The Metamorphosis By Franz Kafka Essay

     I have chosen The Metamorphosis as my subject for this paper; I will take a close look at how the death of Gregor Samsa opens the doors to understanding the story. I will give examples of irony through Gregor’s metamorphosis and how this irony brings together the conclusion of the story. Through his death we see the truth behind his parents, which in it’s self is ironic. It is difficult to pinpoint one specific thing to write about in the story; there are just so many things that can be brought to light. If I happen to lose sight of my topic bear with me, there is just so much to be discussed in the novella.

In Kafka’s “The Metamorphosis”, the character Gregor transforms from a man into a bug, specifically a cockroach. Although Gregor physically changes, he does not change as a person. Gregor merely accepts his new condition as a bug and his family’s continuous abuse and hostility. Gregor’s acceptance of his new bug form is representative of his passive personality before and after his transformation. Gregor’s passivity, in response to the hostile world around him, causes his eventual downfall. Therefore, Kafka uses the character Gregor to exemplify how a passive attitude can cause one’s demise.

Everyone has people they depend on. People that he or she knows will always be there when they’re needed. But what happens when those people just don’t show up or just all of a sudden stop caring? The feeling of loneliness can break down a person’s character and reduce him to a shell, or in this case and exoskeleton, of who he once was. We can see this in The Metamorphosis by Franz Kafka. When Gregor Samsa finds himself transformed into a giant beetle-like creature, what he needs more than anything is the love and support of his family, but he disgusts them. They shut him up in his room so that no one can see him. They are ashamed of him, and quickly forget that he was part of their own flesh and blood. All that they can see is the monster that appears on the on the outside. Gregor’s sister and parents betray his love for them and leave him feeling lonely in the most terrifying and desperate time of his life.

In The Metamorphosis, Franz Kafka conveys the series of emotional and psychological repercussions of a physical transformation that befalls the protagonist, a young salesman called Gregor Samsa. As the story progresses, Gregor finds himself unfairly stigmatized, cruelly rejected because of his clear inability to financially support his family, and consequently increasingly isolated. Through extensive use of symbolism, Kafka is able to relate the surreal and absurd, seemingly arbitrary events of this short story to a general critique of society-particularly on the alienating effects that conformity generates. On a broader level, the combined themes-which include the themes of conformity, freedom, and alienation--found throughout The

In his novel The Metamorphosis, Franz Kafka describes his own life through the life of his protagonist Gregor Samsa.  Careful study of Franz Kafka's life shows that Kafka's family, workplace, and reaction to the adversity in his family and workplace are just like those of Gregor.  So we might ask why Gregor was transformed into a bug since Kafka obviously never turned into a bug.  The absurd image illustrates how Gregor lacks self-respect and feels like he's a bug in the eyes of his family and society.  Franz Kafka was unhappy and never found his place in life, either.  Therefore, he might have felt just like Gregor, like a bug.  Furthermore the novel describes Kafka's expectations of his own future and he was partially

Gregor’s role in his family characterizes him as an altruistic individual whose nature made him ignorant to his family’s manipulation. Gregor endures most of his hardships without complaint and puts the needs of his family firmly above his own. Upon realizing his transformation at the beginning of the novella, his first thoughts were not of alarm but of great concern about being late to work because it is his only means of taking care of his family (Kafka 6). After his father’s business failed, Gregor “work[ed] with special ardor” (27) doing laborious work as a traveling salesman, not only to “pay off [his] parents’ debt”(4), but to also spend what little money he has to give Grete the opportunity to perform violin professionally (26). With all these responsibilities, it’s inevitable for Gregor to be under great stress, which can infer that Gregor’s transformation is a result of his willful desire to escape the pressures his overburdened life. Gregor struggled between remaining a steadfast provider or following his desire for independence, however, his metamorphosis freed him from a job he detests. Now that it is impossible for Gregor to work, Mr.Samsa reveals that “he possessed more money than Gregor knew about” (#). This is a significant event where Kafka uses the motif of betrayal to emphasize the corruption in familial infrastructure represented through Gregor’s sacrifice and interaction with his family, as well as to socially comment about how people in society use

The Metamorphosis is the ultimate identity crisis. From the very opening lines of the novella- “As Gregor Samsa awoke one morning out of restless dreams, he found himself in bed, transformed into a gargantuan bug” (Kafka 13)- the absurdity of the storyline is evident. However, Kafka approaches the issue of identity from a interesting angle. Gregor’s thoughts are allowed to the reader. Kafka permits an insight that he does not grant with his other characters.

Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First,

Absences of Unconditional Love Family is supposed to be permanent. That’s what many children are taught. Family members, be it brothers, sisters, mother, or fathers, are supposed to love one another no matter the circumstances. However, unconditional love is not always the situation in some families. Throughout The Metamorphosis, Franz Kafka displays his disbelief in the notion of unconditional love through the characters he creates.

In The Metamorphosis, Kafka establishes, through his religious imagery and gospel-esque episodic narration, the character of Gregor Samsa simultaneously as a kind of inverse Messianic figure and a god-like artist, relating the two and thus turning the conventional concept of the literary hero on its ear. The structure of the novel reflects that of the Gospel of Mark in that it is narrated in individual events, and in this it is something of a Künstlerroman - that is, the real metamorphosis is over the course of the novel, rather than just at the beginning, and that change is a heightened sensitivity to the world in an artistic sense. The motif of change is a rather theological one as well: we see it in a religious sense, in the form of

Also, in his writings, Kafka pointed out the dehumanizing forces of industrialization and capitalism in post-WWI Europe. Kafka saw bureaucracy establishments as being something that deprives the mere existence of real human standards of industrialization that will oppress a person in a workplace. “Work like this is far more unsettling than business conducted at home, and then I have the agony of traveling itself to contend with” worrying about train connections, the irregular, unpalatable meals, and human intercourse that is constantly changing, never developing the least constancy or warmth” (Puchner, P1881). Before the protagonist Gregor’s transformation, he views his life as a working insect being trapped in a society where alienation and decay are rampant because the workers are not happy. Gregor is stuck in prison

Throughout literary history, certain authors are so unique and fresh in their approach to the written word that they come to embody a genre. Franz Kafka is one such author; “Die Verwandlung” or “The Metamorphosis” is one of his works that helped coin the term “Kafkaesque.” Through this novella, Kafka addresses the timeless theme of people exploit-ing others as a means to an end. He demonstrates this point through showing that a family’s unhealthy dependence on the main character results in that character’s dependence on the family.

In the metamorphosis, Kafka captures the absurdist side of grief and human tragedy in the rational description of the impossible. By externalizing the psyche into a nondescript and incongruous milieu, Kafka creates a lacuna between the vicarious premise of literature and his own conception of it. In doing so, the idea of fundamental human separation, and the irrationality of emotion (in essence, humanity) are presented as being as alien as the absurdity of the metamorphosis.

In the short novel The Metamorphosis by Franz Kafka, the novel revolves around the transformation of the protagonist, Gregor Samsa. Gregor wakes up one morning to find himself transformed into an insect, and becomes the main conflict and driving force of the novel. Beyond being a driving force within the book, the transformation in which Gregor undergoes being a literal challenge in his life and his family’s, it serves as an allegorical narrative on isolation. Gregor spends the rest of his life in this state, in to which my personal reaction, surprised me with the way he accepts his life and death.

In the opening lines of German author Franz Kafkas’ short story narrative “The Metamorphosis”, the protagonist Gregor Samsa a disgruntled traveling salesman who lives with and supports his parents and little sister, awakens from a night of unpleasant dreams to find that he has been metamorphosed into a cockroach he calls a “monstrous vermin” (Kafka, page 89). This particularly strange opening sets the stage for in my opinion, a very strange and very vague play. I say this because throughout the whole story we never find out much less are given any clue of how or why he managed to be metamorphosed into this insect. Not to mention what the moral of the story is or the fact that this whole book reads like one big