The Man Behind the Lines Essay

Throughout life there are moments where an individual must conform to society and the people around them in order to be accepted, however it is the individual actions and how the individual chooses to conform that creates their unique identity and place within that society. Ralph Ellison published the novel that follows a sense of outward conformity and obedience to an established order while at the same time invoking an inward questioning of the roles an individual plays within such an order. The main character is forced to conform to the cliché laws and expectations of the laws and expectations of the society that he lives in, in order to survive and function within them, while he privately goes against these societies in order to define

In the short story, “The Man in the Black Suit” by Stephan King, an old man named Gary retells a story of himself as a nine-year-old boy meeting the devil on the bank of castle stream. In Gary’s disturbing encounter the man in the black suit delivers some horrifying news of his mother to young Gary in efforts to eat him up. In quick haste, Gary gets away and runs into his father who did not accredit the boy’s story at first but later found himself a believer . King uses setting, point of view and language to convey to the reader his central idea of fear throughout the story.

Art by its nature is a subject of the philosophical, social, economic, political or religious context surrounding its creator. More often than not, a work of art addresses a specific topic or somewhat revolves around a particular person. Therefore, it is impossible to separate the context of a piece of painting, either historical or cultural, to its intrinsic value or the artwork's meaning. On the other hand, different cultures and time utilized specific conventions that govern the representation of objects of creativity. This essay highlights various pieces of art and their relationship to particular cultural, political, economic, or social settings. Moreover, it pinpoints how different times influence art presentation.

Art is one aspect of the past that has carried on for decades. Art in any form may it be poetry, novels, and playwright, sculpting as well as painting, has been an outlet for generations and continues to be an outlet and a means for expression. This paper will discuss “ The Mona Lisa” one of Da Vinci’s most famous paintings, as well as another great painting, Antonio Veneziano’s

These clear, slick, and streamlined creations emphasize the parallel of natural beauty—industrial beauty, the magnificence of efficient, high functioning modernist art. Its element lies in prosperous mass production in the ageless advancing industry focused on efficiency, emphasizing and harmonizing with the repetitive drive for achievement displayed by Douglas. The combination of his juxtaposition with Gorges du Loup provides conceptual progression from the imagery of nature to the artistic appeal of mass production, adding sense in subtle connections in an exhibit riddled with countless different

Dolch reading list. So he took 223 words and created a fun and exciting book

As the years passed, in 1930 he began his professional life. Nitsche went to Cologne, Germany, with Professor Ehmcke where they together designed The International Press Exhibit (Pressa). A year later, Paris opened its doors to many talented artists but Nitsche didn’t feel he fit in because French art at that time

Introduction: For many years, France has been playing an important part in the culture of European life. The art of French has influenced tremendously in this area. Looking from the work of Gothic Cathedral, to the work of the middle ages, down to the modern painters. The contribution of the French art can never be over-emphasized in the universe of the Western people. The works of painting that took in dimension of flat and bright colors triggered rapid revolution in the world of painting in France in the 1900’s. This was led by inspiring painters, with the use of color for purely self-expression.

Alphonse Maria Mucha born in Ivancice, Moravia (Czech Republic) and he leaved from 1860-1939, Mucha was a painter in the late 19th and early 20th centuries, he is also known to be one of the key figures in the “Art Nouveau” movement. Mucha had a passion for singing and this allowed him receive education in the Moravian capital Brno, but mucha main hobby from childhood was drawing. Mucha, in 1881, he did freelance decorative and portrait painting and in 1887, Mucha, moved to France and he volunteered to produce lithograph posters for, Gismonda, a play starring Sara Bernhardt the most popular actress in Paris, the painting he produced was an overnight sensation and this announced, Mucha as a very good designer and this earned him a contract with the actress to produced lithograph poster for her plays for two years. Mucha

