The Misinterpretation Of African Americans

Citizen, written by Claudia Rankine in 2014, narrates testimonies of systematic racism and every day micro aggressions through poems, essays, scripts and images. Rankine documents the racist encounters through the second person point of view for the reader to feel and understand the effects racism has on the body and mind. This paper will examine hypervisibility and invisibility of the black body embedded in the novel because of decades of racism. Rankine emphasizes the sensory emotions and feelings of the black body as a response to America’s reluctance to recognize and empathize with black men and women.

When one thinks of a “citizen”, they often imagine the process of gaining the title of becoming a citizen within a country. But often times people do not think of “citizen” or “citizenship” to be connected to race. In Claudia Rankine’s book “Citizen”, she takes time to discuss and display specific moments that have happened in the lives of African Americans who live in the United States. By doing so, she is investigating in depth of what it means to be a Black American “citizen” today in society. These stories, although reflecting upon minuscule moments, paint a large picture of the true reality of racism in America very prevalent today. In context to Rankine’s Citizen and other supporting documents such as Keywords: “Citizenship”, White Like Me and Cops See it Differently it can be proven that racial bias deprives full Black American citizens of “citizenship” within everyday society.

Have you ever wondered how far back in our history the world has been full of hate, prejudice, and rage? It has been seen in the form of war, mass genocide, enslavement, and even something minimal compared to the others, like riots and looting for centuries. Despite this common knowledge, there are many forms of violence, injustice, and rage that go unseen. Carol Anderson’s, White Rage, dives deep into the idea that maybe the worst forms of rage do not come from the most obvious and attention-capturing events, but the ones who stay hidden and subside deep in their privileged and ‘noble’ positions. She wants to show you, through the eyes of a minority, what it is like to constantly be looked past and looked down upon. Anderson argues the fact that no matter how many laws and regulations are put into place to cease the existence of racism, the rage in America continues to thwart African American advancement. Through precisely compelling choice of words and a structural design that pulls everything apart only to piece it back together to form a much larger picture, Anderson brings rage, the white rage, into a new and different light. This shows readers the depth of the racial problems in our country through a recap of groundbreaking historical events, advancing or obstructing African Americans, along with the white backlash.

Asians always have perfect scores on the test and aspire to be doctors. African Americans have serious attitudes, are thugs and live in poverty. While all Hispanics are illegal immigrants, who can not speak English and commit vicious crimes. If you watch much television, all of these previous statements may seem true. Television is a powerful source of knowledge that in some ways help us understand others in humanity and ourselves.

Today racial inequality is ongoing whether you are aware of it or not. We have come a long way from segregated seats to public transportation. The issue of race and race relations has really scarred the history of this nation and has been a constant reminder of the horrors people endured as a result of race relations in this country. The ideas from both of the readings explain how black Americans faced hatred and violence because they were viewed as less then. The writings also include how each leader is trying to change the world’s view of

Between the World and Me has been called a book about race, but the author argues that race itself is a flawed, if anything, nothing more than a pretext for racism. Early in the book he writes, “Race, is the child of racism, not the father.” The idea of race has been so important in the history of America and in the self-identification of its people and racial designations have literally marked the difference between life and death in some instances. How does discrediting the idea of race as an immutable, unchangeable fact changes the way we look at our history? Ourselves? In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and the current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the

Rankine’s extensive use of second person point-of-view establishes both directness and vagueness. Throughout the book, the reader experiences racism directly and indirectly, and acts as the author’s medium for expressing ideas and emotions. In one instance, we’re presumably placed in the shoes of a 12-year old Rankine, who allows a fellow student to cheat off of her exam, “You assume she thinks she is thanking you for letting her cheat and feels better cheating from an almost white person” (19). The occurrence is described passingly, as if it was one of many microaggressions young Rankine has experienced in the past. These seemingly normal happenings contrast with the book’s thought-provoking images; a street sign that reads “Jim Crow Road” is pictured after the aforementioned incident (21). Rankine utilizes these contrasts to force the reader to think deeply about

This Social-Self manifest in Citizen: An American Lyric, “A friend argues that Americans battle between the 'historical self' and the 'self self’.”' (Rankine 2014). Citizen helps the reader understand that the small everyday acts of racism can accumulate and potentially become toxic, this includes: being skipped in line at the pharmacy by a white man, because he has failed to notice you in front of him; being told approvingly, as a schoolchild, that your features are like those of a white person; being furiously accosted by a trauma therapist who does not believe that the patient she is expecting could look like you. Written by poet, essayist, and playwright Claudia Rankine. Rankine discusses the microaggressions, which is defined as the

