The Matrix: Technology Fears of a Dystopian World

He uses words such as “dramatized” (para.1), “purely science fiction” (para.3) and “philosophical” (para.7) to invoke the irrationality of the fear of machines such that they would agree with his view. The use of Pathos is also observed in Tufekci’s article where she gave the anecdote of the call center worker being worried of losing his job. This further contradicts her purpose as it directs her readers into relating to the feelings of the worker. Furthermore, the constant re-emphasis of points such as “workers already feel like they are powerless as it is” (para. 17) due to the fact that “technology is used to “automate” the jobs and to take power away” (para. 16) does not provide any sense of reassurance to the readers  and cause them to waiver away from her

The Matrix is a film about the enslavement of humankind by artificial intelligence, sentient beings, with mechanical bodies, created by people to service humanity, and the discovery of a person, Neo, that possesses abilities that can defeat the Artificial Intelligence and manumit humanity. The majority of human beings have their consciousness/minds trapped within the Matrix, a computer simulated world in which their minds are born, live in, and die, while their bodies are connected to it via cerebral connection but, remain in a dormant slumber and are never used. While they are connected to the matrix, their bioelectricity is harvested, powering the artificial intelligence. Neo, with the help of Morpheus (the leader in the resistance

When the film The Matrix debuted in 1999, it was an instant box office success that captivated many viewers. However throughout the featured famed actors, costumes, special effects and fight scenes, many viewers failed to notice the philosophical issues. Plato and Descartes, just like the characters in the movie are faced and driven to extreme measures to understand the world around them. They are compelled to seek knowledge in understanding what is real, evaluating the mind-body problem, and are left wondering if there is any good. These philosophical features of the movie have raised questions and have made it an interesting film to watch. While many viewers can agree that The Matrix is highly action packed, not all can truly appreciate

After the early 21st century, humans built these machines, which are now held in a nuclear-winter-like setting. Being deprived of sunlight as an energy source, they have enslaved the human race and are farming people as a source of bioelectrical energy. The humans are kept in an unconscious state in podlike containers in a vast holding field, plugged in to a central computer. In the scenario of The Matrix, everything in the world; cars, buildings, cities, and countries are part of a complex computer-generated virtual reality, which within the humans interact. Everything they see, smell and hear is part of this virtual construct and does not really exist. A computer merely stimulates their brains and deceives them into believing that they are all living normal 20th-century lives, eating sleeping, working and interacting together. They are all blinded to the truth about how and why they exist. After a handful of people have escaped from the nightmarish world of the Matrix, they find out the truth and reach out to those still consumed with the falsities of this world. One of these, a man named Morpheus, hacks into the Matrix and contacts Neo, telling him,

Millions of people flock to the movie theater year after year on a quest to be entertained. Even a mediocre movie has the ability to take the audience to another place, escaping the realities of their own life, if only for a mere two hours. Some movies are simply pure entertainment. And then, there are those movies that provoke conversation long after the film has been viewed. Dystopian themes are not new, and have historically provided a template to gage the course of human existence. The Matrix portrays a society where humans exist without freedom. The film is not only entertaining, but also thought provoking. It paints a world with two different dimensions, one with the mind numbing

The Matrix, written and directed by Lary and Andy Wachowski, is a 1999 science-fiction action film that has been regarded as one of the most igneous and highly imaginative films of all time. It depicts the complex story of a dystopian future in which the reality perceived by most human beings is actually a simulated one created by AI machines who use the suppressed humans as energy sources. Though the main characters of the story have freed themselves from the matrix, one character named Cypher (a.k.a. Mr. Reagan) regrets learning the truth and wants to return back to the dream world. Cypher is an example of antagonist Agent Smith's belief that "as a species, human beings define their reality through misery and suffering" as he believes

The Matrix is the war between man and machine, and the possibility that reality is a deception. In a sense, the Matrix is a constant struggle of identity and reality. This struggle of identity and reality is based around the character of Thomas Anderson, an ordinary person living a mundane life.

