The Meatworks Robert Gray Analysis

The nature of discovery is highly impactful when one is confronted with multiple worlds; enabling a physical and spiritual connection to places, ideals and society, transforming one’s perception over-time. Australian poet Robert Gray‘s ‘The Meatworks’, confronts an individual’s beliefs to influence their standpoint on a desensitized society. ‘Journey, North Coast’ introduces the idea that re-awakened realities emancipate one’s connection of the natural world. and Director Daniel Sousa’s ‘Feral’ explores into how being taken into an unfamiliar reality leads to discovering one’s natural world. It is within these poems that uncover the highly impactful nature of discovery.

The structure of a novel enables it to embody, integrate and communicate its content by revealing its role in the creation and perception of it. A complex structure such as that of Robert Drewe’s work The Drowner, published in 1996, refers to the interrelation or arrangement of parts in a complex entity1. Drewe’s novel is a multi-faceted epic love story presenting a fable of European ambitions in an alien landscape, and a magnificently sustained metaphor of water as the life and death force2. The main concerns of the novel include concerns about love, life, death and human frailty. These concerns are explored through the complex structure of the novel. That is, through its symbolic title, prologues, and division into sections. The

There are many qualifications one must meet to become a USDA meat grader. One who is interested in becoming a USDA meat grader must have at least three years of experience. Experience must have taken place after the age of sixteen. You must be able to analyze problems, gather important information, and recognize solutions, plan and organize work and be able to efficiently communicate verbally and written. You are able to substitute education for experience. Also you must score a seventy five percent or higher on the color plate, which will measure the range of colors you are able to distinguish. You must have sufficient hearing and vision in

Tim Winton’s short story, ‘The Water Was Dark and it Went Forever Down’, depicts a nameless, adolescent girl who is battling the voices inside her head along with the powerful punishments at the hands of her inebriated mother. The key concerns of life and death are portrayed through the girl’s viewpoint as she compares her life with her sad, depressed mother. Anonymous as she is, the girl constantly makes an attempt to escape the outbursts, that come as a result to her mother’s drinking, by submerging herself into the water. An extended metaphor is used when expressing the girl as a machine and her will to continue surviving in her sombre life.

The process of discovery is a profoundly meaningful experience which involves moving into unknown realms, whilst re-evaluating what is known. Discoveries occur in a multifaceted fashion as part of a re-consideration of experiences and values, generating new perspectives of ourselves and our world. Rosemary Dobson’s poetry and unseen position us to recognise the significance of time, change and its confronting challenges. Dobson’s “Young Girl at a Window” explores the persona’s inner struggle to overcome her fears about transitioning into adulthood, evoking contemplation on time and life’s vicissitudes. Similarly “Ghost Town: New England” delves into confronting discoveries about the transience of life, making us reconsider the temporal nature

Evocative and visceral, Irving Layton’s “The Swimmer” follows the impassioned swim of a man as a metaphor for man’s relation to nature. The poem begins with the titular swimmer breaking away from his vessel and into the sea. Layton elaborates upon the swimmer’s journey underwater, as a mystical intercourse between man and Earth. In the final stanza, the man is expelled by the sea and returned to land. In “The Swimmer”, through the description of an incestuous relationship communicated through erotic imagery, Layton expounds on the theme of the connected, yet ultimately detached, relationship between man and nature.

It is presumed that journeys are uplifting experiences, with the implication that new knowledge and greater insight allow travelers to gain wisdom and solidify a coherent view of the world. Yet, experiences through journeys can result in new knowledge clashing with preconceived beliefs, potentially disabling the traveler’s epistemology. Furthermore, a traveler cannot ignore this conflicting knowledge and return to his prior self at the conclusion of his journey. These themes are explored in Robert Gray’s poems

The process of discovery refers to the perception created upon experiencing the unfamiliar and redefining what is familiar. Discovery can be achieved through unexpected means or deliberate expeditionary, whether it be tangible or a fragment of our thoughts/imagination/emotions. Poems ‘The Tiger’ and ‘Young Girl At A Window’ by Rosemary Dobson and poem ‘Invictus’ by William Ernest Henley thoroughly explore this concept via their ideology of human nature and its effect on discovery.

