The Mimetic Tradition

b. Thesis: The main idea of Plato Allegory is the opinion that everything we perceive in this world are reflections of the ultimate forms, which represent reality. And This discussion on Plato’s Allegory help us understand people truth and belief in fake news.

Plato separates reality into two spheres: one of appearance, which is a material world, and one of reality. Plato believes “in a transcendent world of eternal and absolute beings, corresponding to every kind of thing there is, and causing in particular things their essential

many works of this time period. Most of the works are depicting an ideal Greek person

Plato is remembered as one of the worlds best known philosophers who along with his writings are widely studied. Plato was a student of the great Greek philosopher Socrates and later went on to be the teacher of Aristotle. Plato’s writings such as “The Republic”, “Apology” and “Symposium” reveal a great amount of insight on what was central to his worldview. He was a true philosopher as he was constantly searching for wisdom and believed questioning every aspect of life would lead him to the knowledge he sought. He was disgusted with the common occurrence of Greeks not thinking for themselves but simply accepting the popular opinion also known as doxa. Plato believed that we ought to search for and meditate on the ideal versions of beauty, justice, wisdom, and other concepts which he referred to as the forms. His hostility towards doxa, theory of the forms, and perspective on reality were the central ideas that shaped Plato’s worldview and led him to be the great philosopher who is still revered today.

Poetry has a role in society, not only to serve as part of the aesthetics or of the arts. It also gives us a view of what the society is in the context of when it was written and what the author is trying to express through words. The words as a tool in poetry may seem ordinary when used in ordinary circumstance. Yet, these words can hold more emotion and thought, however brief it was presented.

In his essay, “The Allegory of the Cave,” Plato, argues his idea of how to distinguish the reality and truth from that which is a falsehood. Most essentially, he finds it as important to enlighten others that may remain in that

To examine the thoughts of another Greek philosopher, Aristotle would have a much different perspective on Doryphoros. Aristotle felt that imitation was natural for us as humans. He felt that we could learn from imagery that is realistic because it may influence us to examine it more closely. He felt that the creative individual could express the universal, fundamental qualities of human nature, and did not see their work as worthless as Plato did. Polykleitos sculpted athletic nudes such as Doryphoros in ordinance to his mathematical canon, a

Plato and Aristotle are two rhetoricians than had a great impact on the history of rhetoric. Although they were similar in many ways, their use and definition of rhetoric were different. Plato had the more classical approach where he used rhetoric as a means of education to pass down his beliefs and practice of rhetoric to his students. He believed that it should be used to educate the masses, provoking thought, and thereby preserving that knowledge. Plato thought that rhetoric should be used to convey truth, truths already known to the audience, revealed through that dialectic critical thought. Plato also operated on absolute truths, things that are right or wrong, black or white. Aristotle was more modern in that he used rhetoric as a

This paper discussed The Allegory of The Cave in Plato's Republic, and tries to unfold the messages Plato wishes to convey with regard to his conception of reality, knowledge and education.

He writes, “when turned towards the twilight of becoming and perishing, then [the soul] has opinion only, and goes blinking about, and seems to have no intelligence” (Book VI, p. 25). By establishing opinion as the opposite to the ultimate good, and by definition, the ultimate evil, he criticizes the use of rhetoric and persuasion while praising to his long-winded, circuitous form of writing. By continually asking questions and telling parables, Plato avoids direct advocation of his beliefs and allows his readers to discover the truth for themselves, rather than to be coerced through eloquent language.

This portrayal of emotions, of the inferior part of the soul, in Plato’s beliefs, “awakens and nourishes and strengthens the feelings and impairs the reason.” (41) Plato considers this indulgence irrational and useless. The superior and rational person (the ideal statesman) would pride himself on the opposite qualities and in times of sorrow or passion would suppress urges to openly sorrow or indulge in pleasures. Summing up Plato’s philosophy, the imitative artist is a long way from the truth and can write or paint any and all things because he does not know about the subjects he creates; he denies the rational principle of the soul and overly indulges in emotion resulting in the neglect of justice and virtue, (45) and has not found a proper purpose in the ideal state.

Perhaps the most basic and essential function of poetry is to evoke a particular response in the reader. The poet,

With the Imitation theory “IT”, Danto is disagreeing with Socrates in that art is not just mere imitation. Socrates believed that art, like a mirror, shows us a duplicate and accurate image of the appearance of something. However, Danto does not agree completely with this imitation theory because if it were true then, “mirror images are art.” Danto goes on to say that a lot of artists did try to imitate nature in art, but with the invention of photography “mimesis was quickly discarded.” The goal of art being to imitate then was incorrect.

As literary critics, Plato and Aristotle disagree profoundly about the value of art in human society. Plato attempts to strip artists of the power and prominence they enjoy in his society, while Aristotle tries to develop a method of inquiry to determine the merits of an individual work of art. It is interesting to note that these two disparate notions of art are based upon the same fundamental assumption: that art is a form of mimesis, imitation. Both philosophers are concerned with the artist's ability to have significant impact on others. It is the imitative function of art which promotes disdain in Plato and curiosity in Aristotle. Examining the reality that art

Plato argued that true knowledge was not obtained through the knowledge of the physical world around us, but from these unchanging ideas. Plato’s theory of knowledge is well explained through his discussion of the Divided Line; a line divided into two unequal parts. One section represents the visible order and the other intelligible order, relating to opinion and knowledge, respectively. The stages of cognition flow upwards: imagining, belief, thinking, and intelligence. The visible, changing world of opinion begins with the awareness of images through perception. Awareness of images can include