The Minor Characters By Patrick Suskind 's Perfume Had A Direct Impact On The Evolution Of Grenouille

    During the time this novella was written woman had no say and had to just conform to what the head of the house said and if they did not like it then “tough luck”. This was definitely shown in Metamorphosis because Grete did not speak out of turn to her father and was sure to mind what she said around her mother and brother.

They believed that "the Griersons held themselves a little too high for what they really were (Perrine's 284)." No man was good enough for her by her father and by the time she was thirty she was still unwed. After her father died, the people finally had a reason to fell bad for her. She was alone in the world with only her house left; this left her humanized.

Grendel starts off his life story by explaining how he is always on the outside of everyone and everything. “Pointless, ridiculous monster crouched in the shadows, stinking of dead men, murdered children, martyred cows....Ah, sad one, poor old freak!” (6). Further throughout the novel, Grendel’s feelings of isolation increase when he realizes the dragon has placed a spell upon him. “Though I scorned them, sometimes hated them, there had been something between myself and men when we could fight. Now, invulnerable, I was as solitary as one live tree in a vast landscape of coal.” (76). Grendel’s consistent separation from the rest of the society causes the reader to feel sorry for him, despite all of his wrongdoings. The only thing that Grendel wishes for is a companion, making him relatable to readers who may feel alone. Grendel is a relatable character that readers may be able to sympathize with because of his isolation and constant feeling of being

The poem “Chevrefoil (The Honeysuckle)” by Marie De France gladly spoke about lovers whose love was “so true, so pure” that it caused them to suffer and die on the same day (De France 167). This lay explores the themes of inseparable love, while keeping true to the underlying meaning of the hazel tree and the honeysuckle, while the speaker of the poem carries a jovial yet melancholy tone throughout the lay.

The book, “One Flew Over the Cuckoo’s Nest,” is a story about the exploits of the struggling patients of a psychiatric ward, an overbearing nurse, and a vulgar but lively new admission. Within this particular story, Kesey implements thematic elements in the story. These elements are known as motifs in which gives the story a deeper meaning including the characters as well. Three motifs are used to influence the reader’s understanding of the story which are the fog, the religious Christ aspect, and people as machines. Throughout the novel these elements are heavily noticed and do provide such deep meaning to the characters and story. With this in mind this makes the story more of a true experience.

Whenever grendel is around people, he has a natural inclination to dislike them because they do not Grendel as he is. Grendel’s mother can speak and understand little amount of the human language and due to the unfair treatment from society, Grendel hates his mother. He thinks she is going to become like society and deep down, feels she will leave him too. This is why he is always picking fights with her, yelling at her, or showing disgust. Due to the isolation he creates, Grendel suffers from attachment issues and a lack of connection. This lack of connection to the public, leaves Grendel with his thoughts and self doubt. He is left alone. “I understand that the world was nothing: a mechanical chaos of casual, brute enmity on which we stupidly impose our hopes and fears. I understood that, finally and absolutely, I alone exist. all the rest, I saw, is merely what pushes me, or what I push against, blindly - as blindly as all that is not myself pushes back. I create the whole universe, blink by blink.” ― John Gardner, Grendel

As the story continues, we begin see and smell the world through Grenouille and somewhat adapt to his unnatural personality. Whatever attachment the reader has with Grenouille at this point is suddenly crippled when he commits his first murder. Although a point of view is given through the victim’s senses as well as Grenouille’s, there is a sudden shock to the discovery his deadly intentions, which up until now no one, not even himself, thought he was capable of: “he did not look at her, did not see her delicate, freckled face, her red lips, her large sparkling green eyes, keeping his eyes closed tight as he strangled her, for he had only one concern—not to lose the least trace of her scent” (42, Ch. 8). By painting a vivid picture of a beautiful innocent girl that Grenouille could not see (as he was closing his eyes), the narrator leaves readers with only feelings of disgust towards Grenouille and his selfish, cold-blooded thirst for scent. This situation could only been sufficiently told through the narrative mode used, and now readers begin to lose all sympathy towards

