The Masque Of The Red Death Analysis

Imagine dancing through the colorful stages of life, birth, childhood, adolescence, adulthood, and such. However, as you progress through life, you can never shake a sense of foreboding lurking behind you. Suddenly, deep, dark, death devours you. Death, everyone faces it eventually. In the story, “The Masque of the Red Death”, by Edgar Allan Poe, the theme is, “You cannot avoid death.” Poe develops the theme by using many different symbols throughout the story.

The author, Edgar Allan Poe, using illusion or misdirection keeps the reader is suspense throughout this story called "The Masque of the Red Death". Symbolism such as the colored rooms, the impressive clock, the feeling of celebration being at a party all makes this story feel like a fairytale. Poe used this fairytale style and converts it into a nightmare in disguise.

Throughout the gothic horror short story, “The Masque of the Red Death”, Edgar Allan Poe illustrates the struggle of an egotistical prince who refuses to face the inevitable reality of death. Through the downfall of the protagonist, Poe establishes the idea that the inability to face reality often leads to the destruction of the mind. The downfall of the Prince is emphasized by Poe’s use of characterization, setting, and symbolism.

“The Masque of the Red Death.” Short Stories for Students. Ed. Ira Milne. Vol. Detroit: Thomson Gale, 2000. 232-260. Short Stories for Students. Web. 12 Jan. 2010.

Edgar Allen Poe's “The Masque of the Red Death” is an extravagant allegory of the futility of trying to escape death. In the story, a prince named Prospero tries to avoid the Red Death through isolation and seclusion. He hides behind the impenetrable walls of his castle and turns his back on the rest of the world. But no walls can stop death because it is unavoidable and inevitable. Through the use of character, setting, point of view, and symbol, Poe reveals the theme that no one, regardless of status, wealth or power can stay the passing of time and the inevitable conclusion of life itself, death.

The standard perception concerning human limitations has it that the potential of humankind knows no bounds. Yet, the cycle of life disproves this recurrent opinion of human potential. Based upon the realistic scope of their own abilities, the phrase, “the sky’s the limit”, are well within the bounds of the timeless concepts of life and death. These ideas are common points amongst works of literature from the American Romantic Period. Moreover, one of the most prominent Romantics is Edgar Allan Poe, who utilizes seemingly natural attributes of human interactions, and expands them out of proportion in order to reveal the gloominess of those said attributes. Poe’s literary works encompass many aspects that are reflective of the Romantic Period; his works include the acknowledgement of nature or setting, emphasis on individuals and groups of people, and elements of the supernatural; such use of Romantic attributes also leads to a plausible interpretation of an indirect rejection of the establishment of religion. The utilization of these qualities appears frequently in Poe’s short story, “The Masque of the Red Death”, which is a fictional account of a burgeoned plague and its multitude of effects on the wealthy survivors. Furthermore, a key point in the short story is the particular choice of setting: a gothic quarantine, which intertwines many Romantic elements. In particular, the quarantine of “The Masque of the Red Death”, is a symbol of human limitations and the

Edgar Allen Poe, completely transformed the horror genre with his tales reflecting the psychological depth and insight of the the human conditon not previously seen (Poe Museum, no date). Despite his alignment with the horror genre, he was initially taken in by the romantic ideals of consumption. This is portrayed in one of his early short stories, ‘Metzengerstein’, from 1832, where despite the majority of the story following many gothic conventions, the protaganist’s mother dies of consumption. The narrrator of the story asserts that ‘…it is a path I have prayed to follow…I would wish all I love to perish of that gentle disease’ when referring to the mother’s impending death. The narrator’s desperation to die from consumption is implied through the use of the verb ‘prayed’. This verb has connotations of wishing or hoping strongly for a particular outcome (Oxford Dictionaries, 2017): despite the horrific and drawn out process of the disease that we now understand in the 21st Century, this character still desires it thus reflecting the general insensitivty towards the disease. Although influenced early in his career by the romanticized stance on consumption, he changed his portrayal of the disease completely in his short story ‘The Masque of the Red Death’, published in 1842. Very little had advanced in the medical understanding of consumption, but between Poe writing the aforementioned text and ‘The Masque of the Red Death’, his own wife had contracted the disease

