The Media Surrounding Us Is The Most Influential Piece Of Propaganda

the disastrous effects that colorism and racism can have on a whole culture and how African-

I am writing my critical reaction journal based on my readings in regards to a two writings titled, “Seeing More Than Black and White” by Elizabeth Martinez (1998) in “Race, Class, and Gender: An Anthology,” [edited by] Margaret L Andersen; Patricia Hill Collins, 2013, (8th Edition ed., pp. 85-90) and “Color-Blind Privilege” by Charles A. Gallagher (2003) in “Race, Class, and Gender: An Anthology,” [edited by] Margaret L Andersen; Patricia Hill Collins, 2013, (8th Edition ed., pp. 91-95).

Throughout American history, relationships between racial and ethnic groups have been marked by antagonism, inequality, and violence. In today’s complex and fast-paced society, historians, social theorists and anthropologists have been known to devote significant amounts of time examining and interrogating not only the interior climate of the institutions that shape human behavior and personalities, but also relations between race and culture. It is difficult to tolerate the notion; America has won its victory over racism. Even though many maintain America is a “color blind nation,” racism and racial conflict remain to be prevalent in the social fabric of American institutions. As a result, one may question if issues and challenges

The Souls of Black Folk by W.E.B Dubois is a influential work in African American literature and is an American classic. In this book Dubois proposes that "the problem of the Twentieth Century is the problem of the color-line." His concepts of life behind the veil of race and the resulting "double-consciousness, this sense of always looking at one's self through the eyes of others," have become touchstones for thinking about race in America. In addition to these lasting concepts, Souls offers an evaluation of the progress of the races and the possibilities for future progress as the nation entered the twentieth century.

While the media might not directly contribute to discrimination, the media is undoubtedly a significant aspect of modern day society that influences how people think about racial issues (Royce, 2009, p. 1, 17). Many people claim that racism no longer exists; however, the minorities’ struggle with injustice is ubiquitous. Whites are attempting to keep blacks and other minority families locked into an impoverished political and economic position by using various tactics to isolate them, such as mass incarceration that stems from the War on Drugs. The New Jim Crow helps us in seeing how history is repeating itself and how to legalized discrimination among the blacks and Hispanics by implementing the mass incarceration.

Star Trek is a franchise that has been around for a very long time; it has been turned into books, movies and a television series. Television is one of the world 's most influential pieces of propaganda. Whether it is being used to promote the next president, sponsor the newest upcoming athlete, or tell you about your favorite show, television is used to influence the world and how we perceive it. The popular television show aired for the first time in 1966 and throughout the years has seen many important events in its lifetime. Societal issues that were present in Star Trek, such as racism, sexuality, war, and scientific theories, continue to appear in today’s mainstream culture, even decades after the show came to an end.

Have you ever wondered how far back in our history the world has been full of hate, prejudice, and rage? It has been seen in the form of war, mass genocide, enslavement, and even something minimal compared to the others, like riots and looting for centuries. Despite this common knowledge, there are many forms of violence, injustice, and rage that go unseen. Carol Anderson’s, White Rage, dives deep into the idea that maybe the worst forms of rage do not come from the most obvious and attention-capturing events, but the ones who stay hidden and subside deep in their privileged and ‘noble’ positions. She wants to show you, through the eyes of a minority, what it is like to constantly be looked past and looked down upon. Anderson argues the fact that no matter how many laws and regulations are put into place to cease the existence of racism, the rage in America continues to thwart African American advancement. Through precisely compelling choice of words and a structural design that pulls everything apart only to piece it back together to form a much larger picture, Anderson brings rage, the white rage, into a new and different light. This shows readers the depth of the racial problems in our country through a recap of groundbreaking historical events, advancing or obstructing African Americans, along with the white backlash.