Throughout her early childhood, she ignores her father's drunken escapades, and thinks of him as a loving father and excellent teacher of the wild. It isn't until her junior year of high school that she realizes the indisputable flaws her father has. She resents Dad's drinking and how he constantly lets her and the rest of the family down yet never openly admits it or allows his flaws to be discussed. Jeannette also begins to resent her mother, whom she’s never been close to. Some cause of her resentment includes her mom’s refusal to hold down a job long enough to provide her kids with a stable food supply, especially since Rex won’t be providing like he says he will. This resentment eventually motivates her to move away from her parents and Welch. She ends up in New York City with her sister Lori in which she focuses on her studies and becomes a successful journalist. Jeannette is a natural forgiver and it shows even when she moves away from her parents, but this doesn’t stop her from being haunted by her past and with her transition from poverty into the upper-middle class. By the end of the novel, Jeannette is a symbol of the resilience and

In “The Birthmark” the relationships and behaviors of the character reveal much more than the story itself does. The characters of Aylmer, Georgian, Amenidab and Nature itself, through their words, actions, and behaviors give insight into a much more meaningful story. A deeper analysis of the characters reveals that they are archetypes, and as archetypes they provide a deeper hidden meaning to the story. By looking at Aylmer, Georgiana, Amenidab and Natures relationships and actions throughout the story we can see how they are used to give deeper significance.

Sin, a dark and powerful force, twists the soul and warps the mind to the point where it leaves society with unconquerable difficulties in everyday life. Nathaniel Hawthorne, quite successfully, uses literature to its full potential in order to express sins presence in life. He uses the short story, “The Birthmark” to express this theme. In this story, a man by name Aylmer for the first time sees a small defect in his otherwise beautiful wife, Georgiana. When Aylmer mentions it to her, she feels hurt, but it does not seem to affect her self-image. However, as time went on, the birthmark started to bother her causing her to believe she was flawed and in need of fixing. With the assistance of Aylmer's servant, Aminadab, Aylmer creates a miracle drug that would cure his wife of her imperfection: the birthmark. The possibly deadly drug incites fear in her husband; however, the blemish on her face troubles her, as well as her husband, to the point where she believes her life means nothing unless she could get it removed. After much meticulous preparation, the wife takes the cure. At first, everything seems well as her birthmark faded, however soon everything goes wrong, and Georgina has a terrible reaction. Soon after taking the cure she dies, leaving Aylmer heartbroken and alone without his wife. In, “The Birthmark,” Nathaniel Hawthorne brings to light sin’s presence in society through the use of allusions, symbolism, color, and beauty.

Written by Nathaniel Hawthorne during the American Renaissance, the short story “The Birth-Mark” details the events of a brilliant scientist and natural philosopher named Aylmer who obsesses about his wife Georgiana’s birthmark in the shape of a tiny hand on her left cheek. The symbol of the birthmark causes the plot to advance in the story, as Aylmer is compelled by this red mark to act upon his emotions. Aylmer views his wife’s birthmark as an imperfection in her virtually flawless beauty and as a result, attempts to it via a potion that he strongly believes cannot fail. His interpretation of the birthmark creates conflict in the story, which is shaped by the symbolic meaning that he attributes it to. Aylmer’s failure to accept his wife’s appearance for who she is leads to misunderstandings, pain, and ultimately, death.

In “The Birthmark”, the relationships and behaviors of the characters play a significant role in the story by revealing more than the story itself does . Through the character’ different actions, characteristics, and behaviors, Nathaniel Hawthorne gives a deeper insight into his life, such as revealing his worldview to his readers, and also gives insight into a more relevant story. Hawthorne’s transcendentalist worldview is conveyed through Aylmer’s and Georgiana’s obsessions, Aylmer’s manipulation of nature, and the birthmark.

people through the relationships of the story's main characters. The lovely and yet poisonous Beatrice, the

The novel starts out with Meursault getting a telegram saying that his mother had died. He takes time off work to go to her funeral and completely fail to show the emotion that the reader expects to see of a son towards his recently passed mother. First and foremost, when he arrives, the coffin is

Grendel’s mom never paid any mind to their culture’s ideas of what a woman’s place was in their society. She turned the idea upside down and inside out. Making every man and woman fear her,