The Lover Book vs. Film

In the passages Confetti Girl by Diana López and Tortilla Sun by Jennifer Cervantes, the narrators and the parents have different opinion on what is the right thing to do, and because of their different opinions, tension and distance in their relationship is created. The narrators in both passages feel alone or left out either because of the lack of attention of because they are missing a beloved parent. In both passages the narrators feel uncomfortable with the parent and is not fully opening up to them. In the sections Confetti Girl and Tortilla Sun, the different opinions between the two narrators and parents create distance and tension in their relationship.

In the novel Michelle journeys from a joyful innocent child into a perceptive and wiser youth. Initially we view Michelle as a child who is very compassionate, willing to “do the forfeit” for Barbara to exempt her from Skull’s cruelty. As the story progresses qualities namely courage and loyalty surface in Michelle. These two

The main character is sent by his father to stay with his grandmother. This is where you learn that the strong heart runs in the family. This is true because she is a seventy-eight year old woman and will still patch out two acres of corn and make enough bread for the winter to do what she can to keep her family feed.  In her old age she hasn’t kept the best health. Some days she is too sick to get out of the bed. The main character takes care of her he cooks all the meals for her and helps her start to feel better. Living with her he hears stories of his father and how he is an honest man. Also his grandmother tells him about his grandfather and all the great things he would do.  Living with his grandmother is a great experience for the main character because she brings him history of his family and teaches him many things on how to live a content life.

The mother begins to rebel against tradition by taking an active role in educating and freeing herself. Through her radio, telephone and trips out with her sons she develops her own opinions about the world, the war, and the domination and seclusion of woman. She loses her innocence as a result to her new knowledge and experience.

The girl’s inner characterization resembles a coming of age character. She develops because of the action and her traits as a child are presented in contrast with her traits as a teenager. This contrast is emphasized using the third-person narrator at the beginning of

Throughout the novel, she experiences different types of conflicts as she adapts to her new school environment and attemptedly fulfills her obsessive desire to fit in. The inner conflict in which she experiences throughout the

Her character is torn because not only is her family against her, her beloved friend Carl is moving also. She begins her thought process about staying on the Divide. She thinks of her father and her conversation with Ivar, and although she seems hesitant at first, she decides to remain on the Divide and cultivate a new system for the land.

In addition, the author helps the reader understand the selfishness of the mother when the reader finds out she have stole the Persian Carpet “several months before” (230) the divorce and puts the blame on Ilya, the poor blind man. Furthermore, the visit of the children is supposed to signal a fresh start for the family. The mother even emphasizes she wants the girls to come “live with [them]” (229). Yet again, even if they meet in order to reunite, characterized by a situational irony, they see themselves separated because of her mother selfish decisions.

The bond between a mother and child is often spoken of as being unlike any other. Yet there are always exceptions to the rule where this connection isn 't as impenetrable as one might assume. This book is an example of this bond gradually becoming weaker over time. It shows how it affects the child, Bone, and leaves her vulnerable to the abuse of her step-father. Bone’s mother, Anney, had fallen in love with a man who abused her which at first, she’s unaware but eventually comes to realize but still chooses to stay with him. Throughout the book there are instances of Anney’s negligence in recognizing her daughter’s abuse and being of aid to her but wasn 't. In having to deal with her

finds forbidden love within the restrictions of his society. These books are both in the same

The author, Marjane Satrapi, shows the details and complexities of the conflict the protagonist faced during her journey of growing up and evolving. Over all in the story the protagonist does a good job pointing out that it is a struggle before finding one’s true

The tone of this story is one of fear, regret, and guilt. The story first leaves the reader with impression that it may be a recount of the life of a daughter who was lost due to neglect. Soon it is evident

I’ve always had mixed feelings when it came to films about love. For me, the idea of love can be presented is such a basic way it becomes obvious to what will happen next. Essentially, I get bored with the same old generic portrayal on what love should look like or be. Spike Jonze’s Her and Arthur Hiller’s Love Story was such a refreshing take on how love can come in all forms and doesn’t need to follow a sort of guideline, like every other love film seems to be. It was interesting to view the contrast in the two films. Though very different, there were many aspects to the plot and the characters Theodore (Joaquin Phoenix) and Oliver (Ryan O’Neal) that were notably similar.

Lastly, her family betrayed her by not listening to her side of the story after her sister told lies about her, and they betrayed her when they acted as if they did not care if she moved out of the house. In all of these actions, the family itself and certain members of the family are portrayed as uncaring, unsupportive, disrespectful, conniving, deceitful, and hateful to Sister. Through every action of the family, Sister is treated harshly, and she tries to not let this bother her. Yet, anger and bitterness build up inside of her until she cannot take it anymore. Consequently, it built up so much inside of her that it severely affected Sister so profoundly that she moved away from her home to get away from her family.

The daughter is bored with her mother's dreams and lets her pride take over. She often questions her self-worth, and she decides that she respects herself as nothing more than the normal girl that she is and always will be. Her mother is trying to mold her into something that she can never be, she believes, and only by her futile attempts to rebel can she hold on to the respect that she has for herself. The daughter is motivated only to fail so that she may continue on her quest to be normal. Her only motivation for success derives from her own vanity; although she cannot admit it to herself or her mother, she wants the audience to see her as that something that she is not, that same something that her mother hopes she could be.