The Love Of Another Is Not An Original Subject For Poetry

“Sonnet 116” written by William Shakespeare is focusing on the strength and true power of love. Love is a feeling that sustainable to alterations, that take place at certain points in life, and love is even stronger than a breakup because separation cannot eliminate feelings. The writer makes use of metaphors expressing love as a feeling of mind not just heart as young readers may see it. To Shakespeare love is an immortal felling that is similar to a mark on a person’s life.

Love is expressed in the poems Sonnet 18 by Shakespeare and Crikey by Cilla McQueen through ideas of eternal beauty and being overwhelmed by love; and the feelings of excitement and longing for the preservation of the love conveyed.

What humans call love is simply a chemical reaction that compels animals to mate. Various works of art, such as sonnets, explore this concept of love in a much more idealistic way. William Shakespeare is well known for his romantic poetry that delves into love using an excess of figurative language. Sonnet 116 and Sonnet 130, while drastically different in tone, both convey love as unchanging, genuine, and a feeling worth pursuing.

The last stanza of the poem is in contrast to all the others. We see

“But, soft! What light through yonder window breaks? It is the east, and Juliet is the sun.” (Romeo and Juliet 2.2 1-3). As you are aware this session will focus on the poetry of William Shakespeare. Shakespeare was a world-renowned poet and playwright. Shakespeare had a romantic heart and his poetry is shaped by love. His poems usually depict the passion and sacredness of relationships. By comparing two poems from William Shakespeare it is shown how he has been able to articulate the poetic theme of love. This seminar will analyze and explore two of Shakespeare’s poems focusing on the particular theme of love. Shakespeare deals with deep and enduring love, as he applies his past experiences to his poems. Shakespeare’s poems Sonnet 116 and Sonnet 130 are based around the romantic pursuits of his life, and they have similar context but deliver different meanings of what true love is.

In How do I love thee by Elizabeth Barrett Browning. I believe that the person talking is professing about a kind of love that can stand the test of time. You know that kind of love. Every day and moment is cherished by both. Each person knows almost everything about each other and they have been together for what would seem like forever. It is very rare these days to see a younger generation finding that love. And in a way it is understandable with all the new technology that can help with relationships. Back then there was not a thing called therapy or a marriage counselor. The couple worked on their problems by communicating to one another and not having someone

One of literatures most well-known authors, William Shakespeare, goes about his love sonnet in a very different way than that of Petrarch. Shakespeare begins by describing his love as he writes “My mistress’ eyes are nothing like the sun; coral is far more red than her lips’ red; if snow be white, why then her breasts are dun; if hairs be wires, black wires grow on her head” (pg. 179, lines 1-4). At first the sonnet seems like it is not about love at all, it seems as if

Love is a common and frequent topic in the works of Renaissance poets, who followed the Petrarchan tradition of celebrating love to an unattainable beautiful mistress: up to William Shakespeare, all male sonneteers were structuring their poems around the image of a fair wealthy court lady. Shakespeare does not adapt his works to the established standard, but adjusts the very standard to his own needs, or as Sasha Roberts puts it, the poet writes against tradition (172). Basically, in his sonnets, William Shakespeare revolutionises the unwritten rules of the Petrarchan ideal of sonnet writing by modifying the category of love objects. This essay will focus on three major directions of this modification and will illustrate them on the basis of

Some of the most renowned sonneteers express their love for another person in terms of the magnitude of that person’s beauty, especially during the Elizabethan era. But, the most powerful form of love is loving someone for who they are instead of what they look like. Loving someone for love’s sake allows love to last a lifetime because love is true and the truth does not change. This differs from loving someone for physical features in which both the love of looks and the beauty fade with time. While in the moment it may be charming to be characterized by eternal beauty, as William Shakespeare does in Sonnet 18, being loved for the real feeling of being loved is more lovely where true love does not fade like the love for physical features. The truth of true love is evident in Elizabeth Barrett Browning’s Sonnet 14 where she insinuates that the failure to love someone for only love’s sake reveals the love as being superficial. True love should be something that is not only contained in human nature or characteristics but should be something beyond humanity that is eternal. Elizabeth Barrett Browning’s Sonnet 14 dismisses the love of physical features that William Shakespeare’s Sonnet 18 prides on in order to illustrate that true love is unearthly, unchanging, and eternal.

Depicting the reality of love, “Of Shakespeare’s Sonnets” contrasts the traditional idea of everlasting love with the actual experience of the speaker. Through personification, allusion, irony, imagery, and dialogue, the speaker initially portrays the idealistic view of love, but later rejects and mocks the belief in such love. The poem incorporates elements from both the Petrarchan and Shakespearean sonnet, which emphasizes the traditional everlasting love and hints freedom of love by the unconventionality of mixing both forms.

Shakespeare wrote many sonnets about love, largely in a traditional sense. However, his 130th sonnet takes a different theme: a relationship that is found through true friendship and love despite physical beauty standards. Shakespeare uses contrasting values, natural and divine imagery and contradictory statements to show that love is much more than just physical attraction.

During the Elizabethan Era, the English thrived in the ways of culture. Literature, poetry, theater, and music all saw tremendous advancement. Love sonnets became particularly popular due to the opportunity they offered their authors to express their most alluring desires, while sticking to the strict guidelines of a sonnet. One particular 16th century writer, Sir Philip Sidney, wrote love sonnets that followed the relationship of the desire-ridden Astrophil and the object of his affection, Stella. Poetry at this time often had political or religious influences, and Sidney’s work was no exception. Focusing specifically on Sonnet 69, Sidney metaphorically relates a personal experience to a political gain, suggesting that

2 pip His new girlfriend... with her small head and big hair like a lion can keep him. I wish she could suffer a stroke from here downwards. So that's what this is about - you're jealous.

When one thinks of poetry, love is something that will definitely appear in the process. Love in poems can bring a sense of great joy or can be the cause of sorrow and pain. It’s something that has been here for eternity and will continue to affect people and poems. Especially in early modern poetry, love was expressed in various ways and brought different and unique features to the poems. Many poems would use the very familiar, romantic love, which is quite intense with feeling and emotions and can be portrayed in many ways. There is also tragic love, where it causes pain as a result of the love created, and mystifying love is a type that comes from something bigger than one’s self.

How can we record a love so deep it lasts a life time? In Astrophil and Stella, Sir Philip Sidney does just this, creating a chronological sequence of 108 sonnets, depicting the longing and futile adoration of the speaker Astrophil towards his love interest Stella. It has been widely noted that the sonnets may be a reflection of Sidney’s own life, after his infamous love of Penelope Devereux following their meeting in 1575, which is said to have lasted through her marriage to another man, and up until his untimely death in 1583.