The Maltese Falcon by Dashiell Hammett

Women have different personalities and motivations, and they form relationships with men for many different reasons. Some of these reasons include love, money, and even lust and manipulation. The Maltese Falcon by Dashiell Hammett is a novel about Sam Spade, who is a huge figure of the hard-boiled detective genre. Sam Spade goes on a quest to find a valuable falcon, solve murders and jump over the obstacle that surround him on a daily basis. The novel is also about the three women who surround Spade during his quest. The names of these women are Iva Archer, Effie Perine, and Brigid O’Shaughnessy, and they all have different roles in Sam Spade’s life. In The Maltese Falcon by Dashiell Hammett, Brigid O’Shaughnessy plays the role of femme fatale, Iva Archer plays the role of Spade’s unfortunate future, and Effie Perine plays the role of Spade’s right-hand woman.

In Hammett’s story “The Maltese Falcon”, the main character, Sam Spade is a person who values a lot his reputation. He would do anything to avoid hurting in any way his reputation. In this story, the woman he loves killed his partner because of her plan of getting rid of Thursby. Sam said to Brigid, “When a man’s partner’s is killed he’s supposed to do something about it.” (Hammett 213). This quote explains that Sam expects a man to do something for their partner if their partner gets killed no matter who is the murderer. Sam says, “All we’ve got is the fact that maybe you love me and maybe I love you.” (Hammett 214). Spade would go as far as betraying the woman he loves to prison in order to preserve his reputation. As a detective, Spade do not want to let a criminal get away since that would harm his reputation as well. Sam said to Brigid, “I’m a detective and expecting me to run criminals down and then let them go free is like asking a dog to catch a rabbit and let it go.” (Hammett 214). This shows exactly that Sam refuses to let a criminal get away once he captures one no matter who it

The island in William Golding’s novel, Lord Of The Flies, is one of wonder and a great deal of natural resources. However what develops on this oasis is war, bloodshed and cruelty. This could also be said for Earth, as the same traits occur in the global society as well. Therefor, the island symbolises the entire outside world in three key ways, social relationships, war, and politics.

William Golding utilizes Lord of the Flies to prove that the inherent nature of man is truly savage and cannot be contained by any form of civil government. Characters, setting, atmosphere, and other elements are all used by Golding in the novel as metaphors and symbols to ultimately reveal the natural intention of man. In Thomas Hobbes’ Leviathan, John Locke’s Concerning Civil Government , and Jean-Jacques Rousseau’s The Social Contract, they share their own personal interpretations on man’s inherent nature, with the closest to Golding being Hobbes. Although both Golding and Hobbes state that man’s true nature is evil and selfish, Hobbes advocates for an absolutist government as capable of controlling man through fear of punishment, as opposed to Golding’s belief that no form of government is sufficient to control man. Conversely, Rousseau argues that men are born with morality and inalienable freedom, and John Locke believes that man is free but is neither inherently reputable nor immoral but a blank slate. Both want the people to be in control to prevent corruption from changing man, although Rousseau insists that a direct democracy to completely give power to the people would be more effective rather than only a representative democracy where the people would have individuals represent them which Locke suggests.

In the beginning of the Lord of the Flies we are introduced to two young boys, who have survived a tragic plane crash. The aircraft was an evacuation plane and it was transporting the group of boys out of England. One of the boys named Piggy is trying to catch up to the other boy, Ralph. Piggy is described as being very fat and shorter than Ralph. He wears “thick spectacles” (William Golding 7) and he is the first to determine that they are on an island. Piggy is also the one that knows how to use the conch shell and comes up with the use of it, which is to call everyone else to the beach. He believed the conch created order. Once the conch had been used we are introduced to more boys and they gain interest in Piggy’s glasses. They discover that Piggy’s glasses can start fires and they refer to them as “burning glasses” (Golding 40). The boys also rejoiced when they discovered that his glasses could create the fires. They proclaimed, “His specs - use them as burning glasses!” (Golding 38). The spectacles symbolize Piggy’s intelligence, which distinguished him from the others. Without the glasses Piggy would be blind and he would not know what to do. Although Piggy is portrayed as being physically weak and not having a great chance at survival, he is the only one that seemed to know a few survival skills. He is the one that created the fire, sundial and shelter. Without his glasses he would not be ‘intelligent’. His appearance and personality cause him to be shunned

Many people have their own views on humanity. They can either be that humans are essentially good but can become corrupt or that people are just essentially evil. They have their own opinions, some people can tell their perspective on humans in other fashions. If people are essentially good, they how do they become corrupt? Or if are truly evil, then why do some people seem like they are kind people and they can never do such things? To take both of these into account, a person may saw that people are good but deep down have evil within them. People may ask how does the evil within a person come out, the answer to that is that it is thanks to their environment. The environment around a person can undoubtedly draw out the evil within them

Laws and rules are what set people apart from savagery. Leaders are what keep a group alive in times of crisis. In Lord of the Flies, by William Golding, Piggy is the only character who remains civil and does not turn to savagery. The boys notice his appearance more than his brain which blinds them from seeing his intelligence, patience, and rationality.

