The Metamorphosis By Franz Kafka Essay

     Throughout the story there is a metamorphosis that is taking place in his home. He has traded places with the family and is now living the life they had previously embelished in. His father begins to work along with his sister and his mother must now work and do the cooking and cleaning. Gregor on the other hand does nothing but daydream, crawl, and nap through his days. One ironic statement from his sister “He must go, if this were Gregor he would have realized long ago human beings can’t live with such a creature, he’d have gone away one his own accord. This creature persecutes us, drives away our lodgers, obviously wants the whole apartment to himself, and would have us all sleep in the gutter.” How selfish of her, had he not taken care of them and he was not the only one working

In Kafka’s “The Metamorphosis”, the character Gregor transforms from a man into a bug, specifically a cockroach. Although Gregor physically changes, he does not change as a person. Gregor merely accepts his new condition as a bug and his family’s continuous abuse and hostility. Gregor’s acceptance of his new bug form is representative of his passive personality before and after his transformation. Gregor’s passivity, in response to the hostile world around him, causes his eventual downfall. Therefore, Kafka uses the character Gregor to exemplify how a passive attitude can cause one’s demise.

Grete undergoes a change in perspective to such a degree that by the end of the novella it is she who declares, “we must get rid of it” (84). This change in perspective shows how Kafka believes that members of society often stop sympathizing with the isolated group when it becomes inconvenient for them to continue doing so. Gregor’s mother reacts in an initial manner somewhere between the father and sister since when first seeing him she “went two steps toward Gregor and collapsed right in the middle of her skirts” (23). These conflicting desires continue through the novella, such as when Mr. Samsa tries to kill Gregor, “she begged him to spare Gregor’s life” (65) but at the same time she is repulsed by him. This illustrates how she wants to help him and tries to think of him the same way she did before his transformation, yet is unable to. This resembles the idealists in society who theoretically support the alienated person but often succumb to social pressures when they are forced to face the problem. These three reactions to Gregor’s transformation as a result of the initiation of his isolation by the manager demonstrate the spectrum of reactions. From the immediate acceptance of the hierarchy represented by Mr. Samsa, to the true compassion of Grete and the idealism of Mrs. Samsa, Kafka shows how a wide variety of reactions is expected from society, and how people often change their opinions.

Kafka’s Metamorphosis suggests to his readers to take a glimpse inside a dysfunctional atmosphere triggered from a painful childhood, to see how influential each member of the family contributes to the dynamics, but also to learn how to make light of the situation with acceptance. Kafka is reflecting on his own relationship with his family in Metamorphosis. He sees himself in Gregor, or is he him.

In The Metamorphosis, Franz Kafka conveys the series of emotional and psychological repercussions of a physical transformation that befalls the protagonist, a young salesman called Gregor Samsa. As the story progresses, Gregor finds himself unfairly stigmatized, cruelly rejected because of his clear inability to financially support his family, and consequently increasingly isolated. Through extensive use of symbolism, Kafka is able to relate the surreal and absurd, seemingly arbitrary events of this short story to a general critique of society-particularly on the alienating effects that conformity generates. On a broader level, the combined themes-which include the themes of conformity, freedom, and alienation--found throughout The

It is the innate yearning of the human condition to belong. When we come into existence, this desire is satisfied by joining the orderly social structure of a family. Living in a moral, rational universe, leads us to believe that developing such fruitful relationships will grant us the support and resources to achieve success in other facets of life. But in an absurd reality where such beliefs are meaningless, collective pursuits are quite futile. Through an analysis of narrative perspective, character and atmosphere, the closing paragraph of Frank Kafka’s haunting novella The Metamorphosis reveals the superficial nature of the love and bond that holds a family together amidst an existential world.

In Franz Kafka’s “The Metamorphosis”, the protagonist, Gregor Samsa, in desperate need of appreciation, took the responsibility and obligation of maintaining his unappreciative family member’s every day life. While traumatic instances occur, the limits of the family’s loyalty and sympathy for Gregor’s needs are rejected by the ones he cherishes the most. Obviously, one can notice the unconditional love Gregor shows his family, but the profound transformation he physically endures leaves him now as his family’s burden (SparkNotes Editors). Although many instances occur throughout Gregor’s transformation that shows new profound realization of his unsympathetic family, one can analyze the many

One definition of family is “a group consisting of parents and children living together in a household.” In this sense, those living together have an obligation to care for each other. In a typical household, it is the parent’s job to provide for their children, while teaching them how to be able to prosper in their adulthood. Family in today’s world is supposed to continue to love each other and support each other through life’s obstacles. Unfortunately, unwarranted change can cause drastic changes in people. In Metamorphosis, Gregor Samsa undergoes an unexpected, significant physical transformation; however, the title Metamorphosis is concerned with the changes and adaptations made by Gregor and the Samsa family. They acclimate themselves to Gregor’s new state. Although Gregor is physically affected by a life-altering, unexpected transition, his mother, father, and sister change drastically as they cope with the new Gregor. The underlying transformation that occurs in the short story, becomes more complex as the story advances.

