The Madness, And Fear Of Madness In Hamlet By William Shakespeare

While Hamlet’s “mad” behavior starts out as an “antic disposition,” his mental state deteriorates. Does Hamlet truly go “mad,” or is all of his wackiness an act?

Is Hamlet Mad? Not Likely. Madness is a condition of the mind which eliminates all rational thought leaving an individual with no proper conception of what is happening around him/her. Madness typically occurs in the minds of individuals that have experienced an event or series of events that their mind simply cannot cope with and, thus, to avoid their harsh reality, they fall into a state of madness. In William Shakespeare’s masterpiece Hamlet, there is much debate around the protagonist, Hamlet, and whether or not his madness in the play was real or feigned. It was a disastrous time in the prince, Hamlet’s life as his father had just passed away, his uncle then took the kingship and wed Hamlet’s mother, then the

When reading Shakespeare’s Hamlet as a class, the first thing that most teachers or professors point out is the argument/idea of sanity, specifically Hamlet's sanity. I believe that Hamlet is, in fact, feigning his madness. What I do not know is if I believe this because it is what I was taught or if I came up with the idea myself based on my own interpretation. When I was taught Hamlet there was no argument it was just fact that he was faking his madness. Because of my confusion, I came to find that it may be interesting take out of the play any moment in which Hamlet makes the audience aware that he is only pretending that to be mad. I want to take out any proof that his madness isn’t real. The argument for legitimate madness is always

     Hamlet, by William Shakespeare, is a complex play, filled with layers of meaning. These are often revealed through the madness of the characters and the theme of madness throughout the play. Although Hamlet and Ophelia are the only characters thought to be so afflicted, the reactions of other characters to this madness mirrors their own preoccupations.

   Hamlet's public persona is a facade he has created to carry out his ulterior motives. The outside world's perception of him as being mad is of his own design. Hamlet is deciding what he wants others to think about him. Polonius, a close confidant of the King, is the leading person responsible for the public's knowledge of Hamlet's madness. The idea that Hamlet is mad centers around the fact that he talks to the ghost of his dead father. He communicates with his dead father's ghost twice, in the presence of his friends and again in the presence of his mother. By being in public when talking to the ghost, the rumor of his madness is given substance.

Beyond Claudius’ need for admiration, he also tends to disregard the feelings of people around him. This is shown in a similar way as his need for admiration, being that he kills his brother to gain power. Such a selfish action will obviously impact those around King Hamlet, but Claudius disregard that and simply does it for his own gain. He doesn’t think about how Hamlet’s death will affect Gertrude, young Hamlet, Polonius, or anyone else close to him. In the aftermath of this, instead of helping Hamlet through the hard time following his fathers sudden death, he tells Hamlet he’s not a man for mourning for such a long time. Staying on the topic of the death of a father, Claudius uses Polonius’ death to get Laertes to want to avenge his

In William Shakespeare’s Hamlet, one of the most evident and important themes is the theme of madness. The theme is apparent throughout the play, mainly through the actions and thoughts of Hamlet, Ophelia, and Laertes. Madness is defined as the quality or condition of mental illness or derangement (being insane). Madness is at the center of the conflicts and problems of the play and is conveyed through Shakespeare’s elaborate use of manipulation and parallels between Hamlet, Ophelia, and Laertes to contribute to Hamlet’s tragic character.

This, in turn, exploits Hamlet’s similar flaw of ego and furthers the conflict, but what’s more, it illustrates Claudius’ sheer audacity and lack of repentance. He continues to try to cover up the sin and appease Hamlet into complacency rather than confess and ask for forgiveness. In a mark of pure arrogance, Claudius tells Hamlet to “throw to earth / This unprevailing woe and think of us / As of a father”, conceitedly requesting that Hamlet merely forget the murder and replace his father with the murderer himself (I, ii, 110-112). Similarly, instead of directly confronting Hamlet about his mental condition, the king more or less hires Rosencrantz and Guildenstern to spy on the prince, again cementing his smug mindset. The king does not believe he can be caught or, rather, that Hamlet is competent enough to figure out his plan and foil him. Claudius, too, thinks only of himself after Hamlet’s inadvertent killing of Polonius, pondering “how shall this bloody deed be answered? / It will be laid to us” instead of considering the ramifications of the murder with respect to Hamlet (4.1.17-18). The other two paper-thin traps the king hatches only reinforce his failure to see beyond the apparent; his attempt to deport Hamlet to England and have him killed reeks of treachery and, luckily, Hamlet realizes the king’s subterfuge, crushing the plot and flipping it back on him. Claudius remains steadfast in his efforts to remove Hamlet, going so far as to set up a