Readers who have never picked up on the Dashiell Hammett detective novel The Maltese Falcon 1930 or seen the classic 1941 film adaptation, which follows the novel almost verbatim, can feel a strong sense of familiarity, faced for the first time in history. In this book, Hammett invented the hard-boiled private eye genre, introducing many of the elements that readers have come to expect from detective stories: mysterious, attractive woman whose love can be a trap , search for exotic icon that people are willing to kill the detective, who plays both sides of the law, to find the truth , but it is ultimately driven by a strong moral code , and shootings and beatings enough for readers to share the feeling of danger Detective . For decades , countless writers have copied the themes and motifs Hammett may rarely come anywhere near him almost perfect blend of cynicism and excitement.

In traditional hard-boiled American detective fiction there are many themes that seem to transcend all novels. One of those themes is the concept of power and the role in which it plays in the interaction and development of characters. More specifically, the role of women within the novels can be scrutinized to better understand the power they hold over the other characters, their own lives and the direction of the story. Dashiell Hammett’s The Maltese Falcon exemplifies the varying ways in which female characters attempt to obtain and utilize power in hopes of influencing, manipulating and succeeding.

Dashiell Hammett’s novel, The Maltese Falcon, is a hard-boiled detective novel; a subset of the mystery genre. Before the appearance of this sub-genre, mystery novels were mainly dominated by unrealistic cases and detectives like Conan Doyle’s Sherlock Holmes. As Malmgren states, “The murders in these stories are implausibly motivated, the plots completely artificial, and the characters pathetically two-dimensional, puppets and cardboard lovers, and paper mache villains and detectives of exquisite and impossible gentility.” (Malmgren, 371) On the other hand, Hammett tried to write realistic mystery fiction – the “hard-boiled” genre. In the Maltese Falcon, Hammett uses language, symbolism, and characterization to bring the story closer to

The Maltese Falcon, by Dashiell Hammet, revolves around the deceptions told by various characters. Samuel Spade is a detective who encounters multiple characters offering him money to find the Maltese Falcon. Throughout his search, most of the characters lie to Spade to get what they want. The Maltese Falcon’s plot develops through a sequences of deceptions told by specific characters to achieve their goals.

The Maltese Falcon is definitely one of the most critically acclaimed books from the Pulp Era. This book is full of both mystery and scandal, this book screams Pulp Era. In the book there are two men who work at a detective agency called Spade and Archer Detective Agency. The agency is named after Sam Spade and Miles Archer. A woman who goes by the name of Miss Wonderly, walks into the two men's office and is in search of her missing sister, by the time the night is finished with Miles Archer one of the detectives is killed along with another man. Spade takes a very strong interest in this woman and the men that she surrounds herself with. Spade develops a very strong need to constantly be in everything that she does. He even says that “she is a

Imagine yourself in one of the characters shoes in the novel “Lord of the flies.” You would see yourself loaded with responsibilities, major decisions, etc. “Lord of the Flies” represents a microcosm of adult society. The island can act as a democratic government, demonstrate knowledge, and each character can demonstrate an aspect of adult society. William Golding was in the Royal Navy during WWII. He creates a smaller image for what’s really happening in the world.

While American and British authors developed the two distinct schools of detective fiction, known as “hard-boiled and “golden age,” simultaneously, the British works served to continue traditions established by earlier authors while American works formed their own distinct identity. Though a niche category, detective works reflect the morality and culture of the societies their authors lived in. Written in the time period after World War I, Dashiell Hammett’s The Maltese Falcon and “The Gutting of Couffignal”, and Raymond Chandler’s “Trouble Is My Business” adapt their detectives to a new harsh reality of urban life. In “hard-boiled” works, the detective is more realistic than the detective in “golden age” works according to the

In Philip Pullman’s novel, The Golden Compass, a young girl, named Lyra Belacqua lives in a parallel world in which human souls take the form of lifelong animal companions called daemons. In Lyra’s world the antagonists, a group of people known as Gobblers, have been kidnapping kids from the streets. Lyra vows to save her best friend, Roger, after she discovers that he disappears along with one of the Gyptians’ boys. She sets out with her daemon, a tribe of Gyptians, a witch, an ice bear and a Texas airman on an epic quest to rescue Roger and save her world. These two goals would eventually lead Lyra to fulfill her so-called “destiny”. Lyra lives in a world where a lot of people believe in the ideology of predestination, but destiny is an illusion of free will and foreknowledge. Her choices can influence future outcomes and ultimately change her “destiny” as long as she has some foreknowledge of her prophecy, if she doesn’t have that then she cannot make the necessary actions to avoid it.