The Meaning Of Life In The Stranger By Albert Camus

Shawl uses a multitude of metaphors throughout this excerpt from "Everfair." She compares the sunlight streaming down on Lisette to the tide or current, especially since she ends up by the river at the end of

In the novel, The Stranger, author Albert Camus confronts some important issues of the time, and uses the singular viewpoint of the narrator Meursault to develop his philosophy and effectively weave together themes of absurdity, colonialism, and free will. Through the progressive disruption of Meursault’s life and his characterization, Camus presents the absurdity of the human condition along with the understanding that a person can actually be happy in the face of the absurd. Camus also intentionally sets the story in the colonized country of Algeria, and hints at the racial tensions that exist between French-Algerians and Arabs.

The French philosopher Roland Barthes once said, “Literature is the question minus the answer” (Barthes 2). This statement hold true for most works of literature that explore a central question. According to Barthes, literature often raises a question, but leaves it up to the reader to determine the answer. The Stranger by Albert Camus is an excellent example of how a central question, “Is there value and meaning to human life?” is raised and left unanswered, resulting in different interpretations of the answer, depending on the viewpoint of the reader. Although the question is never explicitly answered, Camus offers perspectives on what French society regarded the answers to be, such as connections with others, elusion to freedom, and faith in religion and God.

The solitude of man with the innate endeavoring nature to incessantly find passion, be fruitful, and embrace the tangibles causes us to lose focus of the scornful end. The condemnation we find ourselves in subsequent to the impotent attempts to satiate our inexplicable questions, is the puncture to our ideal notion . The disenchantment the truth of our obscure being offered is masqueraded with the absurdity through which we seamlessly wander through this life. The irrefutable desire to numb the conscious is the bittersweet burden which we carry to suppress the abyss of disparity which we are floating amidst. Monsieur Meursault in Albert Camus’ The Stranger is the blaring anomaly. Fortifying himself through his indifferent nature and blunt honesty, Meursault is ostracized. Deemed with a psychosis he finds comfort in the unruly inescapable solace of life, death, which morphs into his gradual declination. The sun tracing his unusual circumstances, catalyzing his imminent reactions provides itself as the only paradigm to symbolize Meursault. The intricacies which unfold are reiterated by the Sun which juxtapose the indigenous contingency to find meaning. Meursault’s paradoxical compel and abhorrence to the sun highlights the idea that the what we choose to learn may not be abiding in beauty. Our choice in this duality sets forth the invitation to introspection offering its only absolute form through our own willingness. Meursault understanding himself is bonded to the sun

Flat characters play a significant role in all novels. For instance, the brother of Raymond’s mistress is a key flat character. The Arab never grows throughout the novel; rather, he remains a stalker, stalking his prey, tempting a fight. Without the role of the Arab, Meursault, would never have gone to prison, and never be tried for murder.

One of the literary devices used in this short story is Imagery. Maupassant uses imagery in the text, "On an autumn afternoon when the sky, reddened by the sun cast reflections of its scarlet clouds on the water...” This text shows imagery because Maupassant is using details to support a view you will be able to picture in your head by reading the text. Autumn afternoon is telling you a description of how the day is supposed to be looking. The sky reddened by the sun shows the setting and impact of the sun against its scarlet clouds on water.

In his novel, The Stranger by Albert Camus, translated by Matthew Ward, irony within the protagonist’s ( Meursault ) contrasting perception of the human condition is used to illustrate and invoke the reader to question the contradictory nature of societal expectations. His indifferent and unprecedented reactions to experiences - relative to the characters that Camus laid before him - aid in displaying the absurdity of a world constrained by the chains of conventional wisdom. The contrasting nature of Meursault's demeanor in defying conventional wisdom in experiences such as love and death not only reveals the underlying hypocrisy of the human condition but further illustrates the arbitrary essence of defining a human life.

From page fifty-eight to fifty-seven of Albert Camus’s The Stranger he uses the relentless Algerian sun as a motif for the awareness of reality that pursues the main character, Meursault, throughout the passage. When each motif appears in the novel such as this passage, Meursault’s actions change. This exemplifies that the light, heat, and sun trigger him to become debilitated or furious. Albert Camus sets up this motif in the passage to indicate to the reader that this motif shows the major themes of this novel. This motif shows Meursault’s emotion, how the imagery of weaponry affects Meursault’s actions, how the sun is a representation of society, and how the sun weakens Meursault.

