The Love Song of J Alfred Prufrock

“The Love Song of J. Alfred Prufrock” by T.S. Eliot is a poem unlike any I have ever read before. The poem starts off with the speaker taking what seems to be a potential lover along for a walk. The speaker first describes their surroundings and says that “the evening is spread out against the sky like a patient etherized upon a table” and that “the streets follow like a tedious argument”. The sky is described as someone who has been anesthetized, someone who can’t feel anything. The streets are like an argument, something that can tear two people apart. The similes used make the setting seem dark and dreary. The speaker then brings up that he has a question he wishes to

We may never be given a second chance to do something daring ever again so we seize the day! However, people like in J. Alfred Prufrock make the attempt to do but it doesn’t work. “The Love Song of J. Alfred Prufrock,” written by T.S. Elliot, essentially is about a simple man that wishes to ask a question, although the question is never revealed, the reader is taken on journey the with the speaker, only to find that they have spent a lengthy amount of time of their lives without ever asking the question. Even more so, this poem is illustrates the idea that we must confront reality and take advantage or never take the chance. This claim is supported through poetic and rhetoric elements, such as repetition, and symbolism.

The first stanza introduces Prufrock’s isolation, as epitomized metaphorically by “half-deserted streets” (4): while empty streets imply solitude, Eliot’s diction emphasize Prufrock having been abandoned by the other “half” needed for a relationship or an “argument” (8). Hoping for a companion, Prufrock speaks to the reader when

Eliot uses allusions and imagery to make several references to characters—both real and fictional—to vicariously show how Prufrock feels. The first allusion is an epigraph from Dante’s Inferno:

When reading the title of T.S Eliot’s “The Love Song of J. Alfred Prufrock” it is believed we are in store for a poem of romance and hope. A song that will inspire embrace and warmth of the heart, regretfully this is could not be further from the truth. This poem takes us into the depths of J. Alfred Prufrock, someone who holds faltering doubt and as a result may never come to understand real love. “The Love Song of J. Alfred Prufrock” takes us through Prufrock’s mindset and his self-doubting and self-defeating thoughts. With desolate imagery, a tone that is known through the ages and delicate diction we see a man who is insecure, tentative and completely fearful.

American born poet, T.S. Eliot reflects modernistic ideas of isolation, individual perception and human consciousness in his many poems. His poems express the disillusionment of the post–World War I generation with both literary and social values and traditions. In one of Eliot’s most famous poems, “The Love Song of J. Alfred Prufrock,” which was published in 1915, a speaker who is very unhappy with his life takes readers on a journey through the hell he is living in. In this journey, Prufrock criticizes the well-dressed, upstanding citizens who love their material pleasures more than they love other people, while explaining he feels ostracized from the society of women. Eliot’s use of isolation, human consciousness and individual perception is quite evident in his dramatic monologue within the story of J. Alfred Prufrock. Prufrock wants to be seen as a normal citizen who can find friends or a lover, but his anxiety-driven isolation forces him to live a life that relates more to Hell than paradise. In over examining every fine detail of his life, Prufrock perceives himself as useless and even a waste of life. By using many poetic devices including repetition, personification, and imagery Eliot drives readers to feel the painful reality of Prufrock’s life. In “The Love Song of J. Alfred Prufrock,” T.S Eliot uses modernistic ideas and poetic devices to portray how Prufrock’s life relates to Hell while simultaneously criticizing social aspects of the younger post–World War I generation.

The reader can find the speaker relatable; Prufrock shows multiple sides to his character. In one way, Prufrock is trying to seem cool, calm, and collected; he wants the reader to think that he knows everything; however, the reader can tell that Prufrock is trying to be somebody he is not. Prufrock later lets his walls drop and he says that he has let “the moment of greatness flicker…” He is talking about his greatness; Prufrock wants his life to be stagnant, and with very little struggle. This means that his life will be complete boredom. I believe that people should take Prufrock’s life as a lesson of how not to live; his emotional distance reveals that he is a sad man and that life should not be motionless and focused on maintaining the status quo.

Poetry can sometimes allow one to explore the unknown. However, in some works of poetry, one can realise that some known ideas or values remain relevant to current society. This is certainly applicable to T.S. Eliot’s poems, The Love Song of J. Alfred Prufrock and Rhapsody on a Windy Night. Eliot’s manipulation of poetic techniques in both these poems allows the responder to realise that some ideas prevail in both modern and post-modern society. These poems explore the unknown phenomena of the obscurity regarding the purpose and meaning of life. This unknown phenomena causes the persona in both texts to resort to a sense of isolation or alienation. Eliot uses poetic techniques such as metaphors and personification to convey his ideas.

T.S. Eliot’s “The Love Song of J. Alfred Prufrock” is an ironic depiction of a man’s inability to take decisive action in a modern society that is void of meaningful human connection. The poem reinforces its central idea through the techniques of fragmentation, and through the use of Eliot’s commentary about Prufrock’s social world. Using a series of natural images, Eliot uses fragmentation to show Prufrock’s inability to act, as well as his fear of society. Eliot’s commentary about Prufrock’s social world is also evident throughout. At no point in the poem did Prufrock confess his love, even though it is called “The Love Song of J. Alfred Prufrock”, but through this poem, T.S. Eliot voices his social commentary about the world that

4. One of the most demanding aspects of this poem is its allusions, as Eliot expected his readers to be as well educated as he was. Some allusions are fairly accessible. The allusions to Michelangelo—an artist most people are familiar with—in line 14 and again in line 36 help us imagine the women Prufrock is talking about. The function of the less accessible allusions—such as “works and days of hands” (l. 29)—may serve a different purpose. Why might Eliot have included such esoteric allusions? How do they affect your reading of the poem?

Eliot). T. S. Eliot’s “The Love song of J. Alfred Prufrock,” is recognized as one of the most important poems of all time because almost everyone can identify with the insecurity of J. Alfred Prufrock at one time or other, which makes it very realistic.

'I have measured out my life with coffee spoons'; (line 51), shows how Prufrock thinks of his own life, unexciting and unheroic. In his mind he has nothing to offer these women. He returns to wrestling with his thoughts that allow him to desire the love the women have to offer but talk himself out of the task by gentile reminders of the risk. He tells the reader that he knows these women and even begins to rehearse an opening remark, 'Shall I say, I have gone at dusk through narrow streets / And watched the smoke that rises from the pipes'; (lines 70-71). This thought is quickly lost however as Prufrock imagines how easy it would be to be a creature that had no need for love, 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas'; (lines 73-74).

J. Alfred Prufrock constantly lived in fear, in fear of life and death. T. S. Eliot divided his classic poem into three equally important sections. Each division provided the reader with insight into the mental structure of J. Alfred Prufrock. In actuality, Prufrock maintained a good heart and a worthy instinct, but he never seemed to truly exist. A false shadow hung over his existence. Prufrock never allowed himself to actually live. He had no ambitions that would drive him to succeed. The poem is a silent cry for help from Prufrock. In each section, T. S. Eliot provided his audience with vague attempts to understand J. Alfred Prufrock. Each individual reader can only interpret these

Eliot also uses syntax to establish thematic concepts. In stanzas 7 to 9, Prufrock muses about how he has “known them all,” (lines 45, 59,62) referring to the people and

Prufrock is a man with many contradictive and fragmental characteristics. While one part of him would like to shake startle these characteristics out of his life, he would have to risk disturbing his peaceful universe in order to do so. The latter part of the poem