Discoveries are everywhere in everyday life and they can impact the way we see the world, either positively or negatively. Because of this, it can be noted that “Not all discoveries are welcomed”. We can explore this philosophy through the examination of various techniques found within both Robert Gray’s ‘Journey, North Coast’ and ‘The Meatworks’, as well Leo Matsuda’s animated short film, ‘Inner workings’. These three texts, although all having visual processes of discovery, offer juxtaposing perspectives on the acceptance (or lack of) towards discoveries.

The ideals, attitudes, values, and beliefs of an individual are consistently altered by the discoveries uncovered in everyday life. Discoveries are confronting and provocative and engender renewed perceptions of individuals and others. The 1986 play ‘Away’, by Michael Gow highlights the retrospective revelations among three Australian families who are dislocated and brought together by a storm where they make new discoveries about themselves and others. Gow explored the significant themes of reconciliation, restoration, realisation, acceptance, and self-knowledge throughout the ‘Away'. William Ernest Henley’s 1888 poem, ‘Invictus’ explores the process self-discovery through the ability to portray courage in the face of death and to remain unconquered by indignities. Michael Gow’s play ‘Away’ in conjunction with William Henley's poem, ‘Invictus’ evidently portrays the fact that an individual and their perspectives can be modified by revelations present in their lives.

`In Robert Gray’s poems, he uses language to capture human experiences. In two of his poems; old house and late ferry, gray has effectively captured human experiences by his varies poetic languages and through insight and feeling. Throughout both texts late ferry and old house, gray’s main message in the poems, with his critical analysis, is the destruction of nature by mankind.

(213). The narrator once again speaks of the sea as if it were human. Stating the “waves paced to and fro” and “the great sea’s voice”, he gives the sea life and a voice. Having figures of speech such as these gives the story life and a vivid

Through an individual’s life experience and challenges , a process of discovery can be undertaken serving as a catalyst for renewed perceptions of themselves and others. Robert Grey explores this concept in “The Meatworks” where the persona is forced to confront uncomfortable truths about the materialistic nature of society. This notion is furthered in “Flames and Dangling Wire” in which Grey depicts the negative consequences of change and development, portraying a grim image of the self-destruction of humanity. Similarly “Big World”, a short story by Tim Winton portrays how the introduction of a new environment can catalyse significant change within an individual, inducing new understanding of ourselves and the world around us.

“The Open Boat” is short tale of endurance, suffering, and redemption. The story focuses on four interesting sailors on a journey towards survival. They try their best to overcome the adversities of the water and raging storm. Crane focuses on the constant struggle of man’s immobility to control his own life. “The Open Boat” is a nonfictional fiction some call it. It typically is argued as only fiction, but many lean toward its nonfictional quality. Crane wrote the story based off his real life experience of a shipwreck he tragically endured. The Commodore, the name of the ship, was the victim of the waves and Crane just so happened to be one of its friends. He wrote 2 articles based on this tragedy, but “The Open Boat” became the best

Unlike the wandering narrator, the seafaring narrator focuses his descriptions of the community that is present in nature. The seafarer the utterly rejects the notion that a “sheltering family / could bring consolation for his desolate soul” (25-26). This “sheltering family” (25) that the seafaring narrator alludes to in this line is the exact form of close-knit family that the narrator in “The Wanderer” laments for desperately. While the seafaring narrator offers striking similar descriptions of the landscape being “bound by ice” (9), he does not focus on these descriptions to dwell on the loss of an earthly community. Instead, the narrator in “The Seafarer” finds the landscape that he inhabits wonderfully abundant with natural — even spiritual — elements that are commonly associated with an earthly community. In the barren landscape, the seafaring narrator discovers “the wild swan’s song / sometimes served for music” (19-20) and “the curlew’s cry for the laugher of men” (20-21). These vibrant and vivid descriptions of the natural world that the narrator discovers in the harsh,