Once Jean Farris said, “And they lived happily (aside from a few normal disagreements, misunderstandings, pouts, silent treatments, and unexpected calamities) ever after”(Jean). Many can relate to Farris’s quote as falling in love is sometimes accidental, but staying in love is a choice that is made. A successful relationship may be the product of an almost fairy tale like romance. However, after tying the knot, hard work and commitment are needed from both sides to solidify the relationship in order to achieve the ‘happily ever after’. Throughout human civilization expressing love has generated countless literature and intellectual works in every language and culture known. While many of these works will come to rejoice love, others will address it with resentment and bitterness. In her poem “Cinderella”, Anne Sexton offers us a different version of the traditional Cinderella story. Sexton uses sarcasm and paradox through her poem arguing the sham of happily ever after as portrayed in certain fairy-tales stories and how it always has been represented through media. On the other hand, Lydia Davis’s short story, “Break It Down” narrates the dilemma of a man who is trying to break down the cost of eight days of love that costed him almost $1000 by the end of his affair, in a way, he was trying to question if love is a wise investment or if it is possible to put a price tag on love. Sexton’s “Cinderella” lays out a helpful framework for understanding instances of
Children often learn about their society’s ideals of love and relationships from fairy tales. Told from a female perspective, the poem Puce Fairy Book by Alice Major challenges and disproves the unfeasible and degrading expectations that women are held to, specifically by men in relationships. The motivation of the speaker, addressing a male counterpart, is to say that she does not care for other’s opinions of her faults and does not desire such unaccepting people in her life. Major’s use of fairy tale allusions and metaphors play an important role in establishing the central message that is the “perfect” ideological image that society has created for women to conform to are unrealistic and
Ever since the beginning of time, love has played an enormous role among humans. Everyone feels a need to love and to be loved. Some attempt to fill this yearning with activities and possessions that will not satisfy – with activities in which they should not participate and possessions they should not own. In Andrew Marvell’s poem, “To His Coy Mistress,” the speaker encounters an emotion some would call love but fits better under the designation of lust for a woman. In contrast, the speaker of Robert Herrick’s poem, “To the Virgins, to Make Much of Time,” urges virgins to marry, to make a lasting commitment in which love plays a
In this global era of evolving civilization, it is increasingly difficult to ignore the fascinating fact about love. Love is a feeling of intimacy, warmth, and attachment. Love is inevitable and it plays a vital role in human life as Janie uses her experience with the pear tree to compare each of her relationships, but it is not until Tea Cake that she finds “a bee to her bloom.” (106).
Since the beginning of human existence love has earned a meaning of pure bliss and wild passion between two people that cannot be broken. Through out time the meaning of love has had its slight shifts but for the most part, maintains a positive value. In the poem “Love Should Grow Up Like a Wild Iris in the Fields,” the author, Susan Griffin expresses that this long lost concept of love is often concealed by the madness of everyday life and reality. In the poem, Griffin uses many literary elements to help convey the importance of true love. The usage of imagery, symbolism, and other literary techniques really help communicate Griffins’ meaning
Love should be born and live in fields, just like wild flowers. Love needs to be nurtured by water, with no concern about where and when the next rainfall will take place. Love needs to allow nature to take its course and trust in the sustenance that its surrounding provides. However, love refuses to take the easy path. Instead, love decides to live in kitchens alongside irritated cooks, dirty walls and screaming infants with impatient mothers. Clearly, love would be better off without concerns, growing in a field like an iris, patiently waiting for the next rainfall. However, love chooses to exist in chaotic environments filled with discontent and discord.
