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The Love Song Of J. Alfred Prufrock

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Commentary: The Love Song of J. Alfred Prufrock
T.S. Eliot’s poem, “The Love Song of J. Alfred Prufrock,” illustrates the fear of the fragmentation of society today. In the poem, Eliot creates the persona of Prufrock. Prufrock is speaking to an unknown listener. The persona of Prufrock is Eliot’s interpretation of Western society and its impotency. His views on society is seen as a modernistic point of view, which idolizes the ideas to regress back to a classicist era. Eliot illustrates his contempt for the modern society by illustrating fragmentation with synecdoche, characterization of Prufrock, and allusions to literary traditions throughout the narrative. In his poem, Eliot clings to the idea of a classical society in which he is witnessing fall apart.
Throughout “The Love Song of J. Alfred Prufrock,” Eliot illustrates fragmentation by using synecdoche to illustrate his fear of a societal breakdown. The fragmentation represents Eliot’s view on the broken, chaotic world. Throughout the poem, Eliot uses faces, hands, arms, chins, arms with light brown hair, fingers, and the head, yet he never describes a whole human. The human in which Prufrock is imagining is potentially the woman which he hopes to talk to that evening. Eliot writes of this mystery woman, “Arms that are braceleted and white and bare/ [But in the lamplight, downed with light brown hair!]/ Is it perfume from a dress/ That makes me digress?” In the end, Prufrock’s thoughts are broken by real life. Eliot

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