Essay on The Love Goddess': Freya & Aphrodite

Sunsets are the most beautiful, magical, mesmerizing phenomenon that occurs every day. Sunsets never miss a beat and always put on such a wonderful show to whoever stops to appreciate it. I'm sure everyone has the same question, where do sunsets come from? who makes the vibrant colors of pink, purple, deep orange, and different shades of red?

Many eons ago, back in Ancient Greece on Mount Olympus, it was naturally that time of year, in which all the gods and goddesses would find their one true love. Of course, there was a goddess of love and beauty, whose talent was much needed at this time of year. This goddess was named Aphrodite. Aphrodite helped people fall in love all the time, yet she could never find love for herself. One day, Aphrodite saw a happy couple holding hands and laughing. She started to feel bitter. She was upset since she could not seem to find the happiness of love for herself.

Hera and Aphrodite. Two goddesses on two sides of the Trojan War. Both of them have their own personalities, and their own agendas. The two of them do have certain similarities. Both Hera and Aphrodite seem to believe in the cause they are fighting for. They do, however have very different ways about getting what they want. In The Illiad, both of these goddesses are on the opposing sides (as I stated before). Hera fights on the side of the Acheans, where Aphrodite has taken sides with the Trojans.

Stemming from a desired standpoint, Aphrodite, a gorgeous, perpetual young woman with a beautiful body is known as the goddess of love and beauty. Graciously assisting men charm their desired spouse with love enchantments, Aphrodite herself was no stranger to divine lovers as she held various relationships with both gods and mortals. Yet, despite her dynamic desirability and mixed personality, Aphrodite had to overcome her weak and frightful self (http://www.greek-gods.info/greek-gods/aphrodite/) due to her jealousy. Even though it was thought that she was born the daughter of Zeus and Dione, it was more frequently believed that she was born of the foam in the sea off of island Cyprus. Later on, Aphrodite went to marry lame smith Hephaestus, Olympian god of Iron, but was quietly acquiring a private affair with Ares, god of War.

“Coming, Aphrodite!” by Willa Cather is a story that portrays the elements of a romance. A definition of Romance is a strong, sometimes short-lived attachment, fascination, or enthusiasm for something. This definition describes the relationship between Don Hedger and Eden Bower. Don, who is a painter, was dark and quiet. He rejected fame and didn’t need fortune to be successful, he painted for “painters,--haven’t been born.” (37) Contrastingly, Eden was light and free spirited. She went out into the world to meet new people and to become known. Because the both of them were from totally opposite worlds, their attraction sparked like fireworks. They both were young artists wanting success and wealth out of life, but in different

Gender inequality has been a controversial topic for numerous religions and cultures throughout history. Women were commonly regarded as the subservient gender, an idea that was no different in Ancient Greece. Throughout Greek mythology, women were considered inferior and troublesome symbols, while men were known for courage, leadership, and strength. While there is no argument of the flagrant sexism that is illustrated in Greek mythology, it can also be claimed that women were given a situated position of freedom, necessity, and power as well. Many popular Greek plays and myths contain several complexes and well described female characters. These goddesses themselves, partook the role of victim, heroine, and villain as it illustrated the diversity of characters in which women were portrayed and seen in both Ancient Greek society and mythology, allowing us to question “Were the women of Ancient Greek mythology equally represented as free and superior?” The creation of the Greek mythological universe, the creation of multi-gendered goddesses or deities, and the free and superior personalities accredited to women in Ancient Greek mythology to answer the question that women were fairly represented as powerful in Ancient Greek mythology.

In Greek mythology, each god or goddess has a unique affinity. For example, Athena is the Goddess of war, Poseidon is the God of the sea, and Aphrodite is a famous goddess known for representing beauty, love, and fertility. Aphrodite is quite popular in our world as she is the symbol of the infinitely desirable female.

In The Necklace, the setting of Paris in the late 19th century is a world of elegance and wealth. If not born into a wealthy family, one would have two options: marry into a wealthy family, or stay in their social class. That is just the case for Mathilde Loisel, who is endowed with beauty but born into a family of clerks. She was born free and could have had a plentiful life because of her beauty. However, she was held back by the chains of her social status and forced to marry her wealthy husband Monsieur Loisel. Together they have an awkward relationship consisting only of their need for marriage.

The Roman epic of Virgil's Aeneid describes the hardship and misadventures of Aeneas and the Trojans quest from Troy to Italy. Like Homer’s famous epics, the Iliad and Odyssey, Virgil’s narrative style and structure portrays similar attributes in the finding of Rome. Aeneas encounters several women on his journey who play a significant role throughout this epic in assisting or destroying his journey to Rome. His representation of female characters provides the readers with a better understanding of gender politics and reasons why some female leaders failed. Each of Virgil's female characters demonstrates a combination of traits throughout the epic; however, such behaviors of these women tend to develop unwanted conflict due to emotions.

The Greco-Roman society was a very patriarchal society. This is reflected throughout the myths in classical mythology. By looking at the classic mythology we will see that the roles women portrayed are very different than women’s roles in today’s society. Although there are a few similarities to women’s roles in today’s society, their roles are more like those women in the past. We can see this by looking at the attributes of Greco-Roman female gods and looking at the roles women play in the myths. By comparing the roles of women in the myths with women’s roles today we will see that the roles have many differences and few similarities.

Aphrodite possesses the conventional powers like resistance to injury. She also has magical abilities which allow her to fly at great speed, change her form to appear as someone else or even into the form of an animal, and turn herself and other people invisible from mortal eyesight. Her enchanted girdle, called the Cestus and made by the smith-god Hephaestus (her husband). Aphrodite is a master of all the arts and sciences of physical love, and she has extensively studied the subject of emotional/sentimental love.

For the infinite love of Aphrodite and Ares, the two created a new child out of their passions. Only one name was beautiful enough to be her name: Desira. As a child, Desira was a controlling, powerful goddess who could influence the minds of mortals and the divine alike. In fact, as a child, she lulled Zeus into a slumber so deep that only his true love, Hera, could wake him.

Pomery begins the book by resummarizing the significance of goddesses from her first book, outlining the social functions of female Olympian figures. She does so by referencing Greek myths that express how goddesses are the stereotypical image of mortal women as they are envisioned by mortal men. These divine women show desirable characteristics across the board rather than just showing strengths in one area. This reflects the ideals of a patriarchal society. Demosthenes states in the fourth century B.C. this mantra among mortal men, “We have mistress for our enjoyment, concubines to serve our person and wives for the bearing of legitimate children (Pomery 1995).

Throughout the story the title "The Necklace" becomes several other symbols, for example when Mathilde loses the necklace and makes the decision to be dishonest, the necklace becomes a symbol of Mathilde's greed and the severe consequences that came with it. After all, the necklace is the reason why Mathilde's life went into extreme poverty and unhappiness.

The Birth of Venus the audience sees the Goddess Venus the moment she is born from the sea