The Mayor of Casterbridge

Oscar Wilde once wrote that, “[b]ehind every exquisite thing that existed, there was something tragic” (Wilde LOC 88). In the novel, The Picture of Dorian Gray by Oscar Wilde, the main character, Dorian Gray, is a subject of wonder. His presence alone shape the lives of those around him for better or for worse.The development of Dorian Gray as a character throughout the novel impacts the theme that appearances can be deceptive.

The Picture of Dorian Gray, a novel laced with sin, treachery, and raging battles of inner conflict, is Oscar Wilde’s sole novel. Considered immoral and scandalous upon publication, the book centers around a young man named Dorian Gray, who does not age or reflect the darkness of his heart outwardly, and instead a portrait of him bears the damage his destructive life wreaks on his soul. However, the meaning of the story extends past the simple fact that Dorian lives a life of immorality—he walks the path that takes him there with his two friends, Basil Hallward and Lord Henry Wotten. The two attempt to guide and influence Dorian throughout the novel in their own ways, and are a vital piece of Dorian’s tale. Basil and Henry act as character foils as well as a symbolic angel and devil for Dorian Gray’s character, and also contribute themes of choosing one’s own fate.

In The Picture of Dorian Gray, Oscar Wilde is able to show how possessions can change a man so drastically. Over the course of the book the readers examine how many items such as the painting, the yellow book and much more, shape and alter Dorian from being outgoing, likable, and overall good to secluded, manipulative and most of all deceitful. Dorian gray has many motives for being deceitful that help develop the characters, and change the way they interact with each other.

thinks me: Dorian what I would like to be- in other ages, perhaps.” He was

The Picture of Dorian Gray, by Oscar Wilde, is a novel about greed and ruin. Dorian Gray, received infinite youth from a portrait of him, which portrays all his sins and wrongdoings on itself, rather than his body. This freedom from morality leads Dorian Gray down a road of destruction until his sins are returned to him and he meets his end. Through a psychoanalytic Freudian lens, it is clear that Dorian Gray exhibits many of Sigmund Freud’s theories, including his theory of personality, the Oedipus complex, and the defense mechanisms.

Much of the criticism regarding The Picture of Dorian Gray by Oscar Wilde has dealt with Dorian Gray’s relation to his own portrait (Raby 392). While some may argue that the portrait represents a reflection of Dorian Gray’s character, this is only a superficial analysis of the novel and Dorian’s character. While Dorian Gray’s true character never changes, it is his own perception of his character (his conscience) that is reflected in the changing face of his portrait. In essence Dorian’s picture becomes a mirror through which the "true Dorian" judges his own metamorphasis as the superficial "Lord Henry Dorian" attempts to embrace Lord Henry’s teachings. Dorian’s

Oscar Wilde’s The picture of Dorian Grey’s novel is about a young man named Dorian Gray, the subject of a painting by artist Basil Hallward. Basil is impressed by Dorian's beauty and believes his beauty should not be wasted and it is responsible for a new mode in his art. Dorian meets Lord Henry Wotton, a friend of Basil's, and becomes enslaved by Lord Henry's world view. He shows him a new hedonism, and suggests the only things worth following in life are beauty and fulfillment of the senses. When he realizes that one day his beauty will fade, Dorian feels a desire to sell his soul to ensure the portrait that Basil has painted would age instead of him. Dorian's wish

In Wilde’s The Picture of Dorian Gray, the character Dorian did not start out as a monster, but was created, by Lord Henry, who is the monster in the novel. Dorian Gray is very attractive and the characters, Basil and Lord Henry, took great interest in him strictly for his beauty and innocence. The two men both have totally different hopes for what the young Dorian will become. Basil is so intrigued by his pureness that he offers to paint a portrait of him, but while being painted, it is Lord Henry that Dorian takes a strong interest in. During this time is when one can see Lord Henry's obsession with beauty because he stresses to Dorian that his good looks will not last forever, which made Dorian quite

Throughout the novel The Picture of Dorian Gray, Oscar Wilde tells a tale about a young man named Dorian whose entire life changes after he meets Basil Hallward, who paints a portrait of Gray that ultimately leads to Gray’s demise. At the same time, Dorian also meets Lord Henry, who eventually plays a bad influence over Dorian. The portrait shows the man Dorian has become

Oscar Wilde’s novel, The Picture of Dorian Gray, chronicles the transformation of Dorian Gray from an naive youth to a corrupted monster. The simplicity of the storyline contrasts the complexity of Dorian Gray; specifically, the cause of his corruption. The cursed portrait, and characters such as Lord Henry and Basil, play a significant role in the Dorian’s journey to pernicity, but neither of three can be held entirely responsible. Dorian Gray’s initial innocence conceals an inner evil within him; the amalgamation of the three outside influences in Dorian’s life reveals his inner monstrosity.

