find more convenient solutions. The idea of Manifest Destiny and movement of Westward expansion hit the Native American hard. As the movement westward increased, the discovery of gold on native American lands resulted in the

There are many factors that made the West, from government, politics, wars, climate and geography. So why are all these factors matter, because when the people wanted to expand their settlements they have to deal with the consequences that they have to risk. Each part of this paper will give you history of each individual era from the expansion of the West, Civil War and the reconstruction of the nation, Home on the Ranch, and rise of the industrial America

Emmons, D., & Udall, S. L. (2003). Part II: Settlement in the Old West: Correcting the Record. In Forgotten Founders: Rethinking the History of the Old West. [http://site.ebrary.com/lib/westerngovernors/docDetail.action?docID=10081834&page=154]. Retrieved from http://site.ebrary.com/lib/westerngovernors/docDetail.action?docID=10081834&page=154

Michael L. Tate’s book Indians and Emigrants looks to the years on the Overland Trails from 1840-1870 and makes a seemingly bold statement. He refutes the old ideal of Indian and White relations and provides a persuasive scholarly work explaining that more often than not whites and Indians interacted peacefully and for each other’s benefit. The thirty years of widespread cooperation can be condensed into three practical realities of emigrant’s time on the Overland Trails. To start, the emigrant’s main goal was to make

American history frequently centers on the issues of ethnic diversity and resource allocation. In the contemporary, we begin to see the experiences of the Native inhabitants of the Americas in contrast to European settlers and colonizers, is a prime example of this process in motion. When European settlers first arrived to the New World in the 15th century, firstly the Spanish, they brought with them a material cultural based upon an economic standard of resource exploitation, which in a sense was hostile to most of the Native peoples of the Americas. For instance, as Blackhawk notes that, Europeans built permanent settlements consisting of immovable structures, whereas many of the Great Basin peoples were semi-migratory in nature. Additionally, as Europeans claimed possession over the land, its resources, and began a process of territorial delimitation, Native peoples whose lives

In 1893, at the 400th anniversary of the appearance of Columbus in the Americas celebrated in Chicago , Frederick Jackson Turner presented an academic paper entitled, “The Significance of the Frontier in American History” In this essay, Turner proposes that, “The existence of an area of free land, its continuous recession, and the advance of American settlement westward explain American development.” The group dynamic that Turner champions is the farmer. More directly it is white, male farmers. While the expansion of the west by white male farmers was a factor in the development of America, it is not the only explanation for this progression. Turner fails to incorporate all of the demographics present during this expansion which were essential to the evolution of America.

The story formula for Stagecoach structures around characters in the Tonto and introducing the characters, traveling to Lordsburg, stopping at Dry Fork way station for food and unforgettable dinner table scene, traveling towards Apache Wells in the snow, Mrs. Mallory’s baby born in Apache Wells, finally getting to Lordsburg but got attacked by the Indians, and ended with Ringo Kid in a shooting conflict. Stagecoach did a great job in the characters types. There are the protagonists, prostitute, gambler, schoolmarm. These are the specific character types in Western movies. The setting of the movie is on point. It’s in the American West and takes place in the 1880s. The location of Monument Valley is a favorite location for John Ford. The presentation of Stagecoach has many great exterior shots that collocate the characters with the environment they occupy. The stars in Stagecoach does fit in a Western movie. Like John Wayne, he stars in many Western movies. What makes Stagecoach a western is the traditional western theme. Like the fight between whites and Native Americans. There is a good use of the American West’s open plains and mountains.

Talking Back to Civilization , edited by Frederick E. Hoxie, is a compilation of excerpts from speeches, articles, and texts written by various American Indian authors and scholars from the 1890s to the 1920s. As a whole, the pieces provide a rough testimony of the American Indian during a period when conflict over land and resources, cultural stereotypes, and national policies caused tensions between Native American Indians and Euro-American reformers. This paper will attempt to sum up the plight of the American Indian during this period in American history.

This text is a sampling of times, places, and people of the Westward Expansion. A teacher teaching the Westward Expansion will find historical images and stories behind the historical times and the sheet music that correlates to the topics. This cross-curricular resource allows for the stories to be read and the pictures to study, and ultimately the music to be incorporated into the classroom learning. Ultimately this book can be utilized to bring adventure, danger, dreams, and the realities of American life during the Westward Expansion to come alive for students. This will make history fun for all students, allowing students to build more of a connection to the past. This is another great resource but because I don’t teach Western Expansion

The emergence of western history as an important field of scholarship started with Frederick Jackson Turner’s (1861-1932) famous essay “The Significance of the Frontier in American history.”[1] This thesis shaped both popular and scholarly views of the West for the next two generations. In his thesis, Turner argued that the West had to be taken seriously. He felt that up to his time there had not been enough research of what he in his essay call “the fundamental, dominating fact in the U.S. history”: the territorial expansion from the Atlantic to the Pacific coast. The frontier past was, according to Turner, the best way to describe the distinctive American history and character.