Cinderella’s story is undoubtedly the most popular fairy tale all over the world. Her fairy tale is one of the best read and emotion filled story that we all enjoyed as young and adults. In Elizabeth Pantajja’s analysis, Cinderella’s story still continues to evoke emotions but not as a love story but a contradiction of what we some of us believe. Pantajja chose Cinderella’s story to enlighten the readers that being good and piety are not the reason for Cinderella’s envious fairy tale. The author’s criticism and forthright analysis through her use of pathos, ethos, and logos made the readers doubt Cinderella’s character and question the real reason behind her marrying the prince. Pantajja claims that
Cinderella is a childhood fairytale that we all love and remember. It is a tragedy that turns into love and happily ever after in the end. In contrast to this popular story, Anne Sexton's version of Cinderella is a dark and twisted version of the classic fairy tale. It takes on a whole new perspective and is fairly different from the childhood fairytale that most of society knows. The poem takes less of a focus on the happy ever after in Cinderella and makes it into vivid bloody and violent images. She retreats more toward the pain and neglect. The poem is not based off the Disney version of Cinderella, but rather original dark version by Brothers Grimm. Sexton uses a very sarcastic and
In the familiar more traditional version, Cinderella is a poor maid girl that, with the help of fairy godmother, gets a chance to meet prince charming. They fall in love, get married, and live happily ever after, and then what? What is a happily ever after? Is this even a realistic thought? In the dark comedic poem Cinderella, Anne Sexton forces the reader to examine this question. Utilizing literary devices such as tone, imagery, and style, Sexton encourages the reader to think about how silly and unlikely a fairy tale ending actually is.
To sum up, Sexton’s “Cinderella” highlights despair and the misconceptions women have about love and life. Fairytales bring hope to young hearts around the world but get crushed when real world situations happen. Happily ever after’s can exist but not in any kind of perfect form, there is no such thing as perfection, and life’s complications come up from
We live in a society that has increasingly stomped on love, depicting it as cruel, superficial and full of complications. Nowadays it is easy for people to claim that they are in love, even when their actions say otherwise, and it is just as easy to claim that they are not when they really are. Real love is difficult to find and keeping it alive is even harder, especially when one must overcome their own anxieties and uncertainties. This is the main theme present in Russell Banks’ short story “Sarah Cole: A Type of Love Story,” as well as in “The Fireman’s Wife,” written by Richard Bausch. These narratives, although similar in some aspects, are completely different types of love stories.
The theme of the two stories revolves around the feminist issue of marriage. A common notion between the two short stories is that love is a failure and a mere comic when there is the failure to recognize the beloved as a person and not a mere convenience. The stories also deal with the 18th and the 19th century American life?declining in their spiritual and emotional lives.
Anne Sexton was a junior-college dropout who, inspired by emotional distress, became a poet. She won the Pulitzer Prize as well as three honorary doctorates. Her poems usually dealt with intensely personal, often feminist, subject matter due to her tortured relationships with gender roles and the place of women in society. The movies, women’s magazines and even some women’s schools supported the notion that decent women took naturally to homemaking and mothering (Schulman). Like others of her generation, Sexton was frustrated by this fixed feminine role society was encouraging. Her poem “Cinderella” is an example of her views, and it also introduces a new topic of how out of touch with reality fairy tales often are. In “Cinderella”, Anne Sexton uses tone and symbolism to portray her attitude towards traditional gender roles and the unrealistic life of fairy tales.
In contrast to these fairly pessimistic views on love, the author describes an instance in which a couple found true love. Mel tells an anecdote of an old couple that was admitted to the emergency room after a very bad car accident. The two people were wrapped up in full body casts, and as a result they could not see each other. Mel noticed that the old man was very sad, even
The middle-class ladies didn't work, and didn't have a life outside their homes. They dedicated all of their time, energies and passions into keeping their men happy and contented; and in return, were loved, pampered and protected from the harsh realities of life. Even though this idea of total subjection and passivity, wouldn't have a hope of success in today's society, the level of trust and commitment these two "Romantic Poets" apparently share, could be the ideal that all couples should aspire to. In sharp contrast to Browning idealistic and spiritual love poetry of the 1800s, Seamus Heaney's Twice Shy uses an altogether more contemporary and realistic style of prose too describe love in the 20th century.
Through literary devices such as simile, repetition and symbolism, Anne Sexton delivers the message that there is no way to live "happily ever after." Using four short stories as a lead in, Sexton makes powerful arguments about society by creating the symbol of the dove and alluding to the story of Cinderella. For Sexton there is no Cinderella, there is no prince charming, and there is no happy ending. However, through "Cinderella," she argues that the "happy ever after" ending remains an illusion society chases.