However, in Greek days an intimate relationship between such a pairing was not uncommon. This idea is furthered by the way Basil speaks. On many occasions, he speaks to Dorian. On one such occasion, he says “It is quite true, I have worshipped you with far more romance of feelings than a man should ever give to a friend, somehow I have never loved a woman… From the moment I met you, your personality had the most extraordinary influence over me” (Wilde, The Picture of Dorian Gray). The subtext in Dorian Gray played a part in Wilde's lasting significance. The story is one that can be read and reread a million times. Some people identify with the characters; others are fascinated with the grim transformation that Dorian Takes throughout the story. No matter one's initial cause for reading the story one fact that is undeniably true is The Picture of Dorian Gray is a story that can be analysed in a million different ways to get a million different answers. This ability to be interpreted a million different ways from Sunday in the beautiful thing that helped Wilde create an influence after his passing on November 30, 1900. It helped turn him into the legend he

The first sign of Dorian’s new development is when he first lays eyes on the portrait after hearing Lord Henry’s panegyric of youth. As Dorian gazes upon himself on the portrait, he comes to a shocking realisation. Wilde writes it as, “The sense of his own beauty came upon him like a revelation… Basil Hallward’s compliments had seemed to him to be merely the charming exaggerations of friendship… They had not influenced his nature. Then had come Lord Henry Wotton with his strange panegyric on youth, his terrible warning of its brevity. That had stirred him at the time, and now, as he stood gazing at the shadow of his own loveliness, the full reality of the description flashed across him… He would become dreadful, hideous, and uncouth. As he thought of it, a sharp pang of pain struck through him like a knife, and made each delicate fibre of his nature quiver” (Wilde 18-19). His beauty would not last forever, and he would become old and withered just like everyone else will. Dorian, who once didn’t care about his looks, had now become obsessed with the ideals and ideas fed to him from Henry. He makes his wish for the portrait to take on the burden of time and sin, instead of him. He says, “I know, now, that when one loses one’s good

In The Picture of Dorian Gray the main character Dorian gray was first an innocent man and role model to artist Basil Howard who represented humanity. Overtime influences, interactions, and beauty got the best of him. In The Picture of Dorian Gray Basil says “He has a simple and a beautiful nature. Your aunt was quite right in what she said of him. Don't spoil him. Don't try to influence him. Your influence would be bad” this shows how even at the very beginning Basil knew how Lord Henry would influence him in a negative way. As we read on we can see how lord Henry teaches him to only care about beauty which causes Dorian to believe beauty is the only thing that matters in life. Lord Henry was the main cause of the corruption of Dorian's soul. In the novel another quote Lord Henry says is Oh, she is better than good – she is beautiful,". This demonstrates how from the very get go he told Dorian that beauty is better than goodness. The poisonous book was another way Dorian was overtaken by the evil. In the novel it says “It was a poisonous book. The heavy odor of incense seemed to cling about its pages and to trouble the brain. The mere cadence of the sentences, the subtle monotony of their music, so full as it was of complex refrains and movements elaborately repeated, produced in the mind of the lad, as he passed from chapter to chapter, a form of reverie, a malady of dreaming, that made him unconscious of the falling day and creeping shadows.” This quote proves how the evil has already taken over him and now the book is taking over his soul. A clear piece of evidence that shows readers how the evil has really won in The Picture of Dorian Gray is the

In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.

     The Picture of Dorian Gray is a novel by Oscar Wilde. The genre of this novel can be classified as a comedy of manners or a gothic novel. The Picture of Dorian Gray was first published in 1890 in Lippincott’s Monthly Magazine. Another version with an additional six chapters was published in 1891. One of the major themes in the novel was the Supremacy of Beauty and Youth. A very attractive man has a portrait painted of himself, and after being warned of the mortality of his youth the man, Dorian, trades his soul to remain young while his portrait bears the markings of his age and evil deeds. Dorian becomes increasingly evil thoughout the novel, while constantly being encouraged by Lord