The memoir “How It Feels to Be Colored Me” by Zora Neale Hurston, was first published in 1928, and recounts the situation of racial discrimination and prejudice at the time in the United States. The author was born into an all-black community, but was later sent to a boarding school in Jacksonville, where she experienced “race” for the first time. Hurston not only informs the reader how she managed to stay true to herself and her race, but also inspires the reader to abandon any form of racism in their life. Especially by including Humor, Imagery, and Metaphors, the author makes her message very clear: Everyone is equal.

When you live in the suburbs of Atlanta, it was easy to forget about whites. Whites were like those pigeons: real and existing, but rarely seen or thought about…everyone had seen white girls and their mother coo-coing over dresses; everyone had gone to downtown library and seen white businessmen swish by importantly, wrists flexed in front of them to check the time as though they would change from Clark Kent into Superman…those images were a fleeing as cards shuffled in a deck, where as the ten white girls behind us were real and memorable (179).

The misinterpretation of African Americans is very prominent in society. Claudia Rankine’s Citizen sheds light on the hyper-visibility of the African-Americans through stereotypes and invisibility of the Black body itself in an attempt to get readers to understand the inner conflicts of Black citizens. Citizen is composed of seven sections, which vary in length and content. The book is interspersed with photographs, sculpture, paintings, and other types of media. Rankine also draws from film and video, and various news media. Her descriptions of encounters between people of different races show how disconcerting words are and how they affect people. Though we often hear about deep-rooted institutional and cultural forces that contribute to racism, it appears that we less often hear about the psychological processes involved. Many would like to believe that racism is over, but society actions are a constant reminder of their true feeling about Blacks. Racial bias is prominent at all levels of the institution and it paralyzes the race as a whole. Rankine uses pronouns, anecdotes, and visual art to uncover the unconscious nature of racism and extend the conversation. The audience is both the eyewitness and the victim in this “post-racial” society that fails to teach us how to be a citizen. In allowing us, the readers and audience, to subject ourselves to this hurt, we experience, an understanding of true citizenship by identifying the wrongs and understanding the difference.

Racism and discrimination continue to be a prevalent problem in American society. Although minorities have made significant strides toward autonomy and equality, the images in media, specifically television, continue to misrepresent and manipulate the public opinion of blacks. It is no longer a blatant practice upheld by the law and celebrated with hangings and beatings, but instead it is a subtle practice that is perceived in the entertainment and media industries. Whether it’s appearing in disparaging roles or being negatively portrayed in newscasts, blacks continue to be the victims of an industry that relies on old ideas to appeal to the majority. The viscous cycle that is the unconscious racism of the media continues to not only be

In this paper, I will be reviewing Robert Jensen’s “The Heart of Whiteness. Confronting Race, Racism, and White privilege”, along with developing a critical analysis of this work. I will be comparing my analysis with the opinions of others that have reviewed this book along with utilizing concepts from James W. Neulieps textbook, Intercultural Communication.

I am twenty-two, colored, born in Winston-Salem. I went to school there, then here to this college on the hill above Harlem. I am the only colored student in my class.” After, he says that despite his race, he does not enjoy entirely different things compared to white people, “I guess being colored doesn’t make me NOT like the same things other folks like who are other races.” The only difference is that his teacher, who is white, is “older--and white-- and somewhat more free.”

One of the greatest revolutions in the twentieth century was not political in nature, however, it aided in many different political revolutions. This revolution was the communications revolution. The twentieth century has experienced one of the greatest changes in means of communication including technologies such as radio, motion pictures, the Internet, advanced communications and most importantly the television. Sadly, political leaders and the government to convince or persuade the masses that their ideas supercede those of others have utilized these technologies.

In addition, a few website articles promoted the campaign, portraying it as “powerful ad targeting casual racism” (Faruqi, 2017). On the other hand, some of the articles evidenced the opinionated comments from the social media platform (Duncan, 2017) and other ones only presented the advertisements without giving their opinion (Dawson, 2017). However, for this unopinionated article, the readers felt the need to share their view in the comment section. According to their remarks, they believe that this situation is outdated, and they haven’t seen it in the past 20 years (See appendixes