Death is a terrifying prospect for most people , imagine being face to face with it. In Edgar Allan Poe’s “Masque of the Red Death”, the revelers were in this very situation. Prince Pospero’s country was devastated by the Red Death. A plaque that resulted in a painful, gruesome, death. Prince Pospero being the selfish uncaring man he is, locked himself and a thousand of his lighthearted friends in his abbey to hide from the Red Death. After 6 months of seclusion Prince Pospero throws a masquerade to celebrate that they were still free of the Red Death. It was at this masquerade a gruesome mummer appeared shortly before Prince Pospero and all the revelers to died of the Read Death. In this story Poe personifies death through the mummer who

When it comes to reading literature the most challenging yet important task is to understand the purpose of the author's writing. In Romantic era literature understanding the emotions and thoughts that are created in the reader's mind are essential to gaining a clear message that the writer is trying to send. In Edgar Allen Poe’s short story “The Masque of the Red Death” the narrator immediately introduces the “Red Death”; a disease that has been spreading throughout Prince Prospero’s country; killing his people within half an hour of contracting the disease. Throughout the story the author continuously uses diction and syntax to create suspense and evoke a grim tone to the reader. In the “Masque of The Red Death” Poe produces fearful imagery in the reader's mind through creating a supernatural presence in the setting.

Death is an important theme in Edgar Allan Poe’s short stories, “The Pit and the Pendulum” and “The Masque of the Red Death”.

For many years, death and mortality have been an intriguing topic for us humans, causing both fear and curiosity when we think about it. Edgar Allan Poe’s “The Masque of the Red Death” displays a unique perspective on this topic, containing a large amount of imagery and symbolism throughout. Taking place in a devastated country, it follows the experience of a lethal plague known as the Red Death, capable of killing a person within thirty minutes. Amongst all of this, a powerful Prince Prospero finds a way to protect himself and a thousand other wealthy courtiers by isolating themselves in a bolted castle, and after about five to six months, throws a fancy masquerade ball.

The constant dread experienced throughout the story is contributed by the strange imagery, and peculiar wording. Each detail of the multicolored rooms added to the suspense, from the “writhing” dreams, to the irregular path. Each loud chime from ebony grandfather clock gave a bit of fear, and multiplied the expectations of the readers, from the exceedingly musical tone, to the nervous laughter of the guests that followed. And lastly, the figure added a slow, creeping danger, from the “dabbled” blood, to the unusual outcome of the Prospero attack, and lastly the death of everyone after the figure is disrobed and found to be nothing but an illusion. Edgar Allen Poe’s “The Masque of the Red Death,” while short, is still a masterpiece.

In the writing The Masque of the Red Death by Edgar Allan Poe, we see how one disease, the Red Death, is fatal and ruining an entire kingdom. Prince Prospero doesn’t seem to care about the chaos happening to his subjects. He hosted a marvelous event with all his favourite kings and ladies and once the last guest arrived, he welded the door shut. After 6 months he hosts a masquerade ball. Poe shows us that imagery and theme can be used to prove that phantasm can be beautiful and ugly.

Have you ever read a story where fantasy is the reality and things do not quite make sense? This is true for “The Masque of the Red Death” by Edgar Allen Poe. In it is a version of the black plague, which is called the “Red Death”. Prince Prospero secludes a thousand friends and himself from the death around them, but finds that he cannot avoid the inevitable. The author uses many literary devices to create an interesting and meaningful story. One of the devices used is imagery, which evokes the events of the story clearly in the reader’s mind. Another is allegory, which is used by Poe to create another story within his, as it is filled with double meanings. Lastly, Poe utilizes symbolism to give the story meaning. Edgar Allan Poe uses

As a gothic writer, Edgar Allan Poe created horror using gloom as his weapon. Hidden within the suspenseful story of “The Masque of Red Death” is an allegorical tale of how individuals deal with the fear of death as time passes. Frantic activities and pleasures (as represented by Prince Prospero and his guests) seek to wall out the threat of death. However, the story reminds the reader that death comes “like a thief in the night”(Poe 3), and even those who seek peace and safety shall not escape. Poe uses symbolism to illustrate that man cannot hide from his own mortality.