Light and Heat Imagery in The Stanger by Albert Camus, and Its Effects on the Murder and Existentialism in the Novel

Throughout the play there is a continual reference to light. It is used in the form of bright sunlight,

Camus foreshadows Meursault’s death through the symbols of heat and Salamano’s dog. While observing Salamano and his dog, Meursault notes, “After living together for so long, the two of them alone in one tiny room, they’ve ended up looking like each other…They look as if they belong to the same species, yet they hate each other” (Camus 26-27). The likeness of Salamano and his dog produces the idea of inescapable death for all living things. They have become similar to each other in appearance without noticing, just as they have always had the same end laid out without noticing. Meursault’s recognition provides a sense of the period of existentialism, focusing on the individual, but also contrastingly granting that the individual is part of a whole. However, the nurse acknowledges that all beings have the same fate when she says, “If you go slowly, you

Widely recognized for philosophical writings as a French essayist and playwright, Albert Camus is a major contributor to exploring the absurd in modern Western literature. Characterized by highlighting the human condition, Camus’ writing style focuses on the everyday lives and inner psyche of individuals in both ordinary and extraordinary circumstances. Such a character-driven writing style is most notably displayed in his 1946 work, The Stranger, a tale of an emotionally-detached man known as Meursault, who lives in French-colonized Algiers during the intermission of the two World Wars. Consisting of two parts—The Stranger first explores his daily life as a free man, and in the second, delves more into the character’s own philosophy as Meursault contemplates during his remaining time in jail. At its core, the story explores the relationships and interactions of the odd Meursault through the character’s inner monologue and dialogue with those around him. The story itself is very ambiguous in its’ nature, and the idea of contemplating the meaning of life and purpose is prevalent throughout The Stranger. Evidently, Camus writes Meursault as a man who believes that life has no meaning, and therefore people are free to do as they please. To supplement the protagonist’s view, the author also presents Meursault alongside various personalities of key supporting characters, each with their own unique personality, and differing outlooks on life. Doing so thus enables Camus to get readers to contemplate about meaning through multiple perspectives. Stylistically, through many devices that emphasize diction, imagery, and story themes. Ultimately, The Stranger is a way for Camus to convey that there are multiple ways to perceive the meaning of life, using Meursault to directly project a different view than what readers are used to. Surely, with the intent of crafting a protagonist so strange, that Meursault becomes comparable to other characters; less so as a reflection of what the author personally believes the meaning of life is, but more of what such exploration of the idea could be.

Meursault condemns the sun when describing his surroundings displaying the negativity the sun exerts. He describes the weather, centering it on the sun. He describes the conditions outside once out there and how the sun is “bearing down, making the whole landscape shimmer with heat” (15). He describes the heat and “inhumane and oppressive” (15). Camus’

In the beach scene with Meursault, Masson and Raymond, and their fight with the Arabs, Camus’ motif of heat represents tension and foreshadows conflict between the two groups to show that tension leads to conflict and to build suspense. During this scene, the motif of heat specifically symbolizes cultural tension as well as foreshadowing physical conflict. When walking with Masson and Raymond in the beach scene, Meursault noticed that the “the sand was starting to get hot underfoot” (Camus 50) and it was “hard to breathe in the rocky heat rising from the ground” (Camus 50, 52). Camus uses the diction of underfoot to show that the heat is not there yet, but it is about to come. Furthermore, the diction of "rocky heat rising off the ground" shows that the heat is no longer under them, but now something that they are in. By using this kind of diction, Camus shows a transition in the state of heat which parallels the growth in tension in the Pied-Noir of the approaching Arabs. Due to its placement previous to conflict, it shows that tension leads to conflict. Another example of this theme is the inclusion of “the blazing sand looked red to me now” right before Raymond and Masson attack the Arabs with

Many people often base their opinions on a person by judging his whole life in general and his attitude towards life without caring about who the person really is deep down inside. This unfair reasoning can occur in the courtroom when people are put on trial and the judge and the jury must delve into the life of the accused and determine if he is a hazard to society. Occasionally, the judge and jury are too concerned with the accused’s past that they become too biased and give an unfair conviction and sentencing. In his novel, The Stranger, Albert Camus uses the courtroom as a symbol to represent society that judges the main character, Meursalt, unfairly to illustrate how society forms opinions based on one’s past.