The Matrix Movie Analysis

The Matrix is a film about the enslavement of humankind by artificial intelligence, sentient beings, with mechanical bodies, created by people to service humanity, and the discovery of a person, Neo, that possesses abilities that can defeat the Artificial Intelligence and manumit humanity. The majority of human beings have their consciousness/minds trapped within the Matrix, a computer simulated world in which their minds are born, live in, and die, while their bodies are connected to it via cerebral connection but, remain in a dormant slumber and are never used. While they are connected to the matrix, their bioelectricity is harvested, powering the artificial intelligence. Neo, with the help of Morpheus (the leader in the resistance

The storyline of the movie throws audiences immediately into the mystery behind “the matrix” from an objective person’s perspective. Neo, or Mr. Anderson as the evil Agents call him, is searching for an answer to a question he’s looked for all his life. He wants to know “what is the matrix?” Neo later learns from two new mysterious friends that the matrix is “the world pulled over your eyes.” In time,

The main plot of The Matrix is that Artificial Intelligence has taken over humanity. These human-created machines now harvest humans in crops in order to provide energy for them to survive. It is known that the human body cannot survive without the mind, so the Artificial Intelligence has designed a computer-generated world in which the human mind can live and survive. This computer-generated world is known as the Matrix. "It is a computerized simulation of life as we know it, or we imagine we know it. What the movies postulates is a version of virtual reality so vast and tentacular as to encompass the entire globe."3 The story line of this film suggests that humans are not really living a "real" life. It suggests that no human has every used their eyes, ears, muscles, or any other sense. As Laurence Fishburne’s character, Morpheus, puts it; "the matrix is a computer-generated dream world built to keep us under control, in order to change a human being into [a battery]."4 Realizing that the main characters of this film are a few of the only humans functioning in the real world as we know it now, there must be some form of artificially created authority. These authority figures are known as agents and the main agent in

The computers have created a complex technology system called the Matrix which simulates a form of reality. To keep humans under control, the technology places them in the Matrix, a computer system that is based on what we know is the real world. “That you are a slave, Neo. Like everyone else you were born into bondage. Into a prison that you cannot taste or see or touch. A prison for your mind.”(1999 Wachowski) This quotation is explaining that Morpheus is trying to tell Neo that he can not leave the Matrix. “A prison for your mind” is foreshadowing that Neo will not be able to escape the Matrix. In the movie the Matrix the directors reveal to the audience how much influence machines have over humans. Machines act like there enslaving people. In order to understand that machines are slaving people you must

When humans created artificial intelligence, the machines believed they were superior than humans and rebelled. They survived by imprisoning the humans, thus believing that their lifestyle and culture was superior to the humans. This “slavery” of the humans is similar to the slavery that happened in the nineteenth century, where some people believed they were superior to others. Once the machines in the movie believed they did not need to labor to the humans.

Millions of people flock to the movie theater year after year on a quest to be entertained. Even a mediocre movie has the ability to take the audience to another place, escaping the realities of their own life, even if for just a few short hours. Some movies are simply pure entertainment. And then, there are those movies that provoke conversation long after the film has been viewed. Despite the popularity of the recent films The Hunger Games and Divergence, the dystopian theme in film is not a new one. The Matrix shows a society where humans exist without any freedom. The film, not only entertaining but thought provoking as well, paints a world with two different dimensions, a world very much like today’s when the film is closely examined. The Matrix questions the benefit of technology and influence over society.

Millions of people flock to the movie theater year after year on a quest to be entertained. Even a mediocre movie has the ability to take the audience to another place, escaping the realities of their own life, if only for a mere two hours. Some movies are simply pure entertainment. And then, there are those movies that provoke conversation long after the film has been viewed. Dystopian themes are not new, and have historically provided a template to gage the course of human existence. The Matrix portrays a society where humans exist without freedom. The film is not only entertaining, but also thought provoking. It paints a world with two different dimensions, one with the mind numbing

Because of this, Neo is led to wonder what has really happened to him. He has been told that the Matrix is a computer simulated reality, but he did not know that when he was actually in it. In my eyes, the moment of liberation exists when Neo swallows a red pill that exposes the Matrix as what it really is while simultaneously disintegrating him into basically a human embryo- weak, hairless, and trapped momentarily. Because of this, Neo realizes what philosophers like Badiou and Plato have assumed all along, that we are almost trapped in a reality and have no idea what

