The Raft Of The Medusa And The Nightmare

I think the artist is able to communicate the bad condition of the ship and its crew is in. The mood of the work is scary and gloomy. The design and intensity of the waves, the changing weather, and the ships in the ocean seem to make the scene come alive. It really conveys a since of naturalism in the painting the way it depicts the environment around the ship.

The suffering is reflected in the face of every passenger and it is the main focus of the piece than any other element. The Raft's theme of human suffering evoked empathy and compassion, which helped project the image beyond any hopes the artist could have held for the piece. This predominant focus on the human condition allowed a stereotypical Romantic piece. Another artist famous for highlighting the human condition was Spanish-born, Pablo Picasso.

was once a maiden that vowed to celibacy. She one day fell in love with Poseidon and broke her vows. She was punished by the goddess. Every piece of her pretty hair was turned into a snake. Her eyes turned bloodshot, and who ever looked into her eyes turned to stone. In the movie “Percy Jackson & The Lightning Thief” Percy, Annabeth and Grover were looking for the pearls, and they wandered into Medusa's lair. She chased after them wanting to turn them to stone, but her head was chopped off by Percy. They took her head and later used it to turn a dragon to stone.

Two of the paintings I came across, Ludolf Backhuysen, Ships in a Stormy Sea off a Coast, and Philips Wouwerman, Stag Hunt in a River were very similar in many ways. First of all, they were both European art, they are both 200 plus years old, and they both show very hectic times. The first painting, Ships in a Stormy Sea, displays several ships, (although it is hard to see the other 4), being almost entirely swallowed by an angry, wavy ocean, during an extremely stormy journey. All of the ships are at different levels and some are leaned over, and tipped more than others, allowing the viewer to realize the true horror occurring in this painting. The amount of line that this artist uses in this painting is tremendous as well, as he presents plenty of diagonal lines throughout the painting, such as on all of the ships sails. This piece of art is extremely realistic and gives me chills when I imagine what these sailors must have been dealing with that night. Not only does this painting show a hectic time, but another painting titled, Stag Hunt in a River. This painting displays a village, in the mountains, lying on a river, where hunters, horses, and dogs of the village are attacking a deer that is attempting to escape from them. This painting seems to describe a very hectic time for everyone, as the dogs are desperately trying to do their job, the deer is attempting to escape, and the hunters are relying on the deer for their food. Although there are many obvious differences in these two paintings, the roles are reversed in the two, as in Ships in a Stormy Sea, nature is doing the damage, while the people are trying to avoid danger. On the other hand, Stag Hunt in a River, displays nature being attacked and endangered by the people themselves. My favorite

According to Karl Marx, a famous German philosopher, came up with the theory that the higher class, known as the bourgeoisie, enslaved and exploit the working class, known as proletariat. This theory relates to the two novels A Brave New World by Aldous Huxley and Legend by Marie Lu. There are many similarities that take place between these dystopian novels and it is evident that everything is predetermined and controlled by the state, causing conflict and chaos. This is demonstrated by the caste system, abuse of drugs and power within the government.

The Romantic era ascribed to the idea of the sublime - an idea that human emotions, all human emotions including horror, fear, and pain, produced an exhilarating thrill. In order to experience the full gamut of human emotion and the resultant high, the Romantics believed people should embrace all emotions, including the dark ones. However, experiencing horror and pain first hand were clearly detrimental, as witnessed with the mass executions of the French Revolution, but viewing these emotions from a removed setting, such as in art, poetry, and literature, allowed people to experience the thrill and complete exhilaration offered by the human experience. Often art and literature of the Romantic era depicted both horror and delight to offer a complete thrill and exploration of the human psyche. Henry Fuseli’s 1781 painting The Nightmare nicely embodies the idea of exploring both horror and sensuality. The subject of the painting is a young woman sleeping. On her chest sits a demon, gazing searchingly at the viewer as a ghostly horse looks on the scene in the background. Fuseli offers a bizarre image that so captivated his contemporaries that he painted several variations on the theme and the imagery continues to fascinate viewers 200 years later. Instead of cringing in horror at the demon on her chest, the woman’s back is arched sensuously, her arms hanging from her sleeping couch in complete surrender, yet

Perseus is the son of Zeus and Danae, Zeus is a god and Danae is just a human, which makes Perseus a Demigod. Medusa is a beautiful woman but, she has serpents on her head. People turned into stone as soon as they saw Medusa’s face. The story of Perseus and Medusa always interested me. When I saw the sculpture of Perseus holding the head of Medusa and had his sword in the other had I got interested to know more about the story of Perseus and Medusa, I have always heard the story about Perseus and that he killed Medusa but I didn’t know how. I wanted to know more about the story in detail and how Perseus actually killed Medusa without turning into a stone. The sculpture itself looked beautiful, it was carved in Marble.