In Citizen, by Claudia Rankine, it brings to perspective to what the black experience in America is very much like. With that, in even in the modern day and to not much shock, there is still immense racism that flows through this countries veins. While it is not like Jim Crow necessarily, it is still the same problematic issue, just in a new form. A good example of this would be many of the events that occur in Rankine’s book, however, a specific example would be one that is one page thirteen. Her example resonated with myself because affirmative action is a hot topic around the time of college applications, and every year there is always some student who did not get accepted into a certain college; trying to over turn their rejection they say that due to that fact they are White, they were not accepted because of affirmative action.

Citizen, is a book by the author Claudia Rankine, who was born in Jamaica, and then immigrated to the US at a young age. After seemingly absorbing and understanding the culture of America, she writes the book Citizen, to not only define violence, but as a voice to black individuals on the racism and violence they face daily. The book does a very good job of putting the reader in the shoes of a black individual in America, without not making it believable. The book has its own style, which is used to show the violence that blacks face daily. This book was the perfect addition to the course in the sense it unwittingly attempts to answer the question, “How does it feel to be a problem?”.

It doesn’t take long to figure out that race and ethnicity issues continue to affect America - a quick glance at the news will show the latest riot, hate crime, or police brutality incident. This centuries old struggle has given rise to a number of literary works on the topic, many of which take a different approach to the issue. W.E.B. Du Bois, for instance, published the work The Souls of Black Folk in 1903, arguing for blacks’ right to equality in a horrifically segregated society. In these essays, Du Bois coined the term “double-consciousness,” wherein those with black skin must view the world both from their own perspective, and from the perspective of the predominately white society. The short story Recitatif by Toni Morrison explores this concept through the removal of the characters’ races, and the film Do the Right Thing, directed by Spike Lee, tells a story to demonstrate it. While the former shows double-consciousness through the usage of ambiguity, the latter almost directly references the concept. Taken together, these two sources argue a multi-faceted version double-consciousness, wherein society alienates the characters in ways that go beyond just the color of one’s skin.

Race and its restrictions are constructed by society. Racial rules are made and then reinforced by white supremacy and privilege. Due to these cultural expectations, we are all always in a defensive and questioning position. These expectations inspired me to take a series of photos that express the conflict between the external struggles conform to societies expectations of confrontation. It is also intended to make a commentary on the want to be an ally to each other. That grief and support are universal feelings. Race is an unnecessary focal point that we have created to imprison ourselves. Attending the Writing Race in the U.S.: An Exploration of African American Literature and Critical Race Theory class has significantly altered my view of race and racism. I now know that racism is not only projected by those

I would argue that most of the images in which society has provided the African American community with are negative images of “African American” women. For example, on VH1 there are shows like Basketball Wives, and Love and Hip Hop in which from the surface appears to be a group of friends that like to hang out, shop and party however, as you watch the show the ladies are depicted as hypersexual, sex objects, violent, hostile, aggressive and use derogatory terms when referring to each other. This is a problem due to the fact African American adolescents do not have enough positive images in which they can utilize in assisting them in developing a positive self-image, self-esteem or just a general idea of self-worth. With there being a lack

There have been numerous experiences that have aid to shape his attitude towards Blacks. Like stated earlier his grandfather was a huge influence, so that he looked up this man because all the accomplishments he had done in his life course. He spent hours after school in his grandpa’s home before his parents would pick him. all that time he spent it around his grandpa following him around, and he had various stories that he would tell to the social worker, and after each of the stories he would remind the him to be proud of his race and to not let any other race make him think otherwise specially blacks. It was going for the social worker now reflecting back his grandpa would emphasize it on blacks. The greatest story he told was that he almost

Citizen, written by Claudia Rankine in 2014, narrates testimonies of systematic racism and every day micro aggressions through poems, essays, scripts and images. Rankine documents the racist encounters through the second person point of view for the reader to feel and understand the effects racism has on the body and mind. This paper will examine hypervisibility and invisibility of the black body embedded in the novel because of decades of racism. Rankine emphasizes the sensory emotions and feelings of the black body as a response to America’s reluctance to recognize and empathize with black men and women.