The Menace Of Dionysus : Sex Roles And Reversals

Sophocles’ Theban tragedy, Oedipus the King, is not sexist. The prominent play portrays both men and women justly. The events presented by Sophocles exemplifies a level of admiration and respect for women that was not ordinary in ancient Greece. This is predominantly achieved through the dialogue of Jocasta and Oedipus, illustrating a corresponding relationship. In addition, the behavior of Jocasta, analysis of other literature, as well as the bad fortune of the male characters reaffirm that the Oedipus the King is not sexist.

Misogyny pervades the picture Aeschylus, Aristophanes, and Sophocles paint of Athenian society. In their literature, however, female characters catalyze plot by challenging this picture. Such characters--from Sophocles’ Antigone to Aristophanes’ Lysistrata--face grim consequences for acting independently. Clytemnestra and Cassandra from Aeschylus’s Agamemnon exemplify this archetype of autonomy and destruction. When they confront injustice, male characters perceive them as vindictive and hysterical. This paper will compare the standards of justice Aeschylus’s society imposes on men and women. I will argue that Clytemnestra and Cassandra are protectors of divine justice who reject subservience and thereby transcend the sexism of their society.

Women have been belittled by men since the beginning of time. This is demonstrated in the novels Oresteia by Aeschylus and Civilization and Its Discontents by Sigmund Freud. Men have always held the upper hand in society, politics, and technological advancements. Women have been purely sentimental sexual objects. Freud is keen to state that a man’s wish to fulfill his sexual desires is crucial. Women are cast as purely sexual objects, and, furthermore, as entirely unreasonable and illogical. In the novel Oresteia, we learn how women are sensitive, emotional, and exceptionally incoherent to men in the play. However, throughout the play the women, such as Clytemnestra, the king’s wife, prove that women are not pieces of meat. She is a great leader who is a remarkably strong mentally, and who can easily outsmart a man. However, women like Clytemnestra are a minority in these works of literature. Most women are perceived in literature as domesticated creatures who are irrational and emotional. Freud maintains a condescending attitude toward women, seeing them as mere objects, while Aeschylus helps reinforce Freud’s attitudes. By enforcing the gender roles in Greek society it is easy to reflect powerful female character who carry the mentality of a man, portrayals of "wrong womanhood" and solely displaying women’s sexual and family interests.

Homer’s Odyssey is an epic tale set in the world of ancient Greece - a world dominated by men. Admirable men such as Odysseus, the story’s protagonist, are strong, cunning, and wise; they have control over their lives and the people within them. In The Odyssey, the quintessential man is characterized by his authority, including control of the women who surround him. As is suggested throughout the novel, the patriarchal world would fall into disarray without the force of intrinsic male authority. Odysseus’s struggles with his wife, his son’s search for manhood, and the wiles of cunning women like Clytemnestra and Calypso highlight the disordering powers of women. These disordering powers justify, to the men within this world, the necessity

   Many different interpretations can be derived from themes in Euripides's The Bacchae, most of which assume that, in order to punish the women of Thebes for their impudence, the god Dionysus drove them mad. However, there is evidence to believe that another factor played into this confrontation. Because of the trend of male dominance in Greek society, women suffered in oppression and bore a social stigma which led to their own vulnerability in becoming Dionysus's target. In essence, the Thebian women practically fostered Dionysian insanity through their longing to rebel against social norms. Their debilitating conditions as women prompted them to search for a way to

The duty of women portrayed in Greek society is a major subject in Euripides Medea. In old Greek society, ladies are delicate and compliant as per men, and their social position is viewed as exceptionally mediocre. Feminism is the hypothesis of men being viewed different in contrast to women and the male predominance over ladies in the public eye. Women's lives are spoken to by the parts they either pick or have forced on them. This is obvious in the play Medea by Euripides through the characters of Medea and the medical attendant. During the day and age which Medea is set ladies have exceptionally restricted social power and no political power by any stretch of the imagination, despite the fact that a ladies' maternal and residential power was regarded in the protection of the home, "Our lives rely upon how his lordship feels." The constrained power these ladies were given is diverse to present day society yet parts are as yet forced on ladies to acclimate and be a devoted spouse. Ladies have dependably been dis engaged because of their sex in present day and antiquated circumstances alike. In Corinth they are required to run the family unit and fit in with social desires of an obedient spouse. Medea, being an eternal and relative from the divine beings has a specific power in insight and guileful keenness. Being an outsider, Medea's wayward nonsensical conduct was normal in this play as she was not conceived in Greece and was viewed as an exotic foreigner. She goes over to the group of onlookers as an intense female character regarding viciousness. Some of Medea's responses and decisions have all the earmarks of being made a huge deal about as creators for the most part influence characters to appear to be overwhelming; this makes a superior comprehension of the content and the issues which are produced through the characters. Medea's ill-conceived marriage and the double-crossing of Jason drive Medea to outrageous vengeance. Medea acts with her immortal self and confer coldhearted demonstrations of murder instead of legitimize the results of her actions. Medea see's this choice as her lone resort as she has been exiled and has no place to go, "stripped of her place." To make sensitivity for Medea, Euripides