In the time when the French salon would have been looking for a Rococo style painting of important figures and royalty to hang in their gallery they accepted Gericault’s work as it was an extreme change from the typical types of paintings they hung. It represented the nameless souls who fought to stay alive upon the raft. Jeffaris (2005) exclaims “This event was a political scandal - and Gericault's painting - an exposé - a 17th Century tabloid headline!”. They knew it would create a stir and grasp attention, and it has become iconic for the the way in witch it broke traditions. This event had a huge effect publicly because of the fact that the lower ranking people were left behind to die while the wealthier and more important people escaped on life rafts. This is quite metaphorical of the political situation in France in this period (after revolution) as the wealthy got wealthier and the poor were left to starve and die. Its ironic that this painting of such a horrible event was such a symbol of hope for the lower class of France at the time. It showed the strength of the weak and poor, it showed that the lower class had the strength to survive even after the wealthy had taken everything and left them to die. Giving hope to the lower tier of society that anyone can make it regardless of their status. From the description of Medusa (n.d.) the raft of the medusa was “Intended as a political statement about the disorderly state of the French

In the novel Frankenstein, by Mary Shelley, Victor Frankenstein is as much as a monster as his creation. They are related in many different ways such as the fact that they are both isolated from society. While the monster isolated from society due to his physical features, Victor is isolated from his family and of his creation of the monster.

In the memoir Night by Elie Wiesel he explains the events and his personal trauma during the Holocaust. Elie explains in his memoir about how Jewish people were treated and dehumanized in different concentration camps. He writes about his personal experience of being a Jew in the 1940’s. Elie gives the readers a first hand experience of what himself, and millions of others went through. Even after experiencing trauma at such a young age Elie Wiesel still felt it was his duty to make sure the Holocaust wasn’t forgotten. He wrote over 40 books in his lifetime so that lives will never be forgotten.

As scientists pursue the progress of their field, it would be good if they could do so to benefit the human race. However, if scientific discoveries are motivated by selfish ambition, and scientists do not take responsibility for them if they fail, their creations might become threats to humans. The novel Frankenstein, written by the English author Mary Wollstonecraft Shelley, tells the story of a young scientist, Victor Frankenstein, who unintentionally creates a grotesque creature in a scientific experiment, which causes tragedy including deaths of many innocent people. When people read this book, many of them might see the creature as a monster because the term “monster” commonly refers to an imaginary creature that is typically large, ugly, and frightening. However, this is only what the creature looks like, not what it might be like emotionally; also, people who appear to be normal outsides might be “monstrous” inside, such as Dr. Frankenstein. Indeed, while the creature is guilty of taking the lives of innocent people, if Dr. Frankenstein had taken any responsibility for it, and if humans had treated the creature humanly instead of being violent, it might not have turned out to be a killer. Therefore, even though the creature in Frankenstein seems to be the monster, since it has a horrific appearance, and eventually kills people, it is actually a victim; Dr. Frankenstein is the actual monster because he is the person who created

“Someone yelled from the bottom, ‘if you voted for Trump, you better be fucking scared.’ Everyone clapped and applauded,” recounted Kathryn Hinderaker, Vice President of the St. Olaf College Republicans. “Obviously, it didn’t feel super safe.” Conservatives on college campuses are being terrorized across the nation, facing threats of violence and sometimes worse. The portrayal of campus conservatives as monsters is an apt comparison to the monstrosity the reader observes in the novels When the Emperor was Divine by Julie Otsuka and Frankenstein by Mary Shelley, novels where characters face unfair oppression and are feared because of things or events that they cannot control. Both the girl and the creature start off as confident and

As stated by one of the fathers of the First Great Awakening, George Whitefield “True conversion means turning not only from sin but also from depending on self-made righteousness. Those who trust in their own righteousness for conversion hide behind their own good works. This is the reason that self-righteous people are so angry with gospel preachers, because the gospel does not spare those who will not submit to the righteousness of Jesus Christ!” (AZQuotes.com). The First Great Awakening was a movement away from the Roman Catholic Church which is part of the reformation. It was initially led by George Whitefield, Johnathan Edwards, and Martin Luther who started churches as early as the 1300s. The First Great

Medusa means "sovereign female wisdom." In Sanskrit it's Medha. Medusa was originally a Libyan Goddess, worshiped by The Amazons as their Serpent-Goddess. She was considered the destroyer aspect of the Great Triple Goddess also called Neith, Anath, Athene or Ath-enna in North Africa and Athana in 1400. BC Minoan Crete. She can also be connected to Africa where she had a hidden, dangerous face, and her hair was represented as resembling dread locks. Libyan Amazons believed that no one could possibly lift her veil, and that to look upon her face was to glimpse one's own death as she saw yours.

The short stories “The Lottery” by Shirley Jackson and “The Ones Who Walk Away from Omelas” by Ursula K. Le Guin have many similarities, despite their different societal settings. Both of the stories contain a false display of utopia, the following of traditions, and foul treatment. For example, in “The Lottery” every year a person’s name is drawn from a box and the “winner” is stoned to death, and the townsfolk are fine with it and keep coming back. And in “The Ones Who Walk Away from Omelas” Omelas is described as being a perfect society where everyone is happy, but in order for the utopia to thrive a young child is being detained and tortured and the people of Omelas just let it happen because they think that is all they can do. Therefore, in both of the stories the authors are saying that harm can be done from people blindly following tradition and that perfect does not exist because there will always be some type of evil activity being conducted.