The Man With No Eyes Mackinlay Kantor

Sometimes we have to look beyond what we see on the outside to understand something more deeply. In the short story Cathedral By Raymond Carver, the narrator has an attitude of being selfish, and jealous through the story. The narrator’s wife invites a blind man, Robert, to come stay in their house for a short time while the man visits family members of his own wife who recently passed. The narrator is not enthusiastic because blind people make the narrator uncomfortable, mainly because the narrator has no real experience with the blind. In addition, to his uneasiness with the blind the narrator is uncomfortable with the relationship his wife and the blind man have. The wife and Robert, the blind man, have maintained a close

Authors empower our understanding of the world through compassion and empathy. Meaning to make readers share and understand the feelings of another. In “Harvest Gypsies” by John Steinbeck the author informs of two families and their tussles for survival.In the same manner, Kevin Starr in his excerpt titled “Endangered Dreams” tells of a family and their daily troubles. Both taken place during the great depression they both depict the hardships of migrant families trapped in poverty. While Dorothea Lange helped readers perceive the poor living conditions of the 1900’s through her photo, John Steinbeck helped evoke the most empathy through his descriptiveness, straightforward style, and listing of dramatic events.

Blindness is not limited to physical manifestation. In Raymond Carver’s “Cathedral,” the figurative blindness is immediately apparent through the narrator and his shallowness, irrational jealousy, and egotistical personality. His dismissive behavior and ignorance towards the feelings of Robert, his wife’s blind friend, speak negatively of his character and reveals his insecurities. While the narrator’s emotional blindness and Robert’s physical blindness initially inhibits their bond, it eventually leads the narrator to an epiphany and the beginning of a character transformation. The different forms of blindness allow the characters to bond and grow over the course of the story.

Everyone at one point has judged a book by its cover. In the short story, “Cathedral”, Raymond Carver creates a narrator who bases off ideas and assumptions about blind people from movies. The narrator has never interacted with a blind person before the day where his wife invites her friend, who is named Robert, to stay. The narrator and Robert have never met, but the narrator has a strong dislike towards Robert before meeting. The narrator’s closed-mindedness and misconceptions leads him to judge Robert, however after a few hours of interaction, the narrator learns more about him and grows to have a new perspective about people not being who they think they are.

In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.

“Cathedral” by Raymond Carver is a story that shows the sense of sight in relation to vision, but it shows that the sense of sight requires a much deeper engagement. The narrator, who Robert calls “Bub,” is astonishingly shortsighted or “blind” while the blind man is insightful and perceptive. Bub is not blind, but Robert is. Therefore, he assumes that he is superior to Robert. His assumption correlates with his idea that Robert is unable to make a female happy, nor is he able to have a normal life. Bub is convinced his ability to see is everything. So, he fails to look deeper than the surface and is why he doesn’t know his wife adequately. However, Robert sees much deeper than the narrator, although he cannot look at the surface. Robert’s ability to look deeper helps him understand through his listing and sense of touch. Throughout Robert’s visit, the narrator reveals he is closed minded and exposes how he views life in general. Bub is clobbered and it brings him to the epiphany that his views about Robert are actually a mirror image of how he views his life. His epiphany is shown through the author's use of appearance vs reality, irony, and vernacular dialogue; which shows Bub’s preconceived notations, the connection formed between Bub and Robert, and how out of obliviousness Bub gained insight.

The beginning of the story presents the narrator’s wife working for a blind man one summer by reading, “stuff to him, case studies, reports, that sort of thing” (Carver, 34). She eventually extends an invitation for the blind man, Robert, to stay at their house after Robert’s wife had passed away. The narrator was not too happy about having a stranger stay in his home by stating, “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me. My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed” (Carver, 34). The narrator seems very timid about someone he had never met stay at his house who can see purely nothing. This gives off an impression that the narrator doesn’t want to have Robert stay with him because he will be a hassle to keep up with since blind people in the “movies” progress, “slowly and never

The theme of this story plays a strong role of physical and psychological blindness. The narrator has sight and is not blind. But it seems as if the narrator is blinded by his own personality. He is too quick to judge a blind man who he has not even met yet but judge a blind man because of what he saw on television. Bub, the narrator says, “"And his being blind bothered me. My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing dogs-eye dogs." (Carver 299). It is also seen that Robert always refers the man as “the blind man” rather than Robert. The narrator sees him not as human-like because of his disability. The author lets the audience know that even though a man may

The notion of possessing an intrinsic bias is introduced in Raymond Carver’s Cathedral. He highlights how perception can affect the way people interact and communicate with each other for the first time. In the short story, the narrator himself is blind to the emotions of the people around him and eschews any form of self-reflection until the very end. He is envious of the blind man, who shares an intimate relationship with the narrator’s wife. However, the blind man is depicted as insightful and personal. Carver discloses in Cathedral that Robert, the blind man, and the narrator’s wife had been exchanging audiotapes for years, sharing their experiences and difficulties with one another.