Although not often enough, sometimes the Hollywood industry successfully produces a masterful work of film that persuades us to reflect upon our lives in the society. These introspective films shine a revealing spotlight on the outside forces such as the media, which seek to manipulate our lives. One such film is The Truman Show (1998), a satirical social science motion picture, brilliantly conceived by writer Andrew Niccol, directed by Peter Weir, and perfectly executed by Hollywood actor, Jim Carrey. The film, although highly cathartic serves a nobler purpose of edifying on some philosophical concepts such as truth, reality, and freedom. The themes and settings explored in The Truman Show are an effective precursor to highlight and explain some of the cultural practices that have pervaded the contemporary society. In an era of advanced technology, social media, and popular reality television shows, it is difficult to discern what is genuine and what is crafted for audience consumption. This paper seeks to explore the philosophical depths of this fascinating film and how its titular character challenges, and ultimately escapes the contrived world of absurdity and falsehood.

The matrix, as presented in the eponymous film, operates as an Althusserian Ideological State Apparatus (ISA). The Matrix1 presents a world in which "the state [as] a 'machine' of repression" is made literal where robots rule the land (Althusser 68). It is true that they rule by force (sentinels and agents) and these constitute the Repressive State Apparatus, but their primary force of subjugation is the matrix, their ISA. The film traces the path of one man, Neo, in his painful progress from the ideology of the matrix to the "real world," or the ideology of the "real."2

The Matrix, released in 1999, is a science fiction action film that depicts a dystopian future. In this reality, what is perceived by humans is only a computer simulated reality called ‘The Matrix’ which was created in order to sustain human delusion while their bodies were used as an energy source by machines. The main character, computer hacker Neo (played by Keanu Reeves, respectively) is drawn into rebellion against the machines once he is united with those that have been freed from the false reality. The characters, suffering from the reality of a broken illusion, make specific choices and decisions which can be explained or validated by sociological perspectives discussed by Berger. First off, ‘The Matrix’ can be defined as a social institution with the ability to give those that live within the false reality a fulfilled existence and exert social control over it’s residing victims. Second, the betrayal of Cypher touches upon the concept of sociological knowledge; specifically, the reference group ideology. Lastly, Neo’s previous feelings of unease and change of character after he joins Morpheus’ rebellion shows the importance a reference group can have on the overall personality and ideology of a person. Therefore, the Sociological Perspective understands the personalities, actions, and story of the movie ‘The Matrix’ in a variety of ways.

Neuromancer came up with a novel approach towards science fiction, and was instrumental in spawning multiple movies of similar genre. One of such movie is “The Matrix”. The reason I chose this movie for the review is the very concept of stimulated reality in this movie being quite analogous to the one slowly budding towards the end in the Neuromancer.

The Matrix is a movie about machines, with artificial intelligence, who use humans for energy by inserting humans minds into a program called “The Matrix.” The movie follows a character named Neo, who is believed to the “The One,” the person who will save the humans from the machines. There are many sociological concepts in the movie, The Matrix. Such as culture shock, code switching, ethnocentrism, subcultures,

Imagine living through life completely bound and facing a reality that doesn’t even exist. The prisoners in Plato’s “Allegory of the Cave” are blind from true reality as well as the people in the movie “The Matrix” written and directed by the Wachowski brothers. They are given false images and they accept what their senses are telling them, and they believe what they are experiencing is all that really exists. Plato the ancient Greek philosopher wrote “The Allegory of the Cave”, to explain the process of enlightenment and what true reality may be. In the movie “The Matrix”, Neo (the main character) was born into a world of illusions called the matrix. His true reality is being controlled by the puppet- handlers called the machines who

A world where everyone lives inside of a simulation that is being controlled by machines after humans lost the war, but they are unaware that it is not the real world. A group of people that are trying to take down this simulation called The Matrix. The directors, Lana Wachowski and Lilly Wachowski, use themes, chemistry, and special effects to capture attention and make The Matrix the greatest film ever made.

Machines that rule the world. Broken down, this is the fundamental building block of two major motion pictures released decades apart from one another. Although the two films have similar fundamentals, each film is different in technological ways. Because there is a difference of seventy-two years between the release of Metropolis (1927) and The Matrix (1999), there are bound to be some distinct differences between the two films. These differences spring from the roots of the film: the film stock, cinematography, and the editing processes.