The Metamorphosis By Franz Kafka

“Conformity is the jailer of freedom and the enemy of growth.” Although perhaps a trivial interpretation of the role of conformity, John F. Kennedy captures the essence of Kafka’s The Metamorphosis by identifying the principle struggle faced by Gregor as he experiences life following his inexplicable transformation “into a horrible vermin.”(1) The Metamorphosis explores the existential dichotomy between the societal pressure of conformity and the individual's drive for meaning, the resulting message being the necessity of societal rejection in achieving true existentialism.

From the Marxist view, the process of the metamorphosis symbolizes the class struggle of the proletariat to break out of a life of being exploited. Such representation is displayed in the similarity between the causes, natures, and endings of Gregor’s transformation and those of proletarian struggles.

“The Metamorphosis” is a surreal story by Franz Kafka surrounding the transformation and betrayal of Gregor Samsa, who wakes up one day, reborn into a large insect. Along with the bizarre and nightmarish appearance of his new hard back, brown segmented belly, and many legs, Gregor only desire is to live a normal life, unfortunately, this is impossible because he struggles to even get out of bed. Gregor transformation into an insect is a vivid metaphor for the alienation of humans from around the world. After losing human form, Gregor is automatically deprived of the right to be a part of society. Franz Kafka could relate to Gregor because he too was mistreated/neglected by his father and worked a job that he was unhappy doing. Franz and Gregor both were providers for their families. Alienation, isolation, and loneliness were not hard to recognize during the Modernity and Modernism time period.

The Metamorphosis by Franz Kafka is a reflection on how alienation and isolation begin and develop in a society by employing the characters in his novella as a representation of society as a whole. Using Gregor’s manager to demonstrate the initiation of isolation and alienation of a person, Gregor as the person being isolated and the inhabitants of the Samsa household as the other members of society, Kafka creates an effective model to represent the hierarchically structured effect of isolationism and alienation in society on a larger scale.

The deeper meaning of “The Metamorphosis”, by Frank Kafka, can be interpreted in many ways depending on critical theory is used to examine it. From a feminist criticism, one can observe how Gregor’s dominance as a male diminishes after he becomes a bug as his sister’s strength and role in the family grows stronger. From a biographical criticism, one can compare and contrast the traits of Gregor and the people around him with that of Kafka’s own life and his relationships. However, the focus of this essay will be applying a psychoanalytical criticism to the characters in “The Metamorphosis”, using the studies of Sigmund Freud to approach

On the surface, “The Metamorphosis” by Franz Kafka is an evocative story of a man transformed into a “monstrous vermin”. It seems to focus on the dark transformation of the story’s protagonist, Gregor, but there is an equal and opposing transformation that happens within Gregor’s family. Although Gregor has physically changed at the beginning of the story, he remains relatively unchanged as the novella progresses. The family, on the other hand, is forced to drastically change how they support themselves. Although the change was unexpected, Gregor’s transformation into a vermin sets into motion a change in the Samsa family that leaves them better off in almost every facet of their lives. Thus, Kafka’s story is not one of descent into darkness, but one of a family’s ascent towards self-actualization. The metamorphosis the title speaks of does not take place in Gregor, but rather in the Samsa Family; consequently, Kafka’s “The Metamorphosis” is not a tale of darkness, disconnection and despair, but rather a story of hope, new beginnings and perseverance.

A metamorphosis can be described as a change in structure, form, or appearance, or as a change in form from one stage to the next in an organism’s life. In Franz Kafka’s novella, “The Metamorphosis”, change is a major theme. The theme of change is significant as the main character, Gregor Samsa, a traveling salesman, undergoes a metamorphosis of his own as he experiences changes living as a giant insect. However, Gregor’s journey through his new life is not subjective, as his transformation provokes significant changes in his family’s dynamics. In fact, Gregor’s transformation into an insect is not the main focus of the novella. Kafka uses Gregor’s metamorphosis as a way to emphasize the more significant metamorphosis within the Samsa

