The Metamorphosis Literary Analysis

Betrayal is the one thing in which man and woman are all guilty of putting onto one another. “The Metamorphosis” by Franz Kafka is a book related to a boy, named Gregor, who wakes up from his bed and realizes he is transformed into a nasty vermin. His family is befuddled of this transformation Gregor is going through. As a result, betrayal is a vital theme in “The Metamorphosis” and clearly focuses on the downfall of the main character Gregor Samsa. The Samsa family shows treachery, disloyalty and betrayal towards Gregor by showing minimal love, fear towards his abilities, and as well as unfair treatment of his cause.

When individuals are rejected by family and society, they tend to feel abandoned and unloved. In Franz Kafka’s, The Metamorphosis, Gregor’s transformation into a “monstrous vermin” (Kafka 1) results in him being psychologically and even physically abused by his family. Rejection from his mother, sister, and father leave Gregor feeling unwanted and feeling as if he is a terrible burden on the family and their well being.

He glanced out of the window, watching the sky turning from a deep blue shade to a clear, blue, breezy morning. ‘A good day.’ He made a mental note to himself. The sun baked through the curtains, sharpening his enormous shadow. He thought of that fussy factory owner and sighed.

To fully understand the depths of Gregor’s family’s betrayal, it must be mentioned how much he does for his family. His father had once owned a very unsuccessful small business, and when the business went under the family’s financial woes were unimaginable. Gregor saw this and wanted to bring joy to his family again. Kafka states, “At that time Gregor’s sole desire was to do his utmost to help the family to forget as soon as possible the catastrophe that had overwhelmed the business and thrown them all into a state of complete despair” (Kafka 25) He found a job so that

Love in itself is a very complicated emotion, being either the driving force for a great blessing or a pressing burden. When comparing the surrealist chronicle, The Metamorphosis, written by Franz Kafka, and the down-to-earth short story Samsa in Love, written by Haruki Murakami, this idea truly takes form. The Metamorphosis is the story of Gregor Samsa, a young man who works vigorously to support his disconnected family. One morning, Samsa awakens to find spontaneously himself transformed into a giant cockroach. No longer able to support them, the roles are flipped and Gregor is now being cared for and quickly becomes a burden on his family. On the other hand, Samsa in Love transforms Kafka’s original story as in this version, Gregor Samsa

The most obvious metamorphosis is that of Gregor. Throughout his entire life, Gregor has let other people make his decisions for him. The physical metamorphosis that he undergoes is the first occurrence in his life that no one in his family has told him what to do. This change allows Gregor to find his inner self and disconnect himself from the orders and hardships brought out by his family. By means of his transformation into a giant insect, Gregor has been released from his responsibility to support his family without having to assume the guilt of letting them down. He has also changed from the provider to the dependent. Richter brings up the point that the transformation of Gregor was not necessarily a bad one.

In The Metamorphosis, Kafka establishes, through his religious imagery and gospel-esque episodic narration, the character of Gregor Samsa simultaneously as a kind of inverse Messianic figure and a god-like artist, relating the two and thus turning the conventional concept of the literary hero on its ear. The structure of the novel reflects that of the Gospel of Mark in that it is narrated in individual events, and in this it is something of a Künstlerroman - that is, the real metamorphosis is over the course of the novel, rather than just at the beginning, and that change is a heightened sensitivity to the world in an artistic sense. The motif of change is a rather theological one as well: we see it in a religious sense, in the form of

In the time of Kafka the division between Czech and German speaking people in Czechoslovakia was big.

Without the constraints of external forces, is human nature inherently good or evil? In Franz Kafka’s novella, The Metamorphosis, Gregor Samsa’s transformation into a "monstrous vermin” serves as a window into the human psyche. Through lack of obligations, decreased sense of shame, and increased sexual drive, Kafka reveals Gregor’s relationship to the outside world weaken, as his internal instincts grow stronger. Kafka utilizes Gregor’s transformation as a symbol to show the dangerous potential of the human “id”, a term coined by Sigmund Freud, to break down social norms. This psychological venture reveals humanity’s true instincts as animalistic, when not contained through personal and societal pressures.

The Metamorphosis by Franz Kafka was first published in 1915, it portrayed a man named Gregor Samsa, a traveling salesman who is the sole income for his family. He awakes one morning to find out that he turns into a bug. Gregor, facing an unpleasant job leaves no time for himself. The pressure of time and intense monetary ambition of the economic driven world drives Gregor to feel alienated from himself, as well as his family, because of his commitment to provide for them. Gregor’s removal from humanity transcends from his private life into the public realm by impacting his experience and social life.

The Metamorphosis by Franz Kafka is a novella that begins with an absurd concept. A man wakes up one morning to find himself transformed into a giant insect. While this concept for a story is certainly absurd, Kafka contrasts this plot with a rather dull, plain narrative. It may initially seem novel to explain a ridiculous situation in a simple manner, but this causes the novella to be quite boring.

In The Metamorphosis Gregor Samsa is forced to deal with his transformation from a human being into an insect. After his transformation Gregor is no longer able to do everyday ordinary things. He now has to depend on someone to do these things for him. His younger sister, Grete, makes herself responsible for Gregor. She takes it upon herself to make sure that Gregor is fed and his room is cleaned. This leads to the question; why does she place such a huge responsibility on herself? An optimist like Gregor who only sees the good side of people would say it is because she is a loving and caring person. That her brother’s current condition makes her feel sorry for him and

Kafka was critical in bringing the new outlook on modern culture and particularly on modern man. Franz Kafka studied the modern man in the face of contemporary culture, and how he was steadfast in retaining his spirituality and identity, and gravitate towards authenticity and happiness. However, Kafka saw how the dehumanizing forces of industrialization and capitalism in the post- the WWI Europe posed a challenge to the modern man. Modern culture can be viewed tolerating and open to all. To Franz Kafka, modern culture coupled with technology is fast changing, and man has to maintain his self-consciousness in order not lose his spirituality and identity amidst these changes (Wintle pp. 708-710). Hence, as modern culture changes with the changing technology, religions are poised to change too, which presents fears to a man about losing his spirituality and identity upon embracing the modern culture. Interestingly, Kafka was mystical in his writings, with a keen interest in themes such as metamorphosis, existential and identity. If we look at “The Metamorphosis,” we can view the idea of how the dehumanizing effects of capitalism and industrialism are indicated within the writings. Kafka contends we become dehumanized with buying power and working too much. The transformation of Gregor seems to indicate a denial of responsibility to the changing forms of society’s conventions and values.

Like in all fantastic literature, the relationship between the magical element and the rest of the world causes a huge problem. The world as the characters know it does a 180 degree turn around that Rabkin mentions. The family was completely dependent on Gregor before the metamorphosis. Now Mr. Samsa has a job as a bank guard, Mrs. Samsa sews underwear, and Grete is a saleslady, and the family has nothing to do with Gregor. They turned on him when he needed them. This feeling of worthlessness kills him.

Metamorphosis In the short story, Metamorphosis, the narrator describes Gregor’s new life as an insect. He then goes on to describe Gregor’s sister, Grete, with a reflection of Gregor’s opinion in the description. Kafka employs a number of stylistic devices including descriptive imagery, metaphors, and symbolism in the passage to describe the situation.