The Marxist And Postcolonial Lenses

The soundbite criticisms of capitalism are legion, yet it’s harder to offer alternatives, aside from the vague notion of 'something else'. Despite the carnage of trying to socially engineer equality in the 20th century, nevertheless the myth persists that capitalist wealth creation is superfluous and money is readily available to a small number of elitists called a government under common ownership, who distribute, or simply print more paper. Ironically, the ones shouting the loudest against capitalism are often those dependent on the profits of capitalism to provide the welfare payments needed to keep them alive.

Wyche also shows that writers like Hemingway may be influenced by what is going on in their personal life. Wyche also aims to relate Hemingway’s life and that of the author. Towards the end of the text, Wyche provides a comparison of Hemingway’s real life and the author and notes that he always had a way of feeding his artistic side from his personal experiences. Hemingway’s work was a mirror of reality and much of his reality. Wyche as an author therefore aimed at showing the relationship between and an artist’s

Marxist literary criticism as defined by Peter Barry approaches a literary text through terms introduced in Karl Marx’ and Friedrich Engels’ Communist economic theory. Their jointly written text titled The Communist Manifesto called for a society with “state ownership on industry… rather than private ownership”. The social theory later became known as Marxism. As stated in Barry’s text, “The aim of Marxism is to bring about a classless society, based on the common ownership of the means of production, distribution, and exchange” (156). One of the theory’s main aspects looks to the “exploitation of one social class by another. The result leaves one class alienated.” Central to Marxism is a belief in its ability to change the material world, which it theorizes. According to Marxist theorists, only through conflicts between the bourgeoisie and the proletariat, can the status quo positively change (157).

Marxist criticism is one of the literary lenses that are used when analyzing a work. Through this criticism, I will be able to examine The Life of Pi to understand how class differences, struggle, economics and politics influence the events that take place in the story. Marxist criticism focuses on the economic structure of society as it believes that it has an influence on everything in life and the lives of the characters are determined by social structure. It was developed by Marx and Engels after Marx perceived that human history has consisted of a series of struggles between classes. It also identifies the conflicts between classes, which the characters are part of and how the quest for wealth defines them. This idea of classes, seeking wealth and escaping political situations all take place in The Life of Pi, as Pi starts his life in India living an upper-middle-class lifestyle then losing everything and having to work his way up again to regain his wealth in a new country.

In Ernest Hemingway’s short story “ The Short Happy Life of Francis Macomber,,” Hemingway uses the author’s craft of perspective along with dialogue and internal dialogue to create a multi-part claim that develops an overall negative characterization of the story’s characters. Hemingway develops the characterization of Margaret, one of the main protagonists, by using multiple perspectives to assure on her character traits of cruel, manipulative, and fearful.

Throughout John Knowles’ A Separate Peace, Gene’s internal struggle is reflected in the war taking place. In the beginning of the story, Finny tells Gene that he was reading the paper and saw that “[the United States] bombed Central Europe...”(25). At this point in the story, it is 1942, which is the midst of World War II. This reflects Gene’s attitude toward Finny. As the war starts to escalate and the United States enters, Gene starts to loathe Finny for reasons that are entirely from Gene’s head. When Finny returns to Devon for the winter session, he has convinced himself, and soon convinces Gene, that “there isn’t any war”(115). Around this time, Gene pushes away his hateful thoughts towards Finny and convinces himself that Finny and him

There are many ways to interpret a book, one can read it as a character’s adventure, a conflict of ideas or emotions, or a story. For myself, I read the books, Invisible Man by Ralph Ellison and Billy Budd, Sailor by Herman Melville, in an ironic sense; and while doing this, I noticed that both books showed an intuitive sense of sociology. Furthermore, what mattered most by reading the books ironically is that it is easy to see the outcome of a situation which is pleasing to be conscious of. It is easy to see the outcome of a situation because when one is paying attention to a character, one’s attention is toward a character, except when one’s attention is on an entire situation, one’s attention is on the flow of events and then the

