The Minds Of Humans Are Imperfect

For men, though, the choice was remained their own. De Erauso demonstrates this when she, in the role of a man, evades multiple proposals in order to remain free and mobile. This shows that while women were tied down in society and expected to have a man settle with them, men had the opportunity to continue to travel freely and independently. The idea is that women were forced by society to be entirely dependent in order to hold an advantageous position in life. Tied in with this theme of masculine freedom exists the matter of fighting. De Erauso displays her ability to duel for her pride on many occasions, and this is something that she would be incapable of doing in the role of a woman. Only men were allowed the outlet of fighting in order to assert dominance, whereas women had no dominance at all. Women were expected to be entirely passive and dependent (Bentley & Ziegler, 534). In one case in specific, a woman de Erauso encounters, doña Catalina, even hires an Indian man to attack another woman for her because she did not have the societal freedom to do so herself (Erauso, 36). In the realm of outward violence, women were greatly restricted while men had no limitations other than the law above them. De Erauso explores this freedom in the form of fighting, gambling, and being reckless in general. Had she been presented as a woman in these scenarios, she would have suffered far more

In this essay, female oppression in La Casa de Bernarda Alba will be discussed and analyzed. However, in order to be able to understand the importance of this theme and the impact it has had on the play, one must first understand the role of female oppression in the Spanish society in the 1930s.

An assumption that the authors make towards their audience is that cared about wealth and presentation. Overall, calling the audience highly judgemental. The living styles for “tortilleras” were very different from La China. The poor inhabitants of Mexico city lived in houses, divided into many rooms and shared with many people. The most impoverished lived on the floor, which I'm sure you could imagine was extremely uncomfortable. The woman would walk around barefoot covered in poor ugly clothing, they were not well kept whatsoever. They all slept together side by side on the floor along with their families. Their earnings were low and their lives very much depended on their workload. These were the real woman who held down Mexico. These were the real representations of women in latin America. Hard working woman who had to sacrifice for the well-being of themselves as well as their families.

Marin said that “she’s going to get a real job downtown because that’s where the best jobs are, since you always get to look beautiful and get to wear nice clothes and can meet someone in the subway who might marry you and take you to live in a big house faraway.” (Cisneros,26-27) This mean she will change her life with man not her own. In this story’s background society is woman should work in a house and man should go outside and make money so this is like man should protect woman. Also, another character that similar with Marin is Rafaela. She is beautiful so her husband didn’t let her go outside of her house. Then, she never left outside and she just look outside through the window. This can be said that women rely on men and leave all responsibilities for men. In the past, this thought, same as them is very normal but as time passes, most people agree for gender equality. Then, literally, gender is being equal. But, Esperanza thought that woman should live in recognition of these thoughts and consider them after she met normal woman in that

All four sisters reject their stereotypical role as women in the society by standing up for their beliefs and the revolution. When Minerva said,” It’s about time we women had a voice in running our country,”(Alvarez ?Chapter 1?) shows how outspoken she is about her country. The way Minerva demands equality shows the influence that men have over women in the Dominican culture. During the 1960s, the men expected women to be housewives, and to just cook and clean. In the book when Jaimito says,” The Mirabal sisters like to run their men, that was the problem. In his house, we was the one to wear the pants.”(Alvarez, 176-177) That shows that men expect women to be below them.

Based on Cisneros’ works of literature, gender roles in a Hispanic culture revolves around patriarchal rule. The repercussions of a patriarchal rule includes the limitations of female liberation and development. Cleofilas’ abusive situation exemplifies the limitations of her independence and development as she can not make her own decisions and has to solely depend on her husband. This situation is illustrated when Cleofilas explains that the towns are “built so that you have to depend on husbands... You can drive only if you’re rich enough to own and drive an own car. There is no place to go” (Cisneros 628). Cleofilas reveals that men are the dominant gender and have more authority, and that women are compelled to depend on them in her society. It is an exceptionally rare case that a woman can afford her own car, for the men usually control the finances in a household. Additionally, Cleofilas has nowhere to seek refuge from her husband. Although she yearns to return to her father’s home, she decides not to due to the social standards imposed on her. In her society, the act of returning home after marriage is socially unacceptable. She understands that her family will be viewed in a negative light if she were to return home, as seen when Cleofilas refers to her town as a “town of gossips” (627). Similar to other men in the society, Juan Pedro’s authority is shown through his abuse. Cleofilas recalls, “He slapped her once, and then again, and again; until the lip split and bled an orchid of blood” (626).

Martirio once had a man interested in her but that opportunity was snatched away from her by Bernarda. On page 191 Poncia says, “Martirio is lovesick, I don't care what you say. Why didn't you let her marry enrique Humanas? Why, on the very day he was coming to her window did you send him a message not to come? And Bernarda responded, “... My blood won’t mingle with the Humanas’ while I live!” This is an example of how different Martirio’s circumstances were from Adela and Angustias. Martirio was repressed from her desire for freedom from her mother and became jealous when her sister’s were not denied in the same way. These two themes lead the characters to believe that escaping one prison will make them free, only to be confined to another. This is the situation the women in the play recognize as a inner conflict. An example of this is on page 169 when Amelia says, “These days a girl doesn't know whether to have a beau or not.” Additionally, On page 208 Adela says, “ I can't stand this horrible house after the taste of his mouth. I’ll be what he wants me to be.” This quote shows how the girls view men as an escape from their sheltered home. Men represent freedom as well as repression. For Example, On page 169 it says “... Her sweetheart doesn't let her go out even to the front doorstep.” This shows us that Bernarda’s daughters realize if they stay at home forever, they will be controlled by their mother,

In “Lieutenant Nun: Memoir of a Transvestite in the New World” by Catalina de Erauso, a female-born transvestite conquers the Spanish World on her journey to disguise herself as a man and inflicts violence both on and off the battlefield. Catalina discovers her hidden role in society as she compares herself to her brothers advantage in life, as they are granted money and freedom in living their own lives. Erauso decides to take action of this act of inequality by forming a rebellion, as she pledges to threaten the social order.The gender roles allotted to both men and women in the Spanish world represent the significance of societal expectations in order to identify the importance of gender in determining one’s position in the social order in the Spanish World.

