Essay on The Mariachi and Special Occasions

The origins of the word "mariachi" are not very clear. One theory, that the word came from the French word for marriage has been totally discounted. Many historians believed that the word originated when a Frenchman named Maximillian was the emperor of Mexico. Evidence of the usage of the word dates back much earlier than the arrival of Europeans, so the word had to come from somewhere else. Another theory states that the origin came from the name of the wood used to make the guitars or platforms on which the musicians performed. The most recent theory, however, dates the word back to the early 1500’s to the Coca Indian word for a musician (Ruiz, 2002). Today, the term mariachi refers to the musicians who play

The Lady of Guadalupe is a huge part of the Mexican tradition, and how many people look up to her in a very godly way. She is important, because she reminds people of their appreciation for their own cultures, along with the other cultures that are all over the world. The Lady of Guadalupe is someone that is the exact replica of the Virgin Mary. But, the only difference is, is that the Virgin Mary is a saint that is represented in the European culture, and the Lady of Guadalupe in the Aztec and Native culture of Mexico. The lady of Guadalupe is a positive influence on different religions, especially Christianity.

I am going to tell you about a famous, yet kinda eerie celebration that takes place in mexico. This is a tradition celebrated by the Mexican Natives, most Mexican Americans (including myself) don’t even acknowledge this day, unless they happen to be visiting mexico at the time of this event.

The genre that most people know Mexican music by is Mariachi. Mariachi is usually played at birthday parties, quinceañeras, and any other social gathering. In a Mariachi band, the member’s attire consists of a “Charro” suit and sombrero. For the main part, they use violins, trumpets, a classical guitar and a “vihuela” (a five string guitar).

The stage travels, and outbursts, many swirling, dazzling colors, followed by a stampede of footwork accompanying the sound of the mariachi. Envision it. Mesmerizing isn't it?

The Miraculous Day of Amalia Gomez by John Rechy delves into the life of Amalia Gomez; a Mexican-American woman living in a poor rural area of Hollywood. The structure of her family is falling apart due to conflict between the characters and Amalia’s lack of involvement in their lives. Her youngest son Juan is a male prostitute known as a “maricÓn”, her daughter Gloria is falling dangerously close to following in Amalia’s footsteps, and her oldest son Manny although well intentioned starts to clone his father’s criminal tendencies even though he has no recollections of his father. Amalia’s selective perspective also leads to conflict within herself since she is content not knowing the truth as long as the false reality fits her ideal

The Spanish romance is a story song (ballad) in otosyllabic quatrain. An example of a Spanish romance is “Romance de Delgadina” which can also be heard in a corrido version (“Delgadina” by Lydia Mendoza). Like the Spanish romance, corridos are used to tell stories about historical people, places, and events in Mexico. In The Bracero Experience: Elitelore Versus Folklore, Maria Herrera-Sobek states “Mexican corridos or Mexican folksongs yields valuable information as to the ideology, world view, political, economic, and social situation of the Mexican people.” Some of the Mexican communities saw corridos as oral history, which communicated moral lessons and gave them a reason to be proud of their national identity. The history traveled to communities that did not have the opportunities to receive an education, and allowed them to understand what was going in their

Nevertheless, because of the way people live their lives or the changes on society, these traditions are modificated. This is something that people related to the mariachi music are asking for. They are not asking to stop mariachi to be “traditional,” they are just asking for a modification in the

On Sundays after Mass- every single Sunday, Latinos gathered on parks to play soccer and have carne asada something that is very traditional in Mexican families my family could be an example of that. These parks were built with the money taken from the Japanese which speaking of now a day’s use these complexes too and this is where the two cultures met.

The relationship between the city of Trujillo and the Marinera is special, because one of the mainly things that represents the city is this precise dance. This affirmation was made official when in January 24 1986; the city of Trujillo was declared the capital of the Marinera. When they saw that it was something meaningful for the city’s population, the congress decided in 2012 that October 7 was going to be the Marinera day (nationwide) in honour of one of the most famous Marinera music composers: Augusto Ascuez Villanueva. In Peru, they teach kids in school how to dance it. This dance is thought so that children can know more about their culture, feel “more” Peruvian, and see if they might want to dance it professionally. Furthermore, during

El pasillo is a symbol of Ecuadorian music. The Origen is from the Vals of Europe. In the 18th century El Pasillo came to America; Colombia, Venezuela and Ecuador. Each country modifies the original pasillo based on their culture. In Ecuador and Colombia is known as "El Pasillo" and in Venezuela like "vals". At the end of 19th century Apancio Cordova was known as the first composer of this genre. By the 20th century El Pasillo from Ecuador start to modify from festive and danceable tone to a more romantic and melancholic. The lyrics of the song come from poems, but with the time lyrics reference to places from Ecuador. For example "Guayaquil de mis amores" is a song that talks about Guayaquil a city from Ecuador. This song was and still more

Maria la O is a Zarzuela premiered in 1930. In Zarzuela, the characters are identified with the musical style. For example white characters are often depicted as being high-register, operatic, and rhythmically unsyncopated, while black characters typically sing in a narrower, lower range associated with popular song;

Maria la O is a Zarzuela premiered in 1930. In Zarzuela, every character has their own musical style. For example, white characters tend to have high register and unsyncopated rhythms while mixed and black characters have lower registers and have more spice in their rhythm, meaning syncopation. The Mulata, being a mixed blood individual has a little of both worlds, a little of both musical styles. She can have a syncopated rhythm with high register and a sad ballad, with low register and somber melody.

I would like to inform you about a problem I encounter in my residence during my stay. In my furniture, rug, couch, bed, blankets, pillows, and toys of my children, I found nothing but, bed bugs. I was told to inform the matter to you to discuss it and the future problems it may cause to others. I paid for a 3-day bug spray process to get rid of the bugs, but they seem to have stayed for another round. The people who sprayed the pesticide stated that to minimize the problem I would need to get rid the carpet because the bed bugs had made their way deeply into it. So I did. It's been a month since the problem first started and I was told to inform you then, but until now I wasn't able because

According to the Columbia Encyclopedia, Mariá Rosália De Castro was a very important representative of the Galician poetry romanticism and if we add the fact that she was a women and a mother of seven children, one would expect her poems to be gentile and delicate (PoemHunter.com). However, the choice of words and the emotions that these words create in a reader are powerful, sad, mysterious and overwhelming. There is a certain degree of heaviness, darkness and sadness that echoes throughout the whole song. The only softness in this song is the one that is produced by the sounds of the words. In the original song it is the soft rolling of the characteristic Spanish (Galician) “R” – sombra,