Lives are diverse. Every being that passes by on the street, at school, at work, anywhere lives a completely unique life different from any other individual. Each person that one could meet has attended different schools, travelled to different places, and lived under different circumstances; they all pass by in an instant without a second thought or even a passing glance. These several diverse experiences sculpt diverse individuals with diverse thoughts, opinions, dreams, and motives. However, in Raymond Carver’s “Cathedral,” the narrator must converse with an individual that lives an extremely dissimilar life from his own. A blind man, friends with the narrator’s wife and a recent widower, has come to live with the narrator for a while. This sudden change in the narrator’s life does not come easy because of his inherent arrogance and prejudice. Nevertheless, the blind man remains polite and shows the narrator how similar, yet still different their lives are through example as well as an explicit exercise where he holds the narrator’s hands while he draws a cathedral in order to “see” what the cathedral looks like. To assist the reader in fully grasping the impact of this breakthrough in the narrator’s life regarding perspective and various types of human realities, Carver employs a large number of stylistic elements to enhance his writing.

The narrator does not find joy in learning, does not have close friendships, and superficially judges the world. According to his wife, he has no friends. “Every night I smoked dope and stayed up as long as I could before I fell asleep”. He has a monotonous life. He is also afraid of the blind man and does not know how to interact with him. The blind man’s eyes creep him out. “I’d always thought dark glasses were a must for the blind. Fact was, I wished he had a pair”. He judges the man based on his look instead of his personality. Even before he met the man, he fixated on the blindness. He also feels pity for

The speaker puts Robert in a category that stops him from seeing him as an individual, yet receives an eye-opening experience through the blind man’s knowledge and

Gaining life experience provides people with a greater capacity for empathy and enables people to create new relationships. Ernest Hemingway establishes this benefit of empathy in “A Clean, Well-Lighted Place,” a short story in which a young waiter expresses his dislike for customers who waste his time and an old waiter shows understanding of a deaf customer’s need for a safe place in the early hours of the morning. Raymond Carver’s short story “Cathedral” further develops that seeking novel experiences inspires compassion when a man attempts to describe a cathedral to Robert, a blind man. Characterization in both short stories conveys that the willingness to pursue new life experiences allows for greater empathy, an emotion which allows people

Through his abundant comments, the narrator expresses his judgments and misconceptions about people and the articulation of emotion. In other words, what the narrator thinks and says defines his wrongful ideas about the world. He admits that his “idea of blindness [comes] from the movies” and, therefore, expects the blind to “[move] slowly and never [laugh]” and be “led by seeing-eye dogs” (Carver 209). Because he lacks day-to-day interactions, he relies solely on popular culture, and rather than basing his expectations on real people, he forms stereotypes. Moreover, as a result of his limited experience, the narrator is unenthusiastic, bothered, and even distressed by Robert’s visit, confessing that “A blind man in [his] house was not something

As the story continues it exposes the many things that the husband fails to realize. For example, the husband neglects to recognize that Robert can feel. Robert commented about the train ride from the city that he’d "nearly forgotten the sensation" (1055). The husband does not understand that what blind people cannot see they can experience by feeling and hearing. The husband does not see what is underneath the skin or what is behind a face. The husband sees people and things at face value; he doesn’t look beneath the surface. In contrast, the blind man "sees" things with his ears, his hands, and his heart. Robert does not let the fact that he is handicapped affect how he perceives people and the things around him. Carver illustrates this when the husband observes, "The blind man has another taste of his drink. He lifted his beard, sniffed it, and let it fall. He leaned forward on the sofa. He positioned his ashtray on the coffee table, then put the lighter to his cigarette. He leaned back on the sofa and crossed his legs at the ankles" (1057) He did this just as anyone could have done. He doesn’t let the fact that he is