Throughout the play, Hamlet, Shakespeare applied a myriad of motifs to enhance the meaning and complexity of his work. One of the numerous motifs utilized in the play is madness. The question of Hamlet’s actual madness is profusely raised among readers in the Elizabethan era and is still brought up numerous times today. Some may assert that Hamlet was literally mad and others may argue that Hamlet’s madness was feigned. In the beginning of the play, Hamlet spotted his father’s ghost and discerned that his father’s death was caused by his uncle, Claudius. This situation initiated a whirlwind of events that took Hamlet on a downward spiral. These events are comprised of Hamlet’s actions to try to avenge his father’s death. They support and convey the impression that Hamlet’s madness was real. Although, Hamlet specifically claimed that he was not mad in the text. Hamlet’s madness was feigned since he confessed his reasoning for his antic disposition in order to avenge his father’s death and get revenge for Claudius’ actions.

   Shakespeare's Hamlet is a master of deception. Hamlet decides to make Claudius believe that he is insane, but the scheme backfires when everyone, except Claudius, falls for it. Ophelia is one of those who believes Hamlet lost his mind, and when he does not return her love, she is so brokenhearted that she commits suicide. Near the end of the tragedy, Hamlet plays the part so well, that he convinces himself he is insane. Clearly, Hamlet's plan to put on an antic disposition is a tragic error.

   In Shakespeare's play Hamlet, there are several questions that come to the reader's mind regarding the emotional state of Hamlet.  Was Hamlet really suffering from madness, as many of his friends and family thought?  Was he mad or just pretending to be mad?  Did Hamlet start out pretending to be mad, and his obsession drove him to madness?  The reader gets insight into Hamlet's mental status through other characters and through Hamlet himself. If the characters had the information that Hamlet had about the murder of his father, would they have thought differently of his actions and his sanity?

In the play Hamlet, by William Shakespeare madness is a prominent trait that many of the characters in the play come to possess. These characters go through a multitude of troubles throughout the play that makes this madness justifiable. This madness plays an immense role in the outcome of the play and events throughout it. Hamlet and Ophelia show this trait of madness in their actions throughout the play which ultimately have a detrimental effect on themselves and other characters in the play.

Hamlet, a play by William Shakespeare, is as much a mystery as a tale about depression, madness and sanity. Shakespeare reveals how the scourge of corruption and decay rapidly spread; and the emotional consequences that follow. Insanity, madness and depression are as intolerable as corruption and deceit; and just as intertwined. The play makes one ponder if it is possible to be sane in an insane world full of treachery, revenge, incest, and moral corruption? By examining the themes of melancholy, madness and sanity in Hamlet, Shakespeare details his character’s descent from depression to madness. Additionally, Hamlet’s psychological state can be

The tragedy of Hamlet by William Shakespeare is about Hamlet going insane and reveals his madness through his actions and dialogue. Hamlet remains one of the most discussed literary characters of all time. This is most likely due to the complex nature of Hamlet as a character. In one scene, Hamlet appears happy, and then he is angry in another and melancholy in the next. Hamlet’s madness is a result of his father’s death which was supposedly by the hands of his uncle, Claudius. He has also discovered that this same uncle is marrying his mom. It is expected that Hamlet would be suffering from some emotional issues as result of these catastrophes. Shakespeare uses vivid language, metaphors, and imagery to highlight how Hamlet’s madness

“Hamlet’s madness is less than madness and more than feigned”. What is madness? Mad is a word with such uncertainty that it can be stretched to mean an abundance of things more than just pure psychological instability: a weariness of life; a suicidal impulse; a plotting charisma. In the play Hamlet by William Shakespeare, a wild disagreement has been consequent for a series of years in the case of the madness of Hamlet, the play 's central narrative, was justifiable or feigned. As in any decision, one must be given both sides of the controversy before making an impartial conclusion. The case of Hamlet 's madness is no exclusion. It is appropriate to say that Hamlet may have remained sensible throughout the performance, especially in consideration of his rag flashes of what seems to be psychological discipline and stability. However, Hamlet is perceived as disoriented by overwhelming burst of hysteria after acquiring knowledge of his father’s death, news of Gertrude’s quick remarriage, and Claudius becoming the new King. In the butt end it is up to the scholar to determine for him or herself the psychological nature of Hamlet’s madness, as it may have been the motive of William Shakespeare, taking into review how open-ended this subject continued throughout the play.