The Masculine Crisis In Manhattan Transfer

But he said: ‘Very well. I will give you four hundred francs. And try to have a pretty gown’” (3). This generosity, in consequence, makes Madame Loisel become even more spoiled. Madame Loisel’s unhappiness, in turn, causes Monsieur Loisel to become even more adulating, as he not only pays for her dress, but also allows her to dance with other men while he sleeps in the anteroom instead of his own home. Finally, Monsieur Loisel’s suggestion to lie to Madame Forestier about the necklace causes Madame Loisel to become strong and hard-working in order to pay off their debt, “Thereafter Madame Loisel knew the horrible existence of the needy. She bore her part, however, with sudden heroism. That dreadful debt must be paid. She would pay it” (8). These mutual changes in response to the other’s flaws, such as Madame Loisel becoming more hedonistic as her husband becomes more sycophantic and Madame Loisel

The expressions of the characters, caused by their surrounding, is also a factor that can alter the psychological traits in a character. The Man states “He does not trust his dreams, believing that they are "the call of languor and of death” (McCarthy 15).The man has a vivid

When he returns home to Algiers, Meursault carries on with life as normal. Over dinner one evening, his neighbor Raymond tells of his desire to punish his mistress for infidelity, and asks Meursault to write a letter to the mistress for him. Meursault agrees, saying "I tried my best to please Raymond because I didn’t have any reason not to please him" (32). While Raymond is a man of questionable morals, he acts with purpose. Meursault, on the other hand, acts with mostly passive indifference, doing things simply because he doesn’t have a reason not to do them.

New York City, the shining icon of the American dream and the mixing pot of cultures, was but a name I knew when I was young. Nine years ago, I finally set foot on the fabled city when my family immigrated to the United States. The gigantic airport, JFK International, spanned for miles and its terminals stood proudly over the jumbo jets below. That night, nausea from the plane’s descension and the entropic movements of my aunt’s Jeep prevented me from seeing the outside world. I rested my head on my mom’s lap while still imaging what the city was like.

Pathos is a useful strategy that appeals to the reader’s emotional side and is presented more strongly by Clifford and Hardy in comparison to Gladwell, to convince

Henriette though she was among learned women she aspired to be nothing like them Moliere also showed a balance with Henriette she was not illiterate but she was not obsessed with being educated. She believed in being a “traditional women” she was happy with everyday life routine and she didn’t want to ignore the needs of her body, she was fascinated with the idea of being a wife and having children. Henriette stated “I only have offered to my thoughts a husband, children, and a home; and I see nothing in all this to defile the imagination, or to make one shudder.” Armande can’t understand why her sister rejoices in marrying Clitandre. She thinks she

the emotions of the readers. He successfully gives a vivid image in which the audience can begin

Cosette is deprived of the love that she desires and deserves. She longs for love and instead receives the opposite. The Thenardiers do not care for Cosette and do not view her as their child, to them she is a servant girl. When Jean Valjean offers to take Cosette away from the Thenardiers, they reply, “Ah monsieur! My good monsieur! Take her, keep her, take her away, carry her off, sugar her, stuff her, drink her, eat her, and be blessed by the holy Virgin and all the saints in paradise!” (154). The Thenardiers want Cosette out of their house, and no longer want the responsibility of taking care of the “imbecile child” (147). It is a blessing to them that this traveler has come to take Cosette away forever. Because of Jean Valjean's good deed, Cosette's life can improve and she can finally experience the emotion of love she longs for. Although Jean Valjean offers Cosette all the love he is capable of giving, it is not enough to satisfy Cosette. She craves for a different, romantic love after she is introduced to Marius. Hugo,

It's a mystery…Its real beauty is that it destroys responsibility and consequences. A problem gets too burdensome, then into the furnace with it....Antibiotic, aesthetic, practical” (Bradbury, page 52). In these lines, Beatty analyzes the term, and its purpose in society, which is to clear the mess and the confusion, and restoring what is believed to be acceptable. However, Guy Montag swivels away from Captain Beatty and from what fire has always meant to them as firemen. Right from the beginning “It was good to burn and to snatch, rend, rip in half with flame, and put away the senseless problem…Fire was best for everything!” (Bradbury, page ). Then, he begins to view fire differently. Montag cannot forget the woman that Captain Beatty had burned alive, and he tells his wife, Mildred, “This fire’ll last me the rest of my life” (Bradbury, page 24). With such a profound statement, Guy Montag transforms in a different person right in front of the readers. Burning books, houses, and even people is no longer pleasurable. On the opposite, it scarred the main character so deeply that he craves to make a change, in the hope that, maybe, he will be able to redeem himself from the gruesome, and almost shameful, acts that he had committed in the name of a distorted

1. Meursault is in a kind of sexual relationship. Everytime he sees her, he can’t stop his sexual attraction towards her. His thoughts are all about her physical features and sex. When Marie asks Meursault if he love her, he told her it didn’t matter. “A minute later she asked me if I loved her. I told her it didn’t mean anything but I don’t think so” (35).

, the characters in the story often show emotions whether it be externally or internally. The

Relations between sympathy-empathy expressiveness and fiction have become a significant issue in the debate on the emotional responses to the film fiction. Due to their complexity many scholars found it useful to diagram them. With his essay, “Empathy and (Film) Fiction”, Alex Neill tries to develop new theory for analyzing the fiction and, especially, the emotional responses from the audience on it. The project of this essay is represented with an aim to show the audience the significant value of the emotional responses to the film fiction. From my point of view in the thesis of his project he asks a simple question: “Why does the (film) fiction evoke any emotions in the audience?”, further building the project in a very plain and clever

Yet it is not until Armand believes that Desiree is black that he fully dominates her simply by thinking that he is superior.  At this point, “when he spoke to her, it was with averted eyes, from which the old love-light seemed to have gone out” (317).  Armand feels that he is too superior to Desiree to devote his full attention to her.  Since he no longer expresses his love for Desiree, she feels further pushed into a slave-like position in the relationship, and, “was miserable enough to die” (318).

One can also only speculate that how Madame Lantin’s insatiable craving for jewels, that her husband cannot afford, is motivated by the socioeconomic condition of the world in which she moves. When Maupassant explains that Madame Lantin is extremely reluctant at first to go out in the evenings without her husband to escort her, he gives the reader one of the only clues about her possible feelings as she makes the transformation from a dutiful and virtuous wife into a woman who is extravagantly showered with expensive gems by other men. (Constantakis 1)

Monsieur Lantin, of Guy De Maupassant’s, “The Jewelry” is a man married to a woman who he became infatuated with over the influence of others, resulting in their marriage, and her eventual untimely death; shortly after her death it is revealed that she lived a mysterious life with her not-so-fake jewels. Madam Lantin’s character is revealed from the perspective of her husband, by way of Maupassant using third person point of view, consequently making her a flat character. Monsieur relies upon his wife to conserve his ever so quaint lifestyle. Monsieur is that of a dynamic individual, in the sense that he has the ability to adapt to life by a swayed decision making method, usually resulting in their misplaced value in his happiness. Based on the context in this short story, it is safe to say that Monsieur takes life at face value, is critical of two of his wife’s habits, and eventually becomes overwhelmed with skepticism concerning his emotional and financial life.