In Genesis the word of God leads humanity in the direction of self preservation, urging them to procreate, to ”Be fruitful and multiply” (Genesis 9:1), and to minimize hostility and violence among people. As Freud asserted, “Besides the instinct to preserve living substance and join it into ever larger units, there must exist another, contrary instinct seeking to dissolve those units and bring them back to their primeval, inorganic state” (Freud 77). Genesis exemplifies the struggle between the two opposing human instincts, with God acting as a moderator between them. Forms of justice are put into place in an attempt to control these drives, one example being the proclamation that “Whoever sheds the blood of a human, by a human shall that person’s blood be shed” (Genesis 9:6). The ethics and laws that develop throughout Genesis seek to “prevent the crudest excesses of brutal violence” but are unable to control “the more cautious and refined manifestations of human aggressiveness” (Freud 70). Since they cannot be completely eradicated, the scriptures instead play into the more negative aspects of human nature, especially narcissism, and manipulate them into a force for conservation rather than annihilation.

Tabitha Gilman Tenney’s Female Quixotism is set in an unnamed town in Pennsylvania, United States during the nineteenth century. The plot focuses on a woman named Dorcas Sheldon, who renames herself as Dorcasina, and her quest for love. As the title suggests, Dorcasina’s character is much like Miguel de Cervantes’ character, Don Quixote. She has convinced herself that the dramatic stories that she reads in romance novels reflect how courtship and love should be in real life, and refuses to accept anything less than the floral language and obsession that the characters have for their lovers in her novels. Because of this, Dorcasina becomes the target of untrustworthy men who exploit her delusion in an attempt to marry her and thusly gain control of her fortune. Female Quioxtism is a satirical commentary on the social norms of nineteenth century North America, and emphasizes many views that people of that time held. An example of this is the character of O’Connor, the first man who embodies Dorcasina’s romantic ideal. Tenney uses derogatory stereotypes about Irish people to portray O’Connor as a manipulative and deceitful lover, preying on Dorcasina’s delusions for his personal gain.

Women’s Escape into Misery Women’s need for male support and their husband’s constant degradation of them was a recurring theme in the book House on Mango Street. Many of Esperanza’s stories were about women’s dreams of marrying, the perfect husband and having the perfect family and home. Sally, Rafaela, and Minerva are women who gave me the impression of [damsel’s in distress].CLICHÉ, it’s ok though. It’s relevant They wished for a man to sweep them of their feet and rescue them from their present misery. These characters are inspiring and strong but they are unable to escape the repression of the surrounding environment. *Cisneros presents a rigid world in which they lived in, and left them no other hope but to get married.

To begin, the protagonist Clemencia is like a chameleon, who can blend into any social event and with any class of wealth when she says ““I’m amphibious. I’m a person who doesn’t belong to any class. The rich like to have me around because they envy my creativity; they know they can’t buy that. The poor don’t mind if I live in their neighborhood because they know I’m poor like they are, even if my education and the way I dress keeps us worlds apart”(Cisneros 71,72). Clemencia is a woman who knows how to talk and have a good time. By nature she is a very creative being who loves to impress by wearing the best clothes, and show off to anyone to make herself seem better than others. (Cisneros 71). Clemencia is poor and does not have much being that she works for the school system as a translator, and other various positions. But acts rich and very wealthy to all of her friends (Cisneros 72). This connects with the myth of La Malinche, of how the character is a bad woman who sleeps with lots of men.

The notion that women belong to men, is a statement indicative of a female’s vulnerability. At many times within the novel, the idea that women are weak and feeble creatures is portrayed,

Lope de Vega’s play touches upon several key components and ideas that were brought up in many of the other stories read throughout the semester. This included the role of gender and how men and women are viewed differently in the Spaniard town of Fuenteovejuna. Another topic included the importance of family, love, and relationships and their connection on loyalty, trust, and personal beliefs. The last major influence found in other literature and in Fuenteovejuna, were the political and religious references made throughout the play. Even though Lope de Vega didn’t make these views obvious, the reader could still pick up on their connotation and the references made towards these specific ideas. With all of this in mind, each of these

The flaws of human nature are many, but one of the biggest is the gullibility, especially in the presence of the supernatural. It is often easy to think that the thoughts or actions of an individual are of their own doing. It is even easier to assume that the range of the mind falls between good and evil. But society is not quite clear and even in fiction, there is always something motivating an action that lingers in the back of the mind of any character. The supernatural in particular is known for its ability to push people to extremes and alter their perception drastically. In Shakespeare’s Macbeth, it is easy to assume the blind ambition that brews within Macbeth and his wife or the guilt that plagues them following their actions is the biggest motivator. But that is just the surface of the complexity interlaced into this tragedy. Dig further, and it becomes clear that these emotions were not always prevalent in the characters, but were instead prompted by a force so powerful, it toyed with fate and provoked deception until the end; it was the supernatural that fueled the emotions and actions that take up much of the play.