Society is ever changing and evolving, the interactions between family members and those in a person’s community can change from day to day. Shirley Jackson and Ernest Hemingway explore society and the interaction of people within a society to show the true nature of people. The authors both use short yet intense diction which places the reader within the story. The twists within the plot lines of both essays show the reader life is always unexpected and that although one may believe they know the conclusion they are blindsided by the truth. The two writers have very similar approaches throughout the story hiding the true reasoning behind the story until the finale, yet the way the compose their essays and the way in which societies within those essays act, both writers display how

Earnest Hemingway is one of Americas foremost authors. His many works, their style, themes and parallels to his actual life have been the focus of millions of people as his writing style set him apart from all other authors. Many conclusions and parallels can be derived from Earnest Hemingway's works. In the three stories I review, ?Hills Like White Elephants?, ?Indian Camp? and ?A Clean, Well-lighted Place? we will be covering how Hemingway uses foreigners, the service industry and females as the backbones of these stories. These techniques play such a critical role in the following stories that Hemingway would be unable to move the plot or character development forward without them.

When reading A Small Place using the Marxist lens the reader focuses on the importance of power and money. Through A Small Place Kincaid communicates that money is the biggest thing that contributes to power: “Not far from this mansion is another mansion, the home of a drug smuggler” (Kincaid 11). In Antigua, drug smugglers are considered powerful and very wealthy. The drug smuggler can get and do what he wants because he has the money. He has the money to pay for whatever he wants, whether it is good or bad.

Derived from opinions and views of the Father of Communism and adapted to fit literature both modern and classic, the Marxist lens is a particular way to view literature in relation to a powerful bourgeoisie that abuses a less powerful or economically prevalent proletariat. Upon viewing a text through this lens, common themes such as said abusement and commonly struggles for power become commonplace. Through these lens, one can view Shakespeare’s Hamlet and find social classes set in the book and desires for power within and between them. While viewing Hamlet through the Marxist lens, one could identify the tragedy as a struggle for power and a lesson on retaliation and violence overall.

Hemingway’s novel The Sun Also Rises has his male characters struggling with what it means to be a man in the post-war world. With this struggle one the major themes in the novel emits, masculine identity. Many of these “Lost Generation” men returned from that war in dissatisfaction with their life, the main characters of Hemingway’s novel are found among them. His main characters find themselves drifting, roaming around France and Spain, at a loss for something meaningful in their lives. The characters relate to each other in completely shallow ways, often ambiguously saying one thing, while meaning another. The Sun Also Rises first person narration offers few clues to the real meaning of his characters’ interactions with each other. The

I intend critically to examine, from the standpoint of Marxist theory, the arguments for race, gender and class studies offered by some of their main proponents, assessing their strengths and limitations and demonstrating, in the process, that Marxism is theoretically and politically necessary if the study of class, gender and race is to achieve more than the endless documentation of variations in their relative salience and combined effects in very specific contexts and experiences.

Many authors, critics, and everyday social readers define Ernest Hemingway as the prime example of 20th century American literature. Hemingway’s works transcend time itself, so that even readers today analyze and criticize his works. His works, of course, have drawn praises and animosity from all corners of the globe. Critics often applause Hemingway on his short simple prose, for which many people recognize him for. His writing builds upon the masterful usage of “short, simple words and short, simple sentences” (Wagner, 3) to create clear and easy to

            While Marxist critics must admit that they themselves are helpless to avoid the effects of hegemony, the critical project of Marxist literary criticism remains steadfastly committed to the attempt to identify and understand the mediating contexts in which the forces of hegemony exert pressure on a text, its author, and its audience. These contexts manifest themselves within specific historical, economic, political, cultural, etc... conditions. In order to discover such contexts, a work of art cannot be uprooted from the specific temporal circumstances in which it is read or created and regarded as an isolated purely original entity. Literature, for better or worse, is mired in history.