Euripides was one of the most well-known playwrights of ancient Greece. He was known as a modern playwright because he wrote with realism, and had a doubtful way of portraying the gods in his plays. Euripides’s plays had women as the main character because he had a sympathetic way of portraying women. The women were mainly strong and are passionate in their motives for their actions. Although Euripides is well known now, during ancient Greece Euripides wasn’t an appreciated playwright. When there were play performances men would be the audience since women weren’t allowed to take part in or watch the plays. So with the focus of women in his plays, he gave them a voice, which would throw men off, mainly because they would be terrified if their wives did and said the same things. Euripides supplied a philosophical thought to the women he has written about.

Gender roles play an essential part in Homeric society. Book 1 sees Telemachos’ interaction with his mother Penelope that is again repeated in a few more scenes, which put emphasis on gender role in an ideal Homeric society. However, book 7 reveals an action that goes against the principles of gender role during the interaction between Odysseus and Arete. While there exists complexity in the ways women are treated, whether by them being confined or by exercising minimal power, the Homeric society ultimately remains a male dominant society.

The play Medea by Euripides challenges the dominant views of femininity in the patriarchal society of the Greeks. While pursuing her ambition Medea disregards many of the feminine stereotypes/ characteristics of the patriarchal Greek society. She questions the inequality of women in a patriarchal society, contradicts Jason?s chauvinist beliefs, challenges the stereotype that women are weak and passive and completely disregards the feminine role of motherhood. Feminism is the belief that women and men are, and have been, treated differently by society, and that women have frequently and systematically been unable to participate fully in all social arenas and institutions. This belief is confirmed in

As a child, I was fascinated by Greek mythology and history, and I made it my business in elementary school to read as much as possible about the subject, including the outstanding stories and the pantheon of gods presented. I thought of them as fantastic, supernatural tales with fitful gods and brave heroes, and I never stopped to consider that the mythologies could be representative of the cultural views and habits of the Greeks, specifically regarding gender roles. One such representaton is Virgil's epic Aeneid, which contains depictions of women in positions of power, and also characterizes these women as irrational, emotional to the point of hysteria, and consequently, unfit rulers.

It wasn’t until the Greek and Roman empires that gender roles in society really started to widen the gap between males and females. The combination of a growing belief of women as servants and the impact of mythology on culture culminated in a “gender specific code of conduct” (Evans). In Greek mythology (coincidentally written by men), the Hesiod’s Theogony (The Birth of the Gods) played a tremendous role in the status of man and woman (Mason). In Theogony (The Birth of the Gods), Prometheus lives in a world of only men where life was great. There was no work and all leisure. Prometheus makes the Gods

Hesiod leaves no doubt that the existence of women is on balance a terrible thing for men. Zeus ordered Hephaistos to create women as a punishment for his having been decieved.. Women were to be a poisoned gift for men, which "all shall take to their hearts with delight, an evil to love and embrace" (W&D, 57-59). In the Theogony women are called "a great plague" because they are "ill-suited to Poverty’s curse, but suited to Plenty" (592-93), among other flaws. While Hesiod offers some well-turned phrases in praise of womens’ good qualities, it is unmistakable that these positive attributes are all put there by Zeus for the sole purpose of making woman an "inescapable

In the world of Ancient Greece, a large array of deities were worshipped. Each god had their own forms of identification in which they used to express themselves. This includes things such as personality, style, sexuality, and many other things. One of these forms of expression was gender. The Greeks seemed to focus more on the two typical genders, which are male and female. Some Greek gods seemed to play into certain gender roles, but others portrayed traits of the opposite sex. In this paper, I will be analysing the possibility that the Greeks believed the female and male genders were closely connected and that is why many of the gods are described with blended aspects of gender.

The role of women in ancient Greek life was insignificant compared to that of Greek men. A woman's job was to take care of the children and to cook and clean unless she had servants or slaves that would do it for her. Yet, in Greek mythology, women were often written as major characters. Well-known Greek plays contain many well-written, complex, female characters. Female individuals in Greek mythology were often seen as very powerful and fierce and were depicted by “her wits, her beauty, or her bad deeds.”

The guards’ ropes fell apart, their latches opened, and they realized that they could not imprison Dionysus and his followers. Dionysus was taken to Pentheus, and tried to explain his worship. Pentheus only listened to his own anger, and insulted Dionysus. “Dionysus gave up and left Pentheus to his doom. Pentheus pursued Dionysus followers up into the hills where they had gone after walking away from his prison. Many of the local women including Pentheus’ mother and sister had joined them there. Then Dionysus appeared to his followers in his most