The Matrix film is a 1999 American science fiction action movie written and directed by The Wachowskis’, it is unique and intriguing hence it is known for popularizing a visual effect known as "bullet time", in which the heightened perception of certain characters is represented by allowing the action within a shot to progress in slow-motion while the camera's viewpoint appears to move through the scene at normal speed. In the film there several crucial perspectives of how the world is viewed and some of these being the concepts of two different worlds that are in contrast with one another, this essay shall explore more of these ideas and issues that are portrayed in the film by means of sequence analysis, film form and style.

In The Matrix, many themes contribute to the greatness of this film. The theme of freedom is expressed in many ways. When Neo takes the red pill instead of the blue pill he had set himself free from the Matrix, a simulation designed to keep humans trapped so machines can use them as batteries; this shows that Neo chooses the harder path of freedom rather than the easier, yet ignorant path of imprisonment. Another example is when Neo dies at the end of the film and his mind has not been set free and he is still being restricted to the things he could do in the Matrix, but when Neo brings himself back, his mind has been completely freed and he became capable of inhumane things, such as being able to move at incredible speeds and being able to stop bullets in midair. Another theme in The Matrix is the theme of man versus machine, which is portrayed all throughout the film. A battle breaks out between the machines and the crew of the Nebuchadnezzar, a hovercraft that the crew uses in the real world, but for the crew to stay alive, they need to use an EMP, but they cannot

Christopher Nolan is credited as being an illusionist in the way that he directs his films. Inception and The Prestige are two of his films that will keep you pausing and rewinding for the duration while you try to keep up with the complex story lines and mind bending conclusions. Both films share a dark and sinister vibe,putting them amongst the neo noir genre of films, and The Prestige being set in an ominous, turn of the century London, and Inception based around extracting thoughts from the depth of minds it is no wonder they follow such shadowy themes.

The vision Christopher Nolan had for The Prestige (2006) was to add to the outbreak of street magician film, whilst playing a large dramatic subplot equal in grandeur to the magical performances within the film. In the final sequence of the film, I will analyse how the cinematography and sound resolves the plot so that it summarises the themes present in the film, whilst also invoking a response from the audience. Nolan predominantly uses close up shots, non-diegetic sound (music) and dialogue collaboratively to convey the dramatic, personal subplot of the characters and their relationships, whilst appealing to the audience bringing forth an emotional response from the audience. The heavy, slow, dramatic atmosphere of the ending sequence uses various techniques to summarise and uncover the underlying mysteries of the events throughout the film and consolidate themes introduced during the exposition.

In contrast to a utopia, according to the power point provided in class a dystopia is “an imaginary place where people live dehumanized and often fearful lives.” The movies The Matrix, 1999 and Avatar, 2009 overall seem to me as dystopian films. To show how each film portrays the different aspects of perspectives on the future, and a dystopia, I’m going to use the settings, actions, and outcomes of each film.

The Matrix, written and directed by Lary and Andy Wachowski, is a 1999 science-fiction action film that has been regarded as one of the most igneous and highly imaginative films of all time. It depicts the complex story of a dystopian future in which the reality perceived by most human beings is actually a simulated one created by AI machines who use the suppressed humans as energy sources. Though the main characters of the story have freed themselves from the matrix, one character named Cypher (a.k.a. Mr. Reagan) regrets learning the truth and wants to return back to the dream world. Cypher is an example of antagonist Agent Smith's belief that "as a species, human beings define their reality through misery and suffering" as he believes

The matrix, as presented in the eponymous film, operates as an Althusserian Ideological State Apparatus (ISA). The Matrix1 presents a world in which "the state [as] a 'machine' of repression" is made literal where robots rule the land (Althusser 68). It is true that they rule by force (sentinels and agents) and these constitute the Repressive State Apparatus, but their primary force of subjugation is the matrix, their ISA. The film traces the path of one man, Neo, in his painful progress from the ideology of the matrix to the "real world," or the ideology of the "real."2