Ever since Outkast dropped their critically acclaimed "Speakerboxxx/The Love Below" in 2003, hip hop as been more open to the idea of showing their feelings to women on records. The success of "The Love Below" gave the blueprint for today's hip hop artist, such as Drake & PartyNextDoor, to make music where they feel comfortable about being vulnerable when rapping about the feeling of infatuation or having their heart broken & it seems like upcoming hip hop artist Simba Amir is following the same layout with his new single "Oh My." Philly's own Simba Amir teams up with producers Flip & Andrew Meoray to create a single that sounds like the artist is venting after indulging in a couple of drinks. The producers do a good job making the beat as
According to “A Triangular Theory of Love,” the intimacy component of love is the “emotional investment of love” it is “feelings of liking, closeness, connectedness, and bondedness in loving relationships” (Sternberg, 1985; Kassin, Fein, & Markus, 2016). In other terms, this is the feeling experienced toward, and or, with another person, in which, you are emotionally invested in the relationship. Examples would include caring and emotionally investing oneself into the other person and the relationship. Couples with a intense intimate relationship adore each other’s companionship, frequently sharing personal information about how the person is feeling or doing. Lastly, passion is the emotion feeling of being significant and appreciated in the relationship. Additionally, it is having, accepting, and sharing feelings for the other person. It is selflessness, for example, enduring pain when an individual hurts their spouse’s feelings, or sharing joy with a spouse during exhilarating times, it is caring about the other person’s feelings. In addition, this component of love includes, the “enduring feeling of warmth in a loving relationship” (Sternberg, 1985). In healthy relationships, couples ought to be able to converse freely during arguments or about personal issues. The individual should be felt cared for and craved by their significant other. Furthermore, according to Social Psychology, intimacy is “feeling free to talk about anything, supportive, and understanding”
Raymond Carver wrote "What We Talk About When We Talk About Love" in 1981, by doing this Carver also created the character Mel. This short story is written in first person narration from Nick, one of Mel's friends. Both of their wives, Terri (Mel) and Laura (Nick) are also in the kitchen having the love conversation with Mel and Nick. Mel is a forty five year old, tall, curly headed cardiologist. Mel also has an ex-wife with whom he had children with. Mel is related to the theme of Love being undefinable by bringing up the conversation of love, talking about several examples of what love is or is not, trying to prove his point even though he does not completely understand what love is, and being an example of undefinable love himself.
From the 31 Rules of Courtly Love, I agree strongly with rule 31. It states Nothing forbids one woman being loved by two men or one man by two women. Equally important there are many examples displayed of this type of love all over. For instance the television show Love and Hip Hop Atlanta that is broadcasted on VH1, it's one man and two women. Another example includes Sister Wives that broadcasts on TLC which is a television show that involves one man and five wives. However, the movie Twilight also has a love triangle with two men and one woman. Additionally, the most accepted are in a common religion of Muslims, one man, and up to four wives. This form of Courtly Love is now a practice that is showcased to the world in a manner of explanation.
1862 England (Victorian Era) was somewhat of an uptight society, especially compared to today. The majority of people, especially those in the upper class, were expected to be utmostly prim and proper and follow societal norms at all times. This included love, or what love was defined as during the period. George Meredith, in his poem aptly titled “Modern Love”, sets a scene where a husband and wife are sleeping side by side, both reflecting sorrowfully on their melancholy marriage. Meredith argues in this poem that the institution of modern love is inherently flawed, by exposing to the reader that while the husband and wife still care for each other, they want to leave each other because they are both scared of “modern love”. By doing so, Meredith is able to justify his overarching message that applies to all: love is a feeling that cannot be artificially replicated, and attempting to do so is only a detriment.
Anxiety affection may be horrifying, alarming and tiring. To alpha with, amuse let me be bright on this. The animosity and thoughts you accept during top all-overs usually are not all-overs affection at all, about the normal, acceptable concrete reactions to top anxiety.