“Architecture or Revolution?” in Le Corbusier’s belief was the only way to avoid class-based revolution in industrialized architecture (Quirk, 2012). Le Corbusier, born Charles Édouard Jeanneret, was born into an artistic family in 1877 in a small village in Switzerland. His mother was a pianist and his father was a designer of watch dials. Even though he learned piano and father’s trade he got interested in the architecture when he was 13 years old. He learned from L’Eplatenier, a teacher in La Chaaux-de-Fund. His teacher opened his eyes and led him to the direct observation of life. He was an instinctive genius by turning older building designs into newer more modern designs. Le Corbusier is one of the most significant architecture’s of the 20th century, and one who led architecture to the modern era.

When one considers the term “Art Nouveau,” what comes to mind most immediately is “images of a European-wide invasion [characterized] by the restless dynamism of organic form”(Silverman 1). For me it is usually the work of Alphonse Mucha– his mysterious women surrounded by the beauties of nature. Often my Art Nouveau fantasies take shape in the odd fungal-shaped stained-glass lamps of Tiffany. Or sometimes they surface as the romantic Parisian posters I’ve seen at Pier One, advertising champagne or cats noir or bicycles or the like. But no matter what ones notion may be of what Art Nouveau looks like, there is a feeling that accompanies it that is at the heart of the style’s appeal. It is difficult to define or describe what

Paris today is known as a center of arts and rich culture both acclaimed and original. Famous moments pop up through the history of France’s art, such as the impressionistic artworks by Monet, the École des Beaux-Arts teachings of classicism, and the iconic Eiffel Tower by Stephen Sauvestre. Paris augments itself with numerous museums to catalog countless masterpieces and sculptures throughout France’s enduring, yet sometimes gritty, history. As a whole, Paris comprises of a mixture between historic architectural themes like rusticated brick clad, mansard roofs, striated columns, and a modern day architectural themes like engineered metalwork, and external program support machinery. The notion of classic French architecture, juxtaposed

Art overall is created and adored by numerous amount of people for many reasons, such as amplifying shared common visual language. The word art often branches into many different movements and components. Modern art or Contemporary art is one those components; this specific genre began mainly in the 1860’s to the 1970’s. During, this time period artists began throwing aside their own beliefs in a spirit of experimentation and the bringing of new ideas. The purpose of Modern art is to beautify one’s surroundings with intrigue, its often very diverse and cannot be easily defined through a list of visual characteristics, artistic themes or cultural concern. Moreover, Modern art is often hard to understand by people because, unlike Egyptian tomb paintings or Greek sculptures, it speaks to the dramatic social, political and technological changes of the last 50-60 years, and questions many of society’s values and assumptions. Also, Modern artists known for incorporating a great deal of abstraction into their works and representational forms to convey their ideas more elaborately; Rene Magritte is one of those artists.

In 1823, he moved to Paris, where he was able to obtain a comfortable job as a clerk for the Duke of Orleans. By this time, he had developed passions “for the ladies and for the theater” (Alexandre Dumas). After being inspired by watching

“Modern painting, breaking through old conversation, has released countless suggestions which are still waiting to be used by the practical world.”(Gropius) The birth of modernism and modern art goes back to the Industrial Revolution, a period that lasted from the 18th to the 19th century, in which rapid changes in manufacturing, transportation, and technology profoundly affected the social, economic, and cultural conditions of life in Western Europe, North America, and eventually the world. Before the 19th century, artists created art pieces for wealthy people and institution places like the church where they can create art works about storytelling of religious or mythological scenes . These arts were there to instruct the viewers.However, this changed when during the 19th century many artists began to create works that were about people, places, or ideas that interested them, and of which they had direct experience. With the popularization of the idea of a subconscious mind, many artists began exploring dreams, symbolism, and personal iconography as avenues for the depiction of their subjective experiences.Challenging the notion that art must realistically depict the world, some artists experimented with the expressive use of color, non-traditional materials, and new techniques and mediums.