The Man to Send Rain Clouds

One of the most important myths of the Huichols Indians is about the creation of the world. These types of myths are categorized as origin myths which “are typically the most sacred of a culture’s myths and provide the foundation upon which other myths are built” (Lindell “Professor’s Notes 4” 2). The article “Journey of Grandmother Rain” by Jack Eidt tells the story about the first humans, the creation of the land, and the creation of the sun. From a structuralist perspective, the binary opposition that shapes the worldview of the Huichol Indians is apparent in this origin myth. According to Eidt, in the Huichol origin myth the first human, named Watacame, and his black female dog, Tziku Mayuri, had to “withstand five days of monsoons, wind, waves, flooding and storming” (Eidt). After Watacame had successfully survived the storm, the Goddess Takutzi Nakawe (Grandmother Rain)

Leslie Marmon Silko’s story entitled The Man to Send Rain Clouds describes a funeral service carried out by a Native American Pueblo family. Though many perceive the funeral

The setting and the mood provides the perfect environment for the theme to take place. The story begins on the Laguna Indian Reservation New Mexico. Ken and Leon find Leon's grandfather dead under a cottonwood tree. Leon is a Christian that respects his Native American roots customs; He effectively integrates both

The short story “The Man to Send Rain Clouds” by Leslie Marmon Silko is a deceptively simple narrative about the death and funeral of an old man of the Laguna Pueblo tribe of Native Americans. Set in the desert southwest of the United States, the story is narrated from an omniscient point of view, and describes the discovery of the old man’s body, the preparation of the body for burial, and the interaction between the family of the dead man and the Catholic priest who lives on the reservation. The author uses very simple language and unsophisticated descriptions to describe an intricate and complex relationship between the Christian culture of the priest and the religious culture of the Pueblo culture. Descriptions of the bleak landscape

Burial practices- Pueblo buried their dead in an empty or a collapsing room just off the main living rooms that way other living creatures could benefit from these dead bodies. Once this room was filled to a satisfactory level they would dig a shallow grave in one of the corners.

Burying individuals have impacted the people of ancient Hawaiians greatly. As in other cultures, recognizing a deceased person played a key role in the ancient society, whether it was a strong leader or a stranger. This was no different for the Hawaiians, as death was a matter not taken lightly. Even though emotion is common while observing burial, native Hawaiian had taken it to another level. “Relatives or close ones to the deceased person would tear away hair, knock out teeth with a stone, scar their skin, or even cut off an ear, especially if the high chief had passed” (Fullard-Leo). However, Hawaiians also saw a significance when a relative had been

Native American traditions as well as rituals may differ from tribe to tribe. This is because each tribe may have different religious and spiritual beliefs. Although this might be the case there are many common characteristics in Native American death rituals. One belief that is common among

In Garcia Marquez’s short story, “A Very Old Man with Enormous Wings,” we find ourselves involved with a variety of problems varying from a ridiculous crab infestation to a much more severe one such as their newborn being terribly sick. To make matters worse, Pelayo (the husband) discovers a very old man with wings like an angle lying on his courtyard. News quickly travels of this new fallen angle so people come by the hundreds to see this miracle. To their disappointment the angle seems to ignore them and eventually the crowds no longer come. However, due to crowds, Pelayo and his wife charged an entry fee that allowed them to quit there jobs and buy a new house. Years pass and the winged man still resides with the family much to Elisenda’s disapproval. Eventually, the family believes the old man is about to die, but just like that he recovers and vanishes into the sunset. Since this story was told from a third person perspective we are limited to the amount of insight we get from each character. Another interesting element of the story is the symbolism presented. There are numerous symbols in the story, but the most significant is the storm and I will discuss this further later in my analysis.

Cloudstreet is a mystical hymn of each character’s journey to finding peace and redemption within their lives. From separate tragedies, the Pickleses and the Lambs come to Cloudstreet seeking a fresh start. Winton’s exploration of a mystical journey to redemption is represented through the complex relationship between Fish and Quick Lamb. Their relationship is ridden with guilt, despair, a sense of mystical hope and a fervent desire for freedom, ideas that are widely important for the maintenance of human hope.

. . one can’t help but wonder what form the author/protagonist’s life will take in the aftermath of his exorcism” (261). In this quote, Gonzales-Berry asserts that Miguel Chico’s has been exonerated of his repression through the art of writing. As stated by Marquez, serving as an inner historian has provided Miguel Chico a different perspective on life. Moreover, Gonzales-Berry’s curiosity is insightful because now that Miguel Chico has released his repression, he can now enjoy what he was encouraged to repress—his body. Lastly, in the article, “Sinners Among Angels, or Family History and the Ethnic Narrator in Arturo Islas’s The Rain God” written by David Rice, adheres to the idea of repression as he writes, “Through his vision of Felix’s return, Miguel Chico realizes that the family can only be saved if it is reconnected to the past which it represses and denies” (184). In this quote, Rice claims that the Angel family suffers from repression. His viewpoint is coming from the inner historian—Miguel Chico—as Marquez refers in his article. He refers to the salvation of the Angel family because the burden of their past is preventing the family from living their lives, hence not function as a family. In order to proceed, Rice suggests that the Angel family must acknowledge the past and learn to accept it.

In the novel, Ceremony, Leslie Marmon Silko writes about an Indian veteran and his struggle to deal with the stresses of war. Early in the novel Silko reveals some of the rituals that the Laguna Indians perform. One of these traditions is the ritual they go through after they have hunted in order to show their appreciation for the animal, in this case a deer. Some of the other Laguna traditions include the rain dances they perform during a draught and various other ceremonies. After returning from the war a traditional medicine man, Ku’oosh attempts to cure Tayo of his war-sickness but fails because his warrior ceremony is outdated. Therefore he refers him to another medicine man, Betonie, who may be more able to

Leon gets in the truck and goes down to the church to see if the priest is there.

The short story “The Man to Send Rain Clouds,” by Leslie Marmon Silko takes place on an Indian Reservation. Silko displays the theme of change by her choice of setting, character, and plot. The setting is on an Indian Reservation which a setting that has experienced change before, and will continue to experience change through the introduction of new people and elements. The characters include Teofilio, his family, Ken, Leon, other Indians, and Father Paul. The plot ties the characters and the setting to reveal the theme of change. Silko puts Father Paul in the story to displays a mixture of beliefs and traditions. The change occurs after Teofilio is found dead on the sheep farm. The Indians reacted camly to the news of the dead but Father

Location also tells us that it is economically and socially underdeveloped, and is reinforced with the image of isolation given to us when Garcia Marquez writes of Father Gonzaga having to write and send a letter to the bishop. The time period of the story is established as modern day when it is written “…in determining the difference between a hawk and an airplane…(Garcia Marquez 442).” The town’s people are portrayed as simple, primitive and crude as demonstrated when Garcia Marquez writes  “…they did not have the heart to club him to death.” and then instead Pelayo “…dragged him out of the mud and locked him up with the hens in the wire chicken coop (441).” After the child’s fever breaks Pelayo and Elisenda “felt magnanimous and decided to put the angel on a raft with fresh water and provisions for three days and leave him to his fate on the high seas (441).”

One of the people who influenced Gabriel Garcia Marquez writing in the young age was his grandmother. He spent a lot of his childhood life listing to her “magical, superstitious and supernatural view of reality” (Gabriel Garcia Marquez, Biography 2012).In his short story, The Handsomest Drowned Man in the World, Marquez uses Magical Realism to illustrate how, even an unknown, drowned man can have influence on a community.