The play, Love/Sick, by John Cariani, directors; Mr.Landmann - Theatre Director, Matilde Alejandro - Student Director, Megan Johnson - Stage Manager, and Bethany Navarro - Assistant Manager. The actors are Luis Salazar who plays as Kevin, Nathaniel Esparza who plays as Mark, Natalia Martinez who plays as Emily, Angel K. Limas, and Michelle Lopez who play as Abbie, Esmeralda Hernandez and Maya Souza play as Louise Overbee, Esmeralda Salazar and Baylee Bryant who play as Celia, Nicholas Jacob Gamboa better known as Nik plays Andy, Jonathan Calderon as the Singing Telegram Man, Erika Aleman as Jill, Jesus Hernandez better known as Beto played Keith, Austin Aguirre as Bill, Edna Escobedo and Anjali Singh as women, Angel Ramirez as Ben, Elijah Cross and Joseph Arisco as man, Alondra Campos as Sarah, Sadie Cunningham as Kelly, and Kimberly Solano and Zauriah Cotton as Liz. The play, Love/Sick, consists of IX acts. The play Love/Sick was held at Desert Hot Springs High School Theatre Department. There are many themes for Love/sick but they usually have to deal with forbidden love and madness because some people fall in love at first sight while others after being married for quite some time aren’t contempt with what they have.
Kimberly grew up in Cortland, OH and fell in love with the arts at a very young age. She moved to Atlanta and studied theater at Georgia State University. Last year she starred in the hit play Love is “All It Takes” and is thrilled to be back on stage sharing her passion for theater in Wounded But Not Defeated Defeated.
Roy Wood$, a young rising Toronto artist discovered by OVO Sound Beats was recently signed to Drake’s record label and made his official debut by coming out with his first album Exis. The fresh, underrated OVO member made a resilient first impression; Exis serves as a strong introduction to the beginning of Wood$’s career. The album is laced with only 6 tracks, but still feels appropriate to the whole debut project. As the latest artist to be coming out of Canada, Roy is able to set himself apart from the rest, through his individual artistry and flair, innovative perspective, and exceptional voice. Not only is he able to bring a different genre of PBRnB style to us, his vocal expression is emotionally rich and soft while remaining powerful making it addictingly sweet.
Iggy Azalea became a household name after her single Fancy in 2013 (Hope 4). After she released her new album The New Classic, Iggy received acclaim for her musical ability and criticism for her racially insensitive lyrics (Drake 2). Instead of referring to herself as a "runaway slave master", Iggy claims in an open letter her lyrics were meant as a metaphor to criticize the past (Azalea 1). However, these lyrics angered powerful figures in the hip hop community such as Nicki Minaj and many became more receptive to future accusations of the racist undertones in Azalea's performances (Horowitz 1). Underlying this criticism of Iggy Azalea's lyrics is an argument of hip hop's values. According to Miller, hip hop extends beyond simply the beats and lyrics and serves to criticize social injustices (Miller 16). While Azalea's songs would top the
Coming from Melbourne by way of New Zealand and Syndey, the sounds of Peter Rabbit come together to reveal a rich and beautiful story in “Looking For Love.” In this exclusive premiere with PPcorn, the Downtown Tracks version of the latest track from Peter Rabbit gives us a moving and authentic look into the world of Peter Hume.
This was a classical ballet in which the subject of love was present in every piece. Love was portrayed not only as triumphant but also in the form of failure. The subject of love was shown in different ways. Some pieces showed the positive aspect of love, some other presented the negative aspect and others showed how complicated love can be.
I figured the best way to fully explain why I can’t date you would be to put it in a letter. This way I can make sure that I cover all the details and you have the source to come back to whenever you want. So away we go…
This is a 36 year old wihte femle who is here complaining of cough, sinus congestion, fever, and gneralized body ache for 4 days. Patient is a resident at Lovelady and reports many ladys are sick at the center. Patient is a smoker with a history of one pack for 20 year hisory. Patient denies use of alcohol or illicit drug use.Patient denies chest pain, N/V/D, but rports SOB and
On "My Love," Majid Jordan and Drake bring the same energy and skill, each performing remarkably on their respective parts. The song is great, and the theme, an anthem for those who are questioning love, is even greater. Majid Jordan introduces us to the song, and his calm vocals bring us a Majid that is questioning his decision to be her love now. He was ready a long time ago, but she shot him down, and now he is asking her why she wants to be his love. “All the things that I put a hold on / all for you to hit me with a hold on / what
In Barbara Graham’s “The Future of Love”, she says long-term fairy tale romance inspires true love believers and their perspective towards love itself. Graham expresses the idea that to her, a lot of relationships fail because both partners in the relationship fall in love with an idealistic view of who the other person is. She explains that couples jump into relationships thinking their significant other was this perfect image they made him/her out to be only to come to realization that it was a figment of their imagination. Graham also defies the sappy happy endings that she says everyone believes in since heartbroken romantics oversee a lot of the incompatibilities and faults in a relationship to make it more