In The Metamorphosis, Franz Kafka conveys the series of emotional and psychological repercussions of a physical transformation that befalls the protagonist, a young salesman called Gregor Samsa. As the story progresses, Gregor finds himself unfairly stigmatized, cruelly rejected because of his clear inability to financially support his family, and consequently increasingly isolated. Through extensive use of symbolism, Kafka is able to relate the surreal and absurd, seemingly arbitrary events of this short story to a general critique of society-particularly on the alienating effects that conformity generates. On a broader level, the combined themes-which include the themes of conformity, freedom, and alienation--found throughout The

Analysis of the story “The Metamorphosis”, by Franz Kafka was written back in the early 1900’s, but reflected a more modern way of thinking and lifestyle of today. Gregor felt that he was a slave to his job, isolated from his co-workers, and misunderstood by his family. Although that is the norm in today’s society, it was not the norm back then. In the story Gregor finds himself transformed into a cockroach and his internal struggles become a permanent reality. Kafka’s choice of the family member to play the role of the cockroach was necessary in portraying the curse of the working man only living each day in hurried lifestyle with no freedom.

"A picture of my existence... would show a useless wooden stake covered in snow... stuck loosely at a slant in the ground in a ploughed field on the edge of a vast open plain on a dark winter night”. — Franz Kafka

On the outside, Franz Kafka’s novella, The Metamorphosis, seems to be just a story of a man who woke up one morning to discover that he transformed into a giant insect. However, with a closer look at Marx’s Communist Manifesto, it exposes a central metaphor that provides the very unlikely story a great deal of relevance to the structure of society and social classes. Gregor Samsa, the protagonist, symbolizes the proletariat or the working class, and his boss signifies the bourgeoisie. The major conflict that forms between the two after Gregor’s metamorphosis leaves him unable to work shows the impersonal and dehumanizing structure of the class system. The metaphor of the story can be separated into three main parts; first, Kafka establishes the characters and the economic classes which they represent.

In Franz Kafka’s “The Metamorphosis,” Gregor Samsa deals with the alienation from his family stemming from both absurd and mundane circumstances. While Gregor’s transformation into a bug is the catalyst to his physical alienation, Gregor had for years been becoming more and more isolated mentally and emotionally from his family due to his displeasure at his having to work a job he hated due to his father’s failings and the lack of gratitude he received from his family for his hard work. It was not just his family who Gregor was becoming isolated from, but it was humanity in general that Gregor had been drifting apart from, as he had not mentioned having any friends or work colleagues which leads the readers to believe he had no social life

Kafka was critical in bringing the new outlook on modern culture and particularly on modern man. Franz Kafka studied the modern man in the face of contemporary culture, and how he was steadfast in retaining his spirituality and identity, and gravitate towards authenticity and happiness. However, Kafka saw how the dehumanizing forces of industrialization and capitalism in the post- the WWI Europe posed a challenge to the modern man. Modern culture can be viewed tolerating and open to all. To Franz Kafka, modern culture coupled with technology is fast changing, and man has to maintain his self-consciousness in order not lose his spirituality and identity amidst these changes (Wintle pp. 708-710). Hence, as modern culture changes with the changing technology, religions are poised to change too, which presents fears to a man about losing his spirituality and identity upon embracing the modern culture. Interestingly, Kafka was mystical in his writings, with a keen interest in themes such as metamorphosis, existential and identity. If we look at “The Metamorphosis,” we can view the idea of how the dehumanizing effects of capitalism and industrialism are indicated within the writings. Kafka contends we become dehumanized with buying power and working too much. The transformation of Gregor seems to indicate a denial of responsibility to the changing forms of society’s conventions and values.

Throughout literary history, certain authors are so unique and fresh in their approach to the written word that they come to embody a genre. Franz Kafka is one such author; “Die Verwandlung” or “The Metamorphosis” is one of his works that helped coin the term “Kafkaesque.” Through this novella, Kafka addresses the timeless theme of people exploit-ing others as a means to an end. He demonstrates this point through showing that a family’s unhealthy dependence on the main character results in that character’s dependence on the family.

But if we study this text with Marxist point of view, we come to know that this whole tale has great relevance to our society. The protagonist of “the metamorphosis”, Gregor Samsa, is representing a working class or proletariat. While on the other hand, his boss who is unnamed in the entire novella represents the middle class or bourgeoisie. So, the entire play deals with the struggle of working class.