In “The Metamorphosis”, Franz Kafka, the author, tells the readers a strange story about a working salesman, Gregor Samsa, waking up one morning from an uneasy dream and found himself transformed into a verminous bug. “One Morning, as Gregor Samsa was waking up from anxious dreams, he discovered that in bed he had been changed into a monstrous verminous bug.” (page 3) What? Why? How weird! How can a salesman mysteriously wakes up one day and suddenly transformed into a bug, is it just a metaphor? Well yes, it is just a metaphor.

When Gregor inexplicably becomes an insect his family is primarily worried about how this will affect them, and their financial security. The morning Gregor awakes as a ‘monstrous vermin' is the first day he has missed work in five years; his family's immediate concern is for Gregor's job. His father begins to admonish him before he can even drag himself out of bed. When Gregor hears his sister crying at his door he thinks, "Why was she crying?? Because he was in danger of losing his job and then his boss would dun their parents for his old claims?" This is very significant to their relationship; he considers himself close to his sister, but feels her emotion spent on him is related to money. Gregor has been the sole breadwinner for years; working at a job he abhors only to pay his fathers debts. The family leads an extremely comfortable life of leisure; the father sits at the kitchen table and reads all day, the sister wears the best clothes and amuses herself by playing the violin, and all even take a mid-day nap. Gregor is extremely pleased and proud to provide them with this lifestyle; however, his generosity is met with resentment by his father and indifference by his sister and mother. Once the family grew accustomed to this lifestyle they no longer felt the need to be grateful, "they had grown used to it, they accepted the money, but no particularly warm feelings were generated any longer." At one point Gregor is deeply

In The Metamorphosis, Kafka establishes, through his religious imagery and gospel-esque episodic narration, the character of Gregor Samsa simultaneously as a kind of inverse Messianic figure and a god-like artist, relating the two and thus turning the conventional concept of the literary hero on its ear. The structure of the novel reflects that of the Gospel of Mark in that it is narrated in individual events, and in this it is something of a Künstlerroman - that is, the real metamorphosis is over the course of the novel, rather than just at the beginning, and that change is a heightened sensitivity to the world in an artistic sense. The motif of change is a rather theological one as well: we see it in a religious sense, in the form of

Kafka was critical in bringing the new outlook on modern culture and particularly on modern man. Franz Kafka studied the modern man in the face of contemporary culture, and how he was steadfast in retaining his spirituality and identity, and gravitate towards authenticity and happiness. However, Kafka saw how the dehumanizing forces of industrialization and capitalism in the post- the WWI Europe posed a challenge to the modern man. Modern culture can be viewed tolerating and open to all. To Franz Kafka, modern culture coupled with technology is fast changing, and man has to maintain his self-consciousness in order not lose his spirituality and identity amidst these changes (Wintle pp. 708-710). Hence, as modern culture changes with the changing technology, religions are poised to change too, which presents fears to a man about losing his spirituality and identity upon embracing the modern culture. Interestingly, Kafka was mystical in his writings, with a keen interest in themes such as metamorphosis, existential and identity. If we look at “The Metamorphosis,” we can view the idea of how the dehumanizing effects of capitalism and industrialism are indicated within the writings. Kafka contends we become dehumanized with buying power and working too much. The transformation of Gregor seems to indicate a denial of responsibility to the changing forms of society’s conventions and values.

Born 1883 in Prague, to a middle class Jewish family, Franz Kafka earned his doctorate in law but was known for his many works of literature. Despite not having published his three major novels Kafka’s work is highly admired around the world especially his novella “The Metamorphosis.” The Metamorphosis is based on a salesman named Gregor Samsa, who lives with his family in an apartment near a busy city-street. Samsa was also known as the provider of his family, until he turned into a monstrous cockroach. Kafka uses Gregors transformation to infiltrate a more significant metamorphosis of Samsa’s family. It is Gregor who remains highly unchanged as the rest of his family endures extreme change from being dependent and sympathetic to independent and malicious.

The affection of the mother and the understanding of the sister fades with time,  but at Gregor’s death they disappear completely, leaving space only for indifference, but above all for relief.

Gregor, prior to his transformation into an insect, is a person who works to support the family, which determines Gregor's power in the family. When he first wakes up, his initial reaction is how "strenuous [an] occupation" he has (14). This reaction does not focus on his immediate transformation but something else that seems irrelevant to his current situation. He even despises his occupation, but he continues it to help his parents: "If I didn't hold back for my parents' sake, I'd have quit ages ago" (14). Gregor's desire to continue his work although he has no passion for it demonstrates how important he views his work