The Many Evils of Iago in Othello by Shakespeare Essay examples

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The Many Evils of Iago in Othello by Shakespeare

Iago is a man of jealousy, and he is proposing revenge against Cassio and Othello. " He claims both Cassio and Othello have seduced his wife, Emilia, a warm-hearted, simple woman. He proposes, as revenge of wife for wife, to put Othello into such a jealousy as judgement can cure" (Jorgensen 59). "We know therefore from the start why Iago hates Othello . . . " (Modern 3). Iago's hatred for the Moor is deep, and there is apparently reason. The Ten Commandments teach us to love thy neighbor and to not steal. It seems that Othello has in a sense broken both those rules, or at least that is what Iago wants us to believe. By trying to seduce Emilia he is not loving thy neighbor, and he
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Iago believes that he can "exploit signs and forms from the outside while remaining..unscathed by the consequent mystification" (Eagleton 69). Iago's plans are carried out by causing sexual jealousy. The successes of his plans depend on "his pose of unswerving honesty - a pose which none of the other characters, not even his wife, is able to penetrate" (Scragg 52). The other people involved in Iago's plan have no idea what is about to happen to them. Iago uses their ignorance to destroy all of them. " All are oblivious of the false mind behind the ‘honest' mask and of the many specific machinations by which they are victimized" (Evans 116). Even though Iago is accused of all these evil deeds, that are not revealed until the end of the play, it can still be reduced to look like a minute act. "Iago can be reduced to a resourceful intriguer who exposes the hero's weakness to ridicule and devises an appropriate punishment," says Mehl in Shakespeare's Tragedies: An Introduction. In order to first fool Othello, Iago must victimize several other people. "Iago's success in fooling Othello is but the culmination of a series of such betrayals that includes the duping of Roderigo, Brabantio, and Cassio. Each duping is the explanatory image of the other, for in ever case Iago's method and end are the same: he plays on and teases to life some hitherto controlled and concealed dark passion in his